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Sherman's March (1986 Film)
''Sherman's March: A Meditation on the Possibility of Romantic Love In the South During an Era of Nuclear Weapons Proliferation'' is a 1986 documentary film written and directed by Ross McElwee. It was awarded the Grand Jury prize at the 1987 Sundance Film Festival. and in 2000, was selected for preservation in the U.S. National Film Registry. Background McElwee initially planned to make a film about the effects of General William Tecumseh Sherman's Civil War march through Georgia and the Carolinas, the Georgia portion of which is commonly called the " March to the Sea". A traumatic breakup McElwee experienced before filming made it difficult for him to separate personal from professional concerns, shifting the focus of the film to create a more personal story about the women in his life, love, romance and religion. Other themes include the spectre of nuclear holocaust in the context of the Cold War and the legacy and complexity of General Sherman's own life. The film follows a r ...
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Ross McElwee
Ross McElwee is an American documentary filmmaker known for his autobiographical films about his family and personal life, usually interwoven with an episodic journey that intersects with larger political or philosophical issues. His humorous and often self-deprecating films refer to cultural aspects of his Southern upbringing. He received the Career Award at the 2007 Full Frame Documentary Film Festival. Early life and education Ross McElwee grew up in Charlotte, North Carolina, in a traditional Southern family. His father was a surgeon and appears often as a figure in McElwee's early films. McElwee later attended Brown University, where he studied under novelist John Hawkes, and graduated in 1971 with a degree in creative writing. While at Brown, he also cross-registered in still photography courses at Rhode Island School of Design. After graduating, McElwee lived for a year in Brittany, France, where he worked for a while as a wedding photographer's assistant. Upon return ...
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Paul Attanasio
Paul Albert Attanasio (born November 14, 1959) is an American screenwriter and film and television producer. He has twice been nominated for the Academy Award for Best Adapted Screenplay, for ''Quiz Show (film), Quiz Show'' (1994) and ''Donnie Brasco (film), Donnie Brasco'' (1997). Early life Paul Attanasio was born in The Bronx, New York City, the son of Connie, a real estate broker, and Joseph Attanasio, a commercial consultant. He is the great-grandson of immigrants from Positano on Italy's Amalfi Coast, Amalfi coast. He grew up in the Pelham Bay, Bronx, Pelham Bay section of the Bronx, and later in Tenafly, New Jersey, where he attended public high school.Bernard Weinraub"Flawed Characters In the Public Eye, Past and Present" ''The New York Times'', September 12, 1994, retrieved September 4, 2013: "Mr. Attanasio grew up in the Bronx, in Pelham Bay, and his family later moved to Tenafly, N.J. (His father, Joseph, a businessman, had speaking parts in "Quiz Show" and "Disclosur ...
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First-person Narrative
A first-person narrative is a mode of storytelling in which a storyteller recounts events from their own point of view using the first person It may be narrated by a first-person protagonist (or other focal character), first-person re-teller, first-person witness, or first-person peripheral. A classic example of a first-person protagonist narrator is Charlotte Brontë's ''Jane Eyre'' (1847), in which the title character is also the narrator telling her own story, "I could not unlove him now, merely because I found that he had ceased to notice me". This device allows the audience to see the narrator's mind's eye view of the fictional universe, but it is limited to the narrator's experiences and awareness of the true state of affairs. In some stories, first-person narrators may relay dialogue with other characters or refer to information they heard from the other characters, in order to try to deliver a larger point of view. Other stories may switch the narrator to different cha ...
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Persona
A persona (plural personae or personas), depending on the context, is the public image of one's personality, the social role that one adopts, or simply a fictional Character (arts), character. The word derives from Latin, where it originally referred to a theatrical mask. On the social web, users develop virtual personas as online identity, online identities. Etymology The Latin word probably derived from the Etruscan language, Etruscan word "", with the same meaning, and that from the Greek ('). Its meaning in the latter Roman period changed to indicate a "character" of a theatrical performance or court of law, when it became apparent that different individuals could assume the same role and that legal attributes such as rights, powers, and duties followed the role. The same individuals as actors could play different roles, each with its own legal attributes, sometimes even in the same court appearance. According to other sources, which also admit that the origin of the ter ...
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Film Quarterly
''Film Quarterly'', a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. ''Film Quarterly'' brings timely critical and intersectional approaches to criticism and analyses of visual culture. Since 2013, it has been edited by B. Ruby Rich. Working with her are associate editor Rebecca Prime, assistant editor Marc Fr ...
