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Six Moments Musicaux (Rachmaninoff)
''Six moments musicaux'' (French for "Six Musical Moments"; russian: Шесть музыкальных моментов, Shest’ muzykál’nykh moméntov), Op. 16, is a set of solo piano pieces composed by the Russian composer Sergei Rachmaninoff between October and December 1896. Text aGoogle Books Each ''Moment musical'' reproduces a musical form characteristic of a previous musical era. The forms that appear in Rachmaninoff's incarnation are the nocturne, song without words, barcarolle, virtuoso étude, and theme and variations. The individual pieces have been described as "true concert works, being best served on a stage and with a concert grand." Although composed as part of a set, each piece stands on its own as a concert solo with individual themes and moods. The pieces span a variety of themes ranging from the funeral march of number three to the canon of number six, the ''Moments musicaux'' are both Rachmaninoff's return to and revolution of solo piano compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachmaninov
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
İdil Biret
İdil Biret (born 21 November 1941) is a Turkish concert pianist. Education Biret began her lessons at the age of five with , who had studied under Nadia Boulanger and Alfred Cortot. When she was seven, the Turkish parliament enacted a special law which enabled her to study abroad, studying at the Paris Conservatory in France under the tutelage of Nadia Boulanger. She graduated with three prizes at the age of 15. She continued her education with Alfred Cortot and Wilhelm Kempff. Musical career From the age of 16, Biret played as a soloist with the most distinguished orchestras in the world including the London Symphony, the Philharmonia, the London Philharmonic, the Boston Symphony, the Leningrad Philharmonic, the Leipzig Gewandhaus, the Dresden Staatskapelle, the Orchestre de la Suisse Romande, the Tokyo Philharmonic, the Warsaw Philharmonic, the Orchestre National de France and the Sydney Symphony. She collaborated with eminent conductors such as Hermann Scherchen, Pierre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morceaux De Fantaisie
''Morceaux de fantaisie'' (French for ''Fantasy Pieces''; russian: Пьесы Фантазии, ''Pyesy Fantazii''), Op. 3, is a set of five piano solo pieces composed by Sergei Rachmaninoff in 1892. The title reflects the pieces' imagery rather than their musical form, as none are actual fantasies. The set was dedicated to Anton Arensky, his harmony teacher at the Conservatory. Composition Elegie in E minor Elegie (Элегия, ''Elegiya'') is a musical elegy at ''moderato'' tempo. Prelude in C minor The second piece, Prelude (Прелюдия, ''Prelyudiya'') is undoubtedly the most famous of the set. Melody in E major Melody (Мелодия, ''Melodiya'') is a short piece played ''Adagio sostenuto''. It was rewritten by Rachmaninoff in 1940, along with the Serenade. Polichinelle in F minor The fourth piece, called ''Polichinelle'' (Полишинель, ''Polishinyelʹ''), is in an ambiguous key although often referred to as "in F minor" (the F minor triad h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Argument
A musical argument is a means of creating tension through the relation of expressive content and musical form: Experimental musics may use process or indeterminacy rather than argument.LaBelle (2006), p.7. The musical argument may be characterized as the primary flow and current idea being presented in a piece: Thus one may hear of a musical argument being interrupted, extended, or repeated. See also *Musical development *Sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle ... Notes References Music theory {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
