Sizergh Castle
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Sizergh Castle
Sizergh Castle is a stately home with garden and estate at Helsington in Cumbria, England, about south of Kendal. Located in Historic counties of England, historic Westmorland, the castle is a Grade I listed building. While remaining the home of the Hornyold-Strickland (surname), Strickland family, the castle with its garden and estate is in the care of the National Trust. In 2016 the Sizergh estate was included in the newly extended Lake District National Park. Details The earliest part of the building is a tower of fourteenth or fifteenth century date. Woodwork Some of the early furnishings date from the time of Walter Strickland (died 1569), Walter Strickland (1516–1569) who married Alice Tempest in 1560. She made inventories of the house after her husband's death. These mention three oak armchairs and three chests still in the house. There are oak-panelled interiors, including the Inlaid Chamber, where the panelling is inlaid with floral and geometric patterns ...
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Sizergh Castle Against A Blue Sky, July 2016
Sizergh Castle is a stately home with garden and estate at Helsington in Cumbria, England, about south of Kendal. Located in historic Westmorland, the castle is a Grade I listed building. While remaining the home of the Hornyold- Strickland family, the castle with its garden and estate is in the care of the National Trust. In 2016 the Sizergh estate was included in the newly extended Lake District National Park. Details The earliest part of the building is a tower of fourteenth or fifteenth century date. Woodwork Some of the early furnishings date from the time of Walter Strickland (1516–1569) who married Alice Tempest in 1560. She made inventories of the house after her husband's death. These mention three oak armchairs and three chests still in the house. There are oak-panelled interiors, including the Inlaid Chamber, where the panelling is inlaid with floral and geometric patterns in pale poplar and dark bog-oak. The contents of the Inlaid Chamber were sold to ...
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Period Room
A period room is a display that represents the interior design and decorative art of a particular historical social setting usually in a museum. Though it may incorporate elements of an individual real room that once existed somewhere, it is usually by its nature a composite and fictional piece. Period rooms at encyclopedic museums may represent different countries and cultures, while those at historic house museums may represent different eras of the same structure. As with the glamorization of luxury in costume drama Costume is the distinctive style of clothing, dress and/or cosmetics, makeup of an individual or group that reflects class, gender, occupation, ethnicity, nationality, activity or epoch—in short, culture. The term also was traditionally used ..., this can be considered as a conservative genre that traditionally privileges Eurocentric elite views. In the 21st century, the focus has shifted toward using period rooms in new ways or in diversifying them. Refe ...
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François Gérard
François Pascal Simon Gérard (, 4 May 1770 – 11 January 1837), titled as Baron Gérard in 1809, was a French painter. He was born in Rome, where his father occupied a post in the house of the French ambassador, and his mother was Italian. After he was made a baron of the Empire in 1809 by Emperor Napoleon, he was known formally as Baron Gérard. Life and career François Gérard was born in Rome to J. S. Gérard and Cleria Matteï. Henri Gérard 1888 At the age of twelve, Gérard obtained admission into the ''Pension du Roi'' in Paris. From the ''Pension'', he passed to the studio of the sculptor Augustin Pajou, which he left at the end of two years for the studio of the history painter Nicolas-Guy Brenet,Nicolas-Guy Brenet (1728–1792), professor at the Académie royale de peinture et de sculpture, 1778. Michael Bryan, ''Dictionary of Painters and Engravers'', ''s.v.'' "Brenet, Nicolas Guy". Brenet was also the master of Jean Germain Drouais. whom he quit almost imme ...
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Standish Hall
Standish Hall was an estate and country house, built in 1573, owned by the Standish family in the south-west of Standish, Wigan. No standing structures of the hall remain on the former estate, however, some of its wooden-panel interiors have been preserved elsewhere. History The original hall was constructed in 1574 and consisted of a wattle and daub H-shaped building. In 1684, a northern wing built of brick was added; during the same period, many alterations were made to the original house. In 1748, a three-story western wing was added, also built out of brick. The hall was surrounded by a moat until 1780, when it was filled in. A final extension to the hall further to the west was added in 1822. By the late 19th century, Standish Hall stood in extensive parkland with forests, grasslands and large fishponds. The hall and its Roman Catholic chapel were at the centre of the estate, which had a series of interconnecting paths and possibly a ha-ha to the south. A track to the ...