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Strangers In Good Company
''The Company of Strangers'' (US release title: ''Strangers in Good Company''; French title: ''Le Fabuleux gang des sept'') is a Canadian film, released in 1990. It was directed by Cynthia Scott and was written by Scott, Sally Bochner, David Wilson and Gloria Demers. The film depicts eight women on a bus tour, who are stranded at an isolated cottage when the bus breaks down. Created in a genre defined as docufiction, semi-documentary/semi-fiction, the film is not tightly scripted. The writers wrote a basic story outline but allowed the eight women to improvise their dialogue. Each of the women, all but one of whom were senior citizens, told stories from her own life. A major theme of the film is how the elderly women each face aging and mortality in their own way, and find the courage together to persevere. At various points throughout the film, a montage of photos from each woman's life is shown. Cast * Alice Diabo as Alice, 74, a Mohawk elder from Kahnawake, Quebec, * Constan ...
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Independent Feature Project
Independent or Independents may refer to: Arts, entertainment, and media Artist groups * Independents (artist group), a group of modernist painters based in the New Hope, Pennsylvania, area of the United States during the early 1930s * Independents (Oporto artist group), a Portuguese artist group historically linked to abstract art and to Fernando Lanhas, the central figure of Portuguese abstractionism Music Groups, labels, and genres * Independent music, a number of genres associated with independent labels * Independent record label, a record label not associated with a major label * Independent Albums, American albums chart Albums * ''Independent'' (Ai album), 2012 * ''Independent'' (Faze album), 2006 * ''Independent'' (Sacred Reich album), 1993 Songs * "Independent" (song), a 2007 song by Webbie * "Independent", a 2002 song by Ayumi Hamasaki from '' H'' News and media organizations * ''The Independent'', a British online newspaper. * ''The Malta Independent'', a Maltese ...
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MovieMaker Magazine
''MovieMaker'' is a magazine, website and podcast network focused on the art and business of filmmaking with a special emphasis on independent film. The magazine is published on a quarterly basis. See also * List of film periodicals Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines whi ... References External links * 1993 establishments in Washington (state) Bimonthly magazines published in the United States English-language magazines Film magazines published in the United States Magazines established in 1993 Magazines published in Los Angeles Magazines published in Seattle {{trade-mag-stub ...
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David Holzman's Diary
''David Holzman's Diary'' is a 1967 American mockumentary, or work of metacinema, directed by James McBride and starring L. M. Kit Carson. A feature-length film made on a tiny budget over several days, it is a work of experimental fiction presented as an autobiographical documentary. "A self-portrait by a fictional character in a real place—New York's Upper West Side," the film comments on the title character's personality and life as well as on documentary filmmaking and the medium of cinema more generally. In 1991, ''David Holzman's Diary'' was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress, being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Synopsis L. M. Kit Carson plays David, a young white man living alone in his modest studio apartment on Manhattan's West 71st Street during July 1967. The film begins without the conventional opening credits or mus ...
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Jim McBride
Jim or JIM may refer to: * Jim (given name), a given name * Jim, a diminutive form of the given name James * Jim, a short form of the given name Jimmy * OPCW-UN Joint Investigative Mechanism * ''Jim'' (comics), a series by Jim Woodring * ''Jim'' (album), by soul artist Jamie Lidell * Jim (''Huckleberry Finn''), a character in Mark Twain's novel * Jim (TV channel), in Finland * JIM (Flemish TV channel) * JIM suit, for atmospheric diving * Jim River, in North and South Dakota, United States * Jim, the nickname of Yelkanum Seclamatan (died April 1911), Native American chief * ''Journal of Internal Medicine'' * Juan Ignacio Martínez (born 1964), Spanish footballer, commonly known as JIM * Jim (horse), milk wagon horse used to produce serum containing diphtheria antitoxin * "Jim" (song), a 1941 song. * JIM, Jiangxi Isuzu Motors, a joint venture between Isuzu and Jiangling Motors Corporation Group (JMCG). * Jim (Medal of Honor recipient) See also * * Gym * Jjim * Ǧī ...
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Vincent Canby
Vincent Canby (July 27, 1924 – October 15, 2000) was an American film and theatre critic who served as the chief film critic for ''The New York Times'' from 1969 until the early 1990s, then its chief theatre critic from 1994 until his death in 2000. He reviewed more than one thousand films during his tenure there. Early life Canby was born in Chicago, the son of Katharine Anne (née Vincent) and Lloyd Canby. He attended boarding school in Christchurch, Virginia, with novelist William Styron, and the two became friends. He introduced Styron to the works of E.B. White and Ernest Hemingway; the pair hitchhiked to Richmond to buy ''For Whom the Bell Tolls''. He became an ensign in the United States Navy Reserve on October 13, 1942, and reported aboard the Landing Ship, Tank 679 on July 15, 1944. He was promoted to lieutenant (junior grade) on January 1, 1946, while on LST 679 sailing near Japan. After the war, he attended Dartmouth College, but did not graduate. Career He obtained ...
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