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Slow Dance (Anthony Phillips Album)
''Slow Dance'' is a studio album by English musician and songwriter Anthony Phillips, released in September 1990 on Virgin Records. It is a 50-minute instrumental suite divided into two parts. The music was composed by Phillips and performed by himself with additional musicians. Background and writing In the 1980s, Phillips's musical output had changed direction towards "very simple albums, trying to do pop stuff just to stay alive". However, the lack of commercial success with his releases led him to focus on his ''Private Parts & Pieces'' series of albums that centred around pieces of a smaller scale. The rise in new-age music towards the end of the decade had prompted him to "crank it up a bit" and gather material of an orchestral nature that he had written years before and combine it with fresh ideas for a new studio album of a large scale. This marked his first "full-scale" album since the release of ''Invisible Men'' (1983), during which he was able to collect a considerable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Phillips
Anthony Edwin Phillips (born 23 December 1951) is an English musician, songwriter, producer and singer who gained prominence as the original lead guitarist of the rock band Genesis, from 1967 to 1970. He left in July 1970 and learned to play more instruments, before he began a solo career. His departure from Genesis on the eve of the group's breakthrough to mainstream popularity has led him to be popularly dubbed "the Pete Best of progressive rock" (though unlike Best, Phillips left voluntarily). Phillips released his first solo album, ''The Geese & the Ghost'', in 1977. He continues to release solo material, including further solo albums, television and film music, collaborations with several artists, and compilation albums of his recordings. Early life Phillips was born on 23 December 1951 in Chiswick, England. He attended a preparatory school, during which he formed a group and took part in a performance of "My Old Man's a Dustman" in the school hut as the singer, but for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP 2600
The ARP 2600 is a semi-modular analog subtractive audio synthesizer produced by ARP Instruments, Inc. History Developed by a design team headed by ARP namesake Allen R. Pearlman and engineer Dennis Colin, the ARP 2600 was introduced in 1971 as the successor to ARP's first instrument, the ARP 2500, at a retail price of US$2600. Unlike other modular systems of the time, which required modules to be purchased individually and wired by the user, the 2600 was semi-modular with a fixed selection of basic synthesizer components internally pre-wired, with clear text labels and front panel screen printed graphics indicating the function of different sections of controls, and the signal flow between them. The 2600 was thus ideal for musicians new to synthesis, due to its ability to be operated either with or without patch cords. On its initial release it was heavily marketed to high schools and universities. Features and architecture The ARP 2600 features three VCOs, a 4-pole (24 dB ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavyn Wright
Gavyn Wright is a British violinist and orchestra leader with the London Session Orchestra and Penguin Cafe Orchestra. He is best known for his orchestral arrangements on pop productions (including Elton John, Simply Red, Bush, Mecano, Oasis, Gordon Haskell, Donna Lewis, Tina Turner, Italian singer-songwriter Alice, Lucio Battisti, Van Morrison) as well as numerous TV and movie soundtracks (including ''Shrek'' 1 and 2, ''The Constant Gardener'', ''Stuart Little'', ''Batman Begins'', ''The Black Dahlia'', ''Shakespeare in Love'', '' 12 Monkeys'', ''The Last Emperor'', ''We Were Soldiers'', '' Shall We Dance?''). External linksDiscographyat DiscogsFilmographyat the New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ... British classical violinists British male ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Stratocaster
The Fender Stratocaster, colloquially known as the Strat, is a model of electric guitar designed from 1952 into 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster since 1954. It is a double- cutaway guitar, with an extended top "horn" shape for balance. Along with the Gibson Les Paul, Gibson SG, and Fender Telecaster, it is one of the most-often emulated electric guitar shapes. "Stratocaster" and "Strat" are trademark terms belonging to Fender. Guitars that duplicate the Stratocaster by other manufacturers are sometimes called ''S-Type'' or ''ST-type'' guitars. The guitar introduced into the popular market several features that were innovative for electric guitars in the mid-1950s. The distinctive body shape, which has become commonplace among electric guitars, was revolutionary for the time period, and for the first time a mass-market electric guitar did not significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esoteric Recordings
Esoteric Recordings is a UK independent record label specialising in 1970s progressive rock, folk, psychedelic, and jazz-rock reissues as part of Cherry Red Records. Its releases include both catalogue reissues and new works from artists who share a similar musical heritage. The label's founder is Mark Powell, who has been a freelance music consultant for Universal, Sony and EMI since 2000; he has also worked with Soft Machine, Caravan, Camel, Man, and Hawkwind, as well as producing label retrospectives covering Deram, Decca, Vertigo, Harvest and United Artists. His consultancy work led to the formation of an independent reissue label, titled Eclectic Discs, to license overlooked releases he considered worthwhile but weren't of sufficient commercial stature to interest major labels. Other releases are sourced from the artists themselves, while the label has also been involved in the release of DVD material from artists including Barclay James Harvest. Speaking in 2008, Powe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Field Day (Anthony Phillips Album)
