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Shave 'Em Dry
"Shave 'Em Dry" is a dirty blues song, first recorded by Ma Rainey in August 1924 in Chicago. It was released on Paramount Records on September 6, 1924. Rainey was accompanied on the recording by two unknown guitarists (one of them was possibly Miles Pruitt). The record was advertised in ''The Chicago Defender'' on the same date as the record's release. As a turn of phrase, "Shave 'Em Dry" can be interpreted as referring to mean any aggressive action, alternatively (as here) as meaning sexