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Sievers' Theory Of Anglo-Saxon Meter
Eduard Sievers developed a theory of the meter (poetry), meter of Anglo-Saxon language, Anglo-Saxon alliterative verse, which he published in his 1893 ''Altgermanische Metrik''. Widely used by scholars, it was in particular extended by Alan Joseph Bliss.Bliss, Alan Joseph. ''The metre of 'Beowulf' ''(Oxford: Blackwell, 1958) Sievers' system is a primarily method of categorization rather than a full theory of meter. It does not, in other words, purport to describe the system the ''Scop, scops'' actually used to compose their verse, nor does it explain why certain patterns are favoured or avoided. Summary of Sievers' categories A line of Anglo-Saxon verse is made up of two half-lines. Each of these half-lines contains two main stresses (or 'lifts'). Sievers categorized three basic types of half-line that were used. Here a stressed syllable is represented by the symbol '/' and an unstressed syllable by the symbol 'x'. He also noted that three possible types of half-line were not u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Sievers
Eduard Sievers (; 25 November 1850 – 30 March 1932) was a German philologist of the classical and Germanic languages. Sievers was one of the '' Junggrammatiker'' of the so-called "Leipzig School". He was one of the most influential historical linguists of the late nineteenth century. He is known for his recovery of the poetic traditions of Germanic languages such as Anglo-Saxon and Old Saxon, as well as for his discovery of Sievers' law. Biography He was educated at Leipzig and Berlin, and became professor extraordinarius of Germanic and Romance philology at Jena in 1871, receiving a full professorship there five years later. In 1883 he went to Tübingen, and in 1887 to Halle, whence he was called in 1892 to Leipzig. Sievers's analysis Sievers' analysis was a system of five patterns which indicated how the poetic line (or, more specifically, the poetic half-line) was to be emphasized or not, e.g. stressed-unstressed-stressed-unstressed, unstressed-stressed-unstressed-stre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon Language
Old English ( or , or ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the Early Middle Ages. It developed from the languages brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literature dates from the mid-7th century. After the Norman Conquest of 1066, English was replaced for several centuries by Anglo-Norman (a type of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during the subsequent period the English language was heavily influenced by Anglo-Norman, developing into what is now known as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons and Jutes. As the Germanic settlers became dominant in England, their language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliterative Verse
In meter (poetry), prosody, alliterative verse is a form of poetry, verse that uses alliteration as the principal device to indicate the underlying Metre (poetry), metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English language, Old English Epic poetry, epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse language, Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', Layamon's Brut and the ''Alliterative Morte Arthur'' all use alliterative verse. While alliteration is common in many poetic traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scop
A ( or ) was a poet as represented in Old English poetry. The scop is the Old English counterpart of the Old Norse ', with the important difference that "skald" was applied to historical persons, and scop is used, for the most part, to designate oral poets ''within'' Old English literature. Very little is known about scops, and their historical existence is questioned by some scholars. Functions The scop, like the similar gleeman, was a reciter of poetry. The scop, however, was typically attached to a court on a relatively permanent basis. There, he most likely received rich gifts for his performances. The performances often featured the recitation of recognisable texts such as the "old pagan legends of the Germanic tribes." However, the scop's duties also included ''composing'' his own poetry in different situations, the eulogizing of his master. While some scops moved from court to court, they were (generally speaking) less nomadic than the gleemen and had positions of gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an List of poets from the United States, American poet and critic, a major figure in the early modernist poetry movement, and a Collaboration with Nazi Germany and Fascist Italy, collaborator in Fascist Italy (1922–1943), Fascist Italy and the Italian Social Republic, Salò Republic during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and ''The Cantos'' (–1962). Pound's contribution to poetry began in the early-20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped to discover and shape the work of contemporaries such as H.D., Robert Frost, T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine Brooke-Rose
Christine Brooke-Rose (16 January 1923 – 21 March 2012) was a British writer and literary critic, known principally for her experimental novels."Christine Brooke-Rose is dead" ''PN Review'', 22 March 2012 Life Christine Brooke-Rose was born in , Switzerland to an English father, Alfred Northbrook Rose, and American- mother, Evelyn (née Brooke). They separated in 1929. She was brought up mainly in with her maternal grandparents, but also stu ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A ZBC Of Ezra Pound (book)
''A ZBC of Ezra Pound'' is a book by Christine Brooke-Rose published by Faber and Faber in 1971. It is a study of the work of Ezra Pound, focusing in particular on ''The Cantos''. In Chapter Six, Brooke-Rose gives an explanation of the prosody of Anglo-Saxon alliterative verse as Pound would have understood it, based on Sievers' Theory of Anglo-Saxon Meter. The book is out of print but can be read online. at the Open Library
Open Library is an online project intended to create "one web page for every book ever published". Created by Aaron Swartz, Brewster Kahle, Alexis Rossi, Anand Chitipothu, and Rebecca Hargrave Malamud, Open Library is a project of the Internet ...
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Poetic Rhythm
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., metre (British English, Commonwealth spelling) or meter (American English, American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