''Field Day'' is a studio double album by English multi-instrumentalist and composer Anthony Phillips, released in October 2005 by Blueprint Records. Background The project was conceived in September 2001, when Phillips decided to start on a proposed "quickie" instrumental guitar album. This would be his first guitar album since ''Private Parts & Pieces V: Twelve'' released in 1985, and until the early 2000s, his albums contained little fresh material. By this time in his career, Phillips had considered himself "a stranger to the world of guitars", and upon entering a break in producing keyboard-based television music, thought it was the right time to practise his guitar playing. Phillips took each acoustic guitar he had and practised for two or three hours each day, "in a state of great excitement but chronic rustiness". After three weeks, he went through recordings of what he had played and selected the strongest sections to arrange into a complete composition for recording. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Library Music
Production music (also known as stock music or library music) is recorded music that can be licensed to customers for use in film, television, radio and other media. Often, the music is produced and owned by production music libraries. Background Unlike popular and classical music publishers, who typically own less than 50 percent of the copyright in a composition, production music libraries own all of the copyrights of their music. Thus, it can be licensed without the composer's permission, as is necessary in licensing music from normal publishers. This is because virtually all music created for music libraries is done on a work-for-hire basis. Production music is a convenient solution for media producers—they are able to license any piece of music in the library at a reasonable rate, whereas a specially commissioned work could be prohibitively expensive. Similarly, licensing a well-known piece of popular music could cost anywhere from tens to hundreds of thousands of dollar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Ricotti
Frank Ricotti (born 31 January 1949) is an English jazz vibraphonist and percussionist. Early life and education Ricotti was born in London, England. His father was a drummer. Bill Ashton, founder of the National Youth Jazz Orchestra (NYJO), was an early mentor. As a teenager, Ricotti played vibraphone and learned composition and arranging in the NYJO, and later attended Trinity College of Music between 1967 and 1970. Career Ricotti worked with Neil Ardley (1968–71), Dave Gelly, Graham Collier, Mike Gibbs (1969–72), Stan Tracey (1970), Harry Beckett (1970–72), Norma Winstone (1971), Gordon Beck (1973–74), Hans Zimmer. In the late 1960s and early 1970s, Ricotti led his own jazz quartet. A line-up of the band featuring the guitarist Chris Spedding, bassist Chris Laurence and drummer Bryan Spring recorded the album ''Our Point of View'', released in July 1969. In 1971, in partnership with bassist Mike de Albuquerque, he released the album ''First Wind'' (as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Emax
The Emax was a line of samplers, developed, manufactured, and sold by E-mu Systems from 1986 to 1995. Sold alongside their more expensive Emulator II and III samplers, the Emax line was conceived after the release of the Akai S-612 and Sequential Prophet 2000, and was designed to compete for the lower end of the sampling market. The name ''Emax'' can refer to one of two specific models, the Emax (which was grey), and the Emax II (which was black). The Emax is sometimes referred to as the ''Emax I'' or the ''Emax 1000'' to avoid confusion between the two models (although E-mu Systems never referred to it this way, there is an internal control label that says EMAX 1000 inside every unit). Emax The original Emax was released in 1986, as a low cost version of the Emulator II. The base model cost $2,995; a rack version was also available for $2,695. Although it was fairly similar to the Emulator II in sampling specifications, the Emax used much more reliable parts, and stored sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter-8
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981. The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. Approximately 3300 units have been produced. Although it lacked the soon-to-be standard of MIDI control, later production series of the Jupiter-8 did include Roland's proprietary DCB interface. The instrument had many advanced features for its time, including the ability to split the keyboard into two zones, with separate patches active on each zone. Two years after the release of the Jupiter-8, Roland released the more affordable Jupiter-6 synthesizer with built-in MIDI control but an otherwise slightly reduced set of features. In 2011, three decades after the release of the original Jupiter series, Roland released the fully digital Jupiter-80 and Jupiter-50 synthesizers as successors to the 1980s originals. They were in turn succeeded by the Jupiter-X and Jupiter-X ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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