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George Romney (painter)
George Romney ( – 15 November 1802) was an English portrait painter. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, mistress of Lord Nelson. Early life and training Romney was born in Beckside in Dalton-in-Furness, Lancashire (now in Cumbria), the 3rd son (of 11 children) of John Romney, cabinet maker, and Anne Simpson. Raised in a cottage named High Cocken in modern-day Barrow-in-Furness, he was sent to school at nearby Dendron. He appears to have been an indifferent student and was withdrawn at the age of 11 and apprenticed to his father's business instead. He proved to have a natural ability for drawing and making things from wood – including violins (which he played throughout his life). From the age of 15, he was taught art informally by a local watchmaker called John Williamson, but his studies began in earnest in 1755, when he went to Kendal, at the age of 21, for a 4-year a ...
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Louisa Maria Teresa Stuart
Louisa Maria Teresa Stuart (; 28 June 1692 – 18 April 1712), known to Jacobites as The Princess Royal, was the last child of James II and VII, the deposed King of England, Scotland and Ireland, by his second wife Mary of Modena. Like her brother James Francis Edward Stuart (The Old Pretender), Louisa Maria was a Roman Catholic, which, under the Act of Settlement 1701, debarred them both from succession to the British throne after the death of their Protestant half-sister Anne, Queen of Great Britain. A Royal Stuart Society paper calls Louisa Maria the Princess over the Water, an allusion to the informal title King over the Water of the Jacobite pretenders, none of whom had any other legitimate daughters.Publications of the Royal Stuart Society
at royalstuartsociety.com – web site of the

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Mary Of Modena
Mary of Modena (; ) was List of English royal consorts, Queen of England, List of Scottish royal consorts, Scotland and Ireland as the second wife of James VII and II. A devout Catholic, Roman Catholic, Mary married the widower James, who was then the younger brother and heir presumptive of Charles II of England, Charles II. She was devoted to James and their children, two of whom survived to adulthood: the Jacobitism, Jacobite claimant to the thrones, James Francis Edward, and Louisa Maria Teresa. Born a princess of the northwestern Italian Duchy of Modena, Mary is primarily remembered for the controversial birth of Prince James Francis Edward, her only surviving son. It was widely rumoured that he was smuggled into the birth chamber in a warming pan in order to perpetuate her husband's Roman Catholic Stuart dynasty. James Francis Edward's birth was a contributing factor to the "Glorious Revolution", the revolution which deposed James II and VII, and replaced him with Mary II, ...
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Old Pretender
James Francis Edward Stuart (10 June 16881 January 1766), nicknamed the Old Pretender by Whigs or the King over the Water by Jacobites, was the House of Stuart claimant to the thrones of England, Ireland and Scotland from 1701 until his death in 1766. The only son of James II of England and his second wife, Mary of Modena, he was Prince of Wales and heir until his Catholic father was deposed and exiled in the Glorious Revolution of 1688. His Protestant half-sister Mary II and her husband William III became co-monarchs. As a Catholic, he was subsequently excluded from the succession by the Act of Settlement 1701. James, who had been raised primarily in France and Italy, claimed the thrones of England, Ireland and Scotland when his father died in September 1701. As part of the War of the Spanish Succession, in 1708 Louis XIV of France backed a landing in Scotland on his behalf. This failed, as did further attempts in 1715 and 1719. Led by his elder son Charles Edwar ...
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James II Of England
James II and VII (14 October 1633 – 16 September 1701) was King of England and Monarchy of Ireland, Ireland as James II and King of Scotland as James VII from the death of his elder brother, Charles II of England, Charles II, on 6 February 1685, until he was deposed in the 1688 Glorious Revolution. The last Catholic monarch of Kingdom of England, England, Kingdom of Scotland, Scotland, and Kingdom of Ireland, Ireland, his reign is now remembered primarily for conflicts over religion. However, it also involved struggles over the principles of Absolute monarchy, absolutism and divine right of kings, with his deposition ending a century of political and civil strife by confirming the primacy of the English Parliament over the Crown. James was the second surviving son of Charles I of England and Henrietta Maria of France, and was created Duke of York at birth. He succeeded to the throne aged 51 with widespread support. The general public were reluctant to undermine the principle ...
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Painter In Ordinary
A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the court artist might also be a court sculptor. In Western Europe, the role began to emerge in the mid-13th century. By the Renaissance, portraits, mainly of the family, made up an increasingly large part of their commissions, and in the early modern period one person might be appointed solely to do portraits, and another for other work, such as decorating new buildings. Especially in the Late Middle Ages, they were often given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, though arrangements were highly variable. But often the artist was paid only a retainer, and paid additionally for works he or, less often, she produced for the monarch. For the artist, a court appointment h ...
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