Singin' The Blues (1920 Song)
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young (lyricist), Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie (song), Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence (it remained in print at least until the Second World War). It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956. Background The ODJB released the song as part of a medley: "Margie" (Introducing "Singin' the Blues") in 1920 on Victor as B-24581-5 Victor 18717A backed with ''Palesteena''. The subtitle of the so ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Connie Boswell
Constance Foore "Connie" Boswell (December 3, 1907 – October 11, 1976) was an American vocalist born in Kansas City, Missouri, Kansas City but raised in New Orleans, Louisiana. With sisters Martha Boswell, Martha and Helvetia Boswell, Helvetia "Vet", she performed in the 1920s and 1930s as the trio The Boswell Sisters. They started as instrumentalists but became a highly influential singing group via their recordings and film and television appearances. Connie herself is widely considered one of the greatest female jazz vocalists and was a major influence on Ella Fitzgerald, who said, "My mother brought home one of her records, and I fell in love with it... I tried so hard to sound just like her." In 1936, Connee's sisters retired and Connee continued on as a solo artist (having also recorded solos during her years with the group). Biography Boswell was born in Kansas City, Missouri, United States. The Boswells came to be well known locally while still in their early teens, ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
1920 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Songs About Blues
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Da Capo Press
Da Capo Press is an American publishing company with headquarters in Boston, Massachusetts. It is now an imprint of Hachette Books. History Founded in 1964 as a publisher of music books, as a division of Plenum Publishers, it had additional offices in New York City, Philadelphia, Los Angeles, and Emeryville, California. The year prior, Da Capo Press had net sales of over $2.5 million. Da Capo Press became a general trade publisher in the mid-1970s. It was sold to the Perseus Books Group in 1999 after Plenum was sold to Wolters Kluwer. In the last decade, its production has consisted of mostly nonfiction titles, both hardcover and paperback, focusing on history, music, the performing arts, sports, and popular culture. In 2003, Lifelong Books was founded as a health and wellness imprint. When Marlowe & Company became part of the imprint in 2007, Lifelong's range was expanded to include the New Glucose Revolution series and numerous diabetes titles, as well as books on healthful ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Louisiana State University Press
The Louisiana State University Press (LSU Press) is a university press at Louisiana State University. Founded in 1935, it publishes works of scholarship as well as general interest books. LSU Press is a member of the Association of American University Presses. LSU Press publishes approximately 70 new books each year and has a backlist of over 2000 titles. Primary fields of publication include southern history, southern literary studies, Louisiana and the Gulf South, the American Civil War and military history, roots music, southern culture, environmental studies, European history, foodways, poetry, fiction, media studies, and landscape architecture. In 2010, LSU Press merged with ''The Southern Review'', LSU's literary magazine, and the company now oversees the operations of this publication. Notable publications and awards ''A Confederacy of Dunces'' by John Kennedy Toole was published in 1980 and won the 1981 Pulitzer Prize for Fiction. Three titles have won the Pulitzer Pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Original Dixieland Jazz Band
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Origins In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by tromb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Grammy Hall Of Fame
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: *List of Grammy Hall of Fame Award recipients (A–D) *List of Grammy Hall of Fame Award recipients (E–I) *List of Grammy Hall of Fame Award recipients (J–P) *List of Grammy Hall of Fame Award recipients (Q–Z) See also * Grammy Lifetime Achievement Award *Latin Grammy Hall of Fame Award *National Recording Registry References External linksOfficial website {{Authority control Aw ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jimmy Dorsey
James Francis Dorsey (February 29, 1904 – June 12, 1957) was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards "I'm Glad There Is You (In This World of Ordinary People)" and " It's The Dreamer In Me". His other major recordings were "Tailspin", " John Silver", " So Many Times", " Amapola", "Brazil ( Aquarela do Brasil)", " Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and "So Rare". He played clarinet on the seminal jazz standards "Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame. Early life Jimmy Dorsey was born in Shenandoah, Pennsylvania, United States, the first son of Theresa Langton Dorsey and Thomas Francis Dorsey. His father, Thomas, was initially a coal miner, but would later become a music teacher and marching-band director. Both Jimmy and his younger ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Original Memphis Five
The Original Memphis Five was an early jazz quintet founded in 1917 by trumpeter Phil Napoleon and pianist Frank Signorelli. Jimmy Lytell was a member from 1922 to 1925. The group made many recordings between 1921 and 1931, sometimes under different names, including Ladd's Black Aces and The Cotton Pickers. Richard Cook and Brian Morton, writing for ''The Penguin Guide to Jazz'', refer to the group as "one of the key small groups of the '20s". The group formed around 1917. The name Original Memphis Five was first used in 1920, and applied to small groups of white musicians throughout the decade. The Ladd's Black Aces name was used from 1921 until 1924. Cook and Morton identify Jimmy Lytell and Miff Mole as standout musicians in the group. Jimmy Durante played piano with Ladd's Black Aces, while both Tommy and Jimmy Dorsey were members of the Original Memphis Five. Occasional vocalists were Anna Meyers, Annette Hanshaw and Vernon Dalhart (as George White). Both Red Nichols ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |