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Shrine Of Saint Lachtin's Arm
The Shrine of Saint Lachtin's Arm (known in Irish as Lámh Lachtaín) is an early 10th century Irish arm-shrine type reliquary made of wood and metal shaped as an outstretched forearm and clenched fist.Moss (2014), p. 291 St. Lachtin's dates to between 1118 and 1121 and is associated with his church in the village of Stuake, Donoughmore, County Cork, but probably originates from Kilnamartyra, also in Cork. It consists of a yew-wood core lined with decorated bronze and silver plates. The wood at the hand is hollowed out to create a reliquary cavity which once held the arm bone of St. Lachtin (b. 526, County Cork), but is now empty. The circular cap at its base contains a large transparent gemstone and is inlayed with silver decorated with filigree. The shrine is 39 cm high, 7 cm wide and 7 cm deep. Because the hand is clenched rather than, as is more usual for arm shrines, open as if in the act of blessing, it may have functioned as battle standard or talisman to protect or heal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niello
Niello is a black mixture, usually of sulphur, copper, silver, and lead, used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens, and flows or is pushed into the engraved lines in the metal. It hardens and blackens when cool, and the niello on the flat surface is polished off to show the filled lines in black, contrasting with the polished metal (usually silver) around it. It may also be used with other metalworking techniques to cover larger areas, as seen in the sky in the diptych illustrated here. The metal where niello is to be placed is often roughened to provide a key. In many cases, especially in objects that have been buried underground, where the niello is now lost, the roughened surface indicates that it was once there. Statistical consideration Niello was used on a variety of objects including sword hilts, chalices, plates, horns, adornment for horses, jewellery such as bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciarán Of Clonmacnoise
Saint Ciarán of Clonmacnoise (c. 516 – c. 549), supposedly born Ciarán mac an tSaeir ("son of the carpenter"), was one of the Twelve Apostles of Ireland and the first abbot of Clonmacnoise. He is sometimes called Ciarán the Younger to distinguish him from the 5th-century Saint Ciarán the Elder who was bishop of Osraige. His name produced many variant spellings, including Ceran, Kieran, Queran and Queranus. Life Ciarán was born in around 516 in County Roscommon, Connacht, in Ireland. His father was a carpenter and chariot maker. As a boy, Ciarán worked as a cattle herder. He was a student of Finian's at Clonard and in time became a teacher, himself. Columba of Iona said of Ciarán, “He was a lamp, blazing with the light of wisdom.” In about 534, he left Clonard for Inishmore where he studied under Enda of Aran, who ordained him a priest and advised him to build a church and monastery in the middle of Ireland. Later, he travelled to Senan on Scattery I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Stalley
Roger Andrew Stalley (born 12 June 1945) is a scholar and teacher in medieval architecture and sculpture. His speciality is Early Gothic and Romanesque architecture and sculpture in England and Western Europe with a particular focus on Irish architecture and art. He has published numerous papers and books including ''Cistercian Monasteries of Ireland'' in 1987, for which he was awarded the Alice Davis Hitchcock Medallion in 1988 by the Society of Architectural Historians of Great Britain, and ''Early Medieval Architecture'' in 1999 for the Oxford History of Art series. He is noted for his innovative teaching practices for example, The Medieval Architecture Online Teaching Project, and is recognised in the 2021 publication ''Mapping New Territories in Art and Architectural Histories, Essays in Honour of Roger Stalley.'' Education and career Professor Stalley spent his formative years in Coventry and Lincolnshire before graduating from the University of Oxford (Worcester College) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inlay
Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form Ornament (art), ornament or pictures that normally are flush with the matrix. A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings. Perhaps the most famous example of furniture inlay is that of Andre-Charles Boulle (11 November 1642 – 28 February 1732) which is known as Boulle Work and evolved in part from inlay produced in Italy during the late 15th century at the '' Studiolo'' for Federico da Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interlace (art)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motif (visual arts), motifs are looped, braided, and knotted in complex geometry, geometric patterns, often to fill a space. Interlacing is common in the Migration period art of Northern Europe, in the early medieval Insular art of Ireland and the British Isles, and Norse art of the Early Middle Ages, and in Islamic interlace patterns, Islamic art. Intricate braided and interlaced patterns, called ''plaits'' in British usage, first appeared in late Roman art in various parts of Europe, in mosaic floors and other media. Coptic art, Coptic manuscripts and textiles of 5th- and 6th-century Christian Egypt are decorated with broad-strand ribbon interlace ornament bearing a "striking resemblance" to the earliest types of knotwork found in the Insular art manuscripts of Ireland and the British Isles.Mitchell et al. 1977, p. 59 History and application Northern Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viking Art
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoomorphic
The word ''zoomorphism'' derives from the Greek ζωον (''zōon''), meaning "animal", and μορφη (''morphē''), meaning "shape" or "form". In the context of art, zoomorphism could describe art that imagines humans as non-human animals. It can also be defined as art that portrays one species of animal like another species of animal or art that uses animals as a visual motif, sometimes referred to as "animal style." In ancient Egyptian religion, deities were depicted in animal form which is an example of zoomorphism in not only art but in a religious context. It is also similar to the term therianthropy; which is the ability to shape shift into animal form, except that with zoomorphism the animal form is applied to a physical object. It means to attribute animal forms or animal characteristics to other animals, or things other than an animal; similar to but broader than anthropomorphism. Contrary to anthropomorphism, which views animal or non-animal behavior in human terms, zo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Openwork
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel Moss (art Historian)
Rachel Moss is an Irish art historian and professor specialising in medieval art, with a particular interest in Insular art, medieval Irish Gospel books and monastic history.O'Rourke, Frances.First encounters: Rachel Moss and Catherine Marshall. ''Irish Times'', 23 November 2014. Retrieved 18 July 2021 She is the current head of the Department of the History of Art at Trinity College Dublin, where she was became a fellow in 2022. Moss has written extensively on the sources and iconography of medieval Irish art, its materials, methods and political and cultural settings. Her work includes detailed examinations of Irish round towers, high crosses, psalters, Celtic broochs, chalicees and house-shaped and other reliquary shrines, with a close focus on illuminated manuscripts such as the Stowe Missal, Book of Durrow and Book of Mulling. Career Moss has said that her interest in the medieval came from her grandfather, an archaeologist living in County Sligo, who took her on digs whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Anna Cusack
Margaret Anna Cusack (born 6 May 1829 in a house at the corner of Mercer Street and York Street (now known as Cusack Corner), Dublin, Ireland – died 5 June 1899), also known as Sister Mary Francis Cusack and Mother Margaret, was first an Irish Anglican nun, then a Roman Catholic nun, then a religious sister and the founder of the Sisters of St. Joseph of Peace, and then an Anglican (or possibly a Methodist). By 1870 more than 200,000 copies of her works which ranged from biographies of saints to pamphlets on social issues had circulated throughout the world, the proceeds from which went towards victims of the Famine of 1879 and helping to feed the poor. An independent and controversial figure, Cusack was a passionate Irish nationalist, often at odds with the ecclesiastical hierarchy. Early life Margaret Anna Cusack was born in Coolock, County Dublin into a family of Church of Ireland gentry. Her parents were Samuel and Sara Stoney Cusack. Her father was a physician. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benediction
A benediction (Latin: ''bene'', well + ''dicere'', to speak) is a short invocation for divine help, blessing and guidance, usually at the end of worship service. It can also refer to a specific Christian religious service including the exposition of the eucharistic host in the monstrance and the blessing of the people with it. Christianity From the earliest church, Christians adopted ceremonial benedictions into their liturgical worship, particularly at the end of a service. Such benedictions have been regularly practiced both in the Christian East and West. Among the benedictions of the Roman Catholic Church, include thApostolic Benedictionmade by the Pope and his delegates, and th"last blessing"of the dying. The Anglican Church retained the principle of benediction after the Protestant Reformation, and as a result, the benediction or blessing ends most Anglican, as well as Methodist, services of worship. A common form of benediction in Baptist and liturgical Protestant chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
