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Slavic Antithesis
The Slavic antithesis is a stylistic device used in Serbian, Croatian, Bosnian, and Macedonian epic poetry. It is usually implemented at the beginning of the poem and consists of three parts: a question is asked, then a negative answer is given, and finally the real explanation is provided. The first two parts of the Slavic antithesis are usually similar, while the last verse (the explanation) differs. The first two parts (a question and a negative answer) are descriptive and are simply there to increase the power of the third part (the explanation). Many poems use the same descriptive lines while only changing the last line. Example This is an example of the Slavic antithesis from the beginning of the Bosnian ballad "Hasanaginica ''Hasanaginica'', also ''Asanaginica'', (first published as ''The Mourning Song of the Noble Wife of the Hasan Aga'') is a South Slavic folk ballad, created during the period of 1646–49, in the region of Imotski, which at the time was a part .. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylistic Device
In literature and writing, stylistically elements are the use of any of a variety of techniques to give an :wikt:auxiliary, auxiliary meaning, ideas, or feeling to the literalism or written. Figurative language A figure of speech is any way of saying something other than the ordinary way. Figurative language is language using figures of speech. Simile The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. :Example: "From up here on the fourteenth floor, my brother Charley looks ''like'' an insect scurrying among other insects." (from "Sweet Potato Pie," Eugenia Collier) :Example: The beast had eyes as big ''as'' baseballs and teeth as long ''as'' knives. :Example: She put her hand to the boy's head, which was steaming ''like'' a hot train. Metaphor A metaphor is a comparison that does not use the words "like" or "as". Meta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbian Language
Serbian (, ) is the standardized variety of the Serbo-Croatian language mainly used by Serbs. It is the official and national language of Serbia, one of the three official languages of Bosnia and Herzegovina and co-official in Montenegro and Kosovo. It is a recognized minority language in Croatia, North Macedonia, Romania, Hungary, Slovakia, and the Czech Republic. Standard Serbian is based on the most widespread dialect of Serbo-Croatian, Shtokavian (more specifically on the dialects of Šumadija-Vojvodina and Eastern Herzegovina), which is also the basis of standard Croatian, Bosnian, and Montenegrin varieties and therefore the Declaration on the Common Language of Croats, Bosniaks, Serbs, and Montenegrins was issued in 2017. The other dialect spoken by Serbs is Torlakian in southeastern Serbia, which is transitional to Macedonian and Bulgarian. Serbian is practically the only European standard language whose speakers are fully functionally digraphic, using both Cyril ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Croatian Language
Croatian (; ' ) is the standardized variety of the Serbo-Croatian pluricentric language used by Croats, principally in Croatia, Bosnia and Herzegovina, the Serbian province of Vojvodina, and other neighboring countries. It is the official and literary standard of Croatia and one of the official languages of the European Union. Croatian is also one of the official languages of Bosnia and Herzegovina and a recognized minority language in Serbia and neighboring countries. Standard Croatian is based on the most widespread dialect of Serbo-Croatian, Shtokavian, more specifically on Eastern Herzegovinian, which is also the basis of Standard Serbian, Bosnian, and Montenegrin. In the mid-18th century, the first attempts to provide a Croatian literary standard began on the basis of the Neo-Shtokavian dialect that served as a supraregional ''lingua franca'' pushing back regional Chakavian, Kajkavian, and Shtokavian vernaculars. The decisive role was played by Croatian Vukovians, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bosnian Language
Bosnian (; / , ) is the standardized variety of the Serbo-Croatian pluricentric language mainly used by ethnic Bosniaks. Bosnian is one of three such varieties considered official languages of Bosnia and Herzegovina, along with Croatian and Serbian. It is also an officially recognized minority language in Croatia, Serbia, Montenegro, North Macedonia and Kosovo. Bosnian uses both the Latin and Cyrillic alphabets, with Latin in everyday use. It is notable among the varieties of Serbo-Croatian for a number of Arabic, Persian and Turkish loanwords, largely due to the language's interaction with those cultures through Islamic ties. Bosnian is based on the most widespread dialect of Serbo-Croatian, Shtokavian, more specifically on Eastern Herzegovinian, which is also the basis of standard Croatian, Serbian and Montenegrin varieties. Therefore, the Declaration on the Common Language of Croats, Serbs, Bosniaks and Montenegrins was issued in 2017 in Sarajevo. Until the 1990s, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macedonian Language
Macedonian (; , , ) is an Eastern South Slavic language. It is part of the Indo-European language family, and is one of the Slavic languages, which are part of a larger Balto-Slavic branch. Spoken as a first language by around two million people, it serves as the official language of North Macedonia. Most speakers can be found in the country and its diaspora, with a smaller number of speakers throughout the transnational region of Macedonia. Macedonian is also a recognized minority language in parts of Albania, Bosnia and Herzegovina, Romania, and Serbia and it is spoken by emigrant communities predominantly in Australia, Canada and the United States. Macedonian developed out of the western dialects of the East South Slavic dialect continuum, whose earliest recorded form is Old Church Slavonic. During much of its history, this dialect continuum was called "Bulgarian", although in the 19th century, its western dialects came to be known separately as "Macedonian". Stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasanaginica
''Hasanaginica'', also ''Asanaginica'', (first published as ''The Mourning Song of the Noble Wife of the Hasan Aga'') is a South Slavic folk ballad, created during the period of 1646–49, in the region of Imotski, which at the time was a part of the Bosnia Eyalet of the Ottoman Empire. Publication history The ballad was transmitted for years in oral form until it was written and published in 1774 by Italian traveler and ethnographer Alberto Fortis in his book ''Viaggio in Dalmazia'' ("Journey to Dalmatia") after his travel through Dalmatia in 1770. During his travels, he discovered what he called a " Morlach ballad", the Morlachs being a people from the region. Fortis's book was criticised by Croatian writer Ivan Lovrić, who accused Fortis of many factual errors in his response, ''Notes on 'Travels in Dalmatia' of Abbe Alberto Fortis'', which he then attempted to rectify. It was translated to German by Goethe in approximately 1775, first appearing anonymously as ''Klaggesang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasanaginica
''Hasanaginica'', also ''Asanaginica'', (first published as ''The Mourning Song of the Noble Wife of the Hasan Aga'') is a South Slavic folk ballad, created during the period of 1646–49, in the region of Imotski, which at the time was a part of the Bosnia Eyalet of the Ottoman Empire. Publication history The ballad was transmitted for years in oral form until it was written and published in 1774 by Italian traveler and ethnographer Alberto Fortis in his book '' Viaggio in Dalmazia'' ("Journey to Dalmatia") after his travel through Dalmatia in 1770. During his travels, he discovered what he called a "Morlach ballad", the Morlachs being a people from the region. Fortis's book was criticised by Croatian writer Ivan Lovrić, who accused Fortis of many factual errors in his response, ''Notes on 'Travels in Dalmatia' of Abbe Alberto Fortis'', which he then attempted to rectify. It was translated to German by Goethe in approximately 1775, first appearing anonymously as ''Klagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbian Epic Poetry
Serbian epic poetry ( sr, Српске епске народне песме, Srpske epske narodne pesme) is a form of epic poetry created by Serbs originating in today's Serbia, Bosnia and Herzegovina, Croatia, Montenegro and North Macedonia. The main cycles were composed by unknown Serb authors between the 14th and 19th centuries. They are largely concerned with historical events and personages. The instrument accompanying the epic poetry is the ''gusle''. Serbian epic poetry helped in developing the Serbian national identity, Serbian national consciousness. The cycles of Prince Marko, the Hajduks and Uskoks inspired the Serbs to restore freedom and their heroic past. The Hajduks in particular, are seen as an integral part of national identity; in stories, the hajduks were heroes: they had played the role of the Serbian elite during Ottoman rule, they had defended the Serbs against Ottoman oppression, and prepared for the national liberation and contributed to it in the Serbian R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Forms
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Slavic Culture
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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