Skögul And Geirskögul
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Skögul And Geirskögul
In Norse mythology, Skögul (Old Norse: ''Skǫgul'', "shaker"Orchard (1997:194). or possibly "high-towering"Davidson (1988:96).) and Geirskögul (Old Norse: ''Geirskǫgul'', "spear-skögul"Orchard (1997:193).) are valkyries who alternately appear as separate or individual figures. Both valkyries appear in ''Heimskringla'' where they seem to be the same being, and are otherwise listed separately in the valkyrie lists in the ''Poetic Edda'' poems ''Völuspá'' and ''Grímnismál'', the longer of the two valkyrie lists in ''Skáldskaparmál'' yet Skögul appears alone in the shorter of the two. Skögul appears in kennings but Geirskögul does not. Attestations ''Heimskringla'' In ''Hákonarmál'', Odin sends forth the two valkyries Göndul and Skögul to "choose among the kings' kinsmen" and decide who in battle should dwell with Odin in Valhalla. A battle rages with great slaughter, and part of the description employs the kenning "Skögul's-stormblast" for "battle". Haakon and his men ...
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Norse Mythology
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worl ...
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Göndul
In Norse mythology, Göndul (Old Norse: ''Gǫndul'', "wand-wielder"Orchard (1997:194).) is a valkyrie. Göndul is attested in ''Heimskringla'', ''Sörla þáttr'', and a 14th-century Norwegian charm. In addition, Göndul appears within the valkyrie list in the ''Poetic Edda'' poem ''Völuspá'', in both of the two ''Nafnaþulur'' lists found in the ''Prose Edda'', and among the valkyries listed in ''Darraðarljóð''. Attestations ''Heimskringla'' In ''Hákonarmál'', Odin sends forth the two valkyries Göndul and Skögul to "choose among the kings' kinsmen" and decide who in battle should dwell with Odin in Valhalla. A battle rages with great slaughter, and part of the description employs the kenning "Skögul's-stormblast" for "battle". Haakon and his men die in battle, and they see the valkyrie Göndul leaning on a spear shaft. Göndul comments that "groweth now the gods' following, since Hákon has been with host so goodly bidden home with holy godheads." Haakon hears "what the ...
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Lee Milton Hollander
Lee Milton Hollander (November 8, 1880 – October 19, 1972) was an American philologist who specialized in Old Norse studies. Hollander was for many years head of the Department of Germanic Languages at the University of Texas at Austin. He is best known for his research on Old Norse literature. Early life and education Lee M. Hollander was born in Baltimore, Maryland, on November 8, 1880, the son of Samuel Hollander and Amelia Herstein. The family was Jewish. His parents were both born in Baltimore to German-born parents, and the family maintained strong links to Germany. His grandfather had emigrated from Germany in 1848. Samuel Hollander ran a furniture factory as a family business. Upon the death of Hollander's father in 1886, his mother decided to take Lee and his older brother Charles Samuel to Germany to live with their relatives in Frankfurt, where he attended primary school from 1886 to 1897. Hollander left the Obersekunda of the Realgymnasium at the age of seven ...
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Manchester University Press
Manchester University Press is the university press of the University of Manchester, England and a publisher of academic books and journals. Manchester University Press has developed into an international publisher. It maintains its links with the University. Publishing Manchester University Press publishes monographs and textbooks for academic teaching in higher education. In 2012 it was producing about 145 new books annually and managed a number of journals. Areas of expertise are history, politics and international law, literature and theatre studies, and visual culture. MUP books are marketed and distributed by Oxford University Press in the United States and Canada, and in Australia by Footprint Books; all other global territories are covered from Manchester itself. Some of the press's books were formerly published in the US by Barnes & Noble, Inc., New York. Later the press established an American office in Dover, New Hampshire. Open access Manchester University Pre ...
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Hilda Ellis Davidson
Hilda Roderick Ellis Davidson (born Hilda Roderick Ellis; 1 October 1914 – 12 January 2006) was an English folklorist. She was a scholar at the University of Cambridge and The Folklore Society, and specialized in the study of Celtic and Germanic religion and folklore. A graduate of Newnham College, Cambridge, Davidson was a Fellow at Lucy Cavendish College, Cambridge, throughout much of her career. She specialized in the interdisciplinary study of Celtic, Anglo-Saxon and Old Norse religion and folklore, on which she was the author of numerous influential works. Davidson was a prominent member of The Folklore Society, and played an active role in the growth of folklore studies as a scientific discipline. Throughout her career, Davidson tutored a significant number of aspiring scholars in her fields of study, and was particularly interested in encouraging gifted women to pursue scholarly careers. Early life Hilda Ellis Davidson was born in Bebington, Cheshire, England, on 1 ...
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Dróttkvætt
In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', and the '' Alliterative Morte Arthur'' all use alliterative verse. While alliteration can be found in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form.Frog, " ...
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Glymdrápa
''Glymdrápa'' ("''Drápa'' of din") is a skaldic poem composed by Þorbjörn Hornklofi, the court poet of King Harald I of Norway (''Haraldr hárfagri''). Composed toward the end of the 9th century, the poem recounts several battles waged by King Harald, mostly as he was uniting Norway. Composed in ''dróttkvætt'', only seven stanzas and two half-stanzas are preserved, chiefly in the ''Heimskringla'' (''Haralds saga hárfagra''). ''Glymdrápa'' is the oldest praise poem to a king (''konungsdrápa'') which has come down to us. The poem has few clear geographical or historical points of reference, and the two sagas which quote it, ''Heimskringla'' and ''Fagrskinna'' interpret it differently. In ''Heimskringla'', the poem is said to recount Harald's fight against the people of Orkdal at Oppdal forest (''Uppdalsskógr''), first against Huntiof, King of Nordmøre (''Húnþjófr''), his son Solve Klove (''Sölvi'') and his father-in-law King Nokkve (''Nökkvi''), king of Romsdal; ...
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Fenrir
Fenrir (Old Norse: ; "fen-dweller")Orchard (1997:42). or Fenrisúlfr (O.N.: ; "Fenrir's wolf", often translated "Fenris-wolf"),Simek (2007:81). also referred to as Hróðvitnir (O.N.: ; "fame-wolf")Simek (2007:160). and Vánagandr (O.N.: ; "monster of the iverVán"),Simek (2007:350). or Vanargand, is a wolf in Norse mythology. Fenrir, together with Hel and the World Serpent, is a child of Loki and giantess Angrboða. He is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'' and ''Heimskringla'', written in the 13th century by Snorri Sturluson. In both the ''Poetic Edda'' and ''Prose Edda'', Fenrir is the father of the wolves Sköll and Hati Hróðvitnisson, is a son of Loki and is foretold to kill the god Odin during the events of Ragnarök, but will in turn be killed by Odin's son Víðarr. In the ''Prose Edda'', additional information is given about Fenrir, including that, due to the gods' knowledge o ...
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Valhalla
In Norse mythology Valhalla (;) is the anglicised name for non, Valhǫll ("hall of the slain").Orchard (1997:171–172) It is described as a majestic hall located in Asgard and presided over by the god Odin. Half of those who die in combat enter Valhalla, while the other half are chosen by the goddess Freyja to reside in Fólkvangr. The masses of those killed in combat (known as the Einherjar) along with various legendary Germanic heroes and kings, live in Valhalla until Ragnarök when they will march out of its many doors to fight in aid of Odin against the jötnar. Valhalla is attested in the '' Poetic Edda'', compiled in the 13th century from earlier traditional sources, in the ''Prose Edda'' (written in the 13th century by Snorri Sturluson), in '' Heimskringla'' (also written in the 13th century by Snorri Sturluson), and in stanzas of an anonymous 10th century poem commemorating the death of Eric Bloodaxe known as '' Eiríksmál'' as compiled in '' Fagrskinna''. Va ...
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Odin
Odin (; from non, Óðinn, ) is a widely revered Æsir, god in Germanic paganism. Norse mythology, the source of most surviving information about him, associates him with wisdom, healing, death, royalty, the gallows, knowledge, war, battle, victory, sorcery, poetry, frenzy, and the Runes, runic alphabet, and depicts him as the husband of the goddess Frigg. In wider Germanic mythology and paganism, the god was also known in Old English as ', in Old Saxon as , in Old Dutch as ''Wuodan'', in Old Frisian as ''Wêda'', and in Old High German as , all ultimately stemming from the Proto-Germanic language, Proto-Germanic theonym *''Wōðanaz'', meaning 'lord of frenzy', or 'leader of the possessed'. Odin appears as a prominent god throughout the recorded history of Northern Europe, from the Roman occupation of regions of Germania (from BCE) through movement of peoples during the Migration Period (4th to 6th centuries CE) and the Viking Age (8th to 11th centuries CE). In the modern pe ...
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Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ...
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Hákonarmál
''Hákonarmál'' (Old Norse: 'The Song of Hákon') is a skaldic poem which the skald Eyvindr skáldaspillir composed about the fall of the Norwegian king Hákon the Good at the battle of Fitjar and his reception in Valhalla. This poem emulates ''Eiríksmál'' and is intended to depict the Christian Hákon as a friend to the pagan gods. The poem is preserved in its entirety and is widely considered to be of great beauty. These are the last three stanzas. The last stanza is clearly related to a stanza from ''Hávamál ''Hávamál'' ( ; Old Norse: ,Unnormalised spelling in the :Title: Final stanza: ../ref> classical pron. , Modern Icelandic pron. , ‘Words of he High One) is presented as a single poem in the Icelandic , a collection of Old Norse poems fr ...''. The traditional view is that ''Hákonarmál'' borrowed from that poem but it is also possible that the relation is reversed or that both poems drew on a third source. References Bibliography * External ...
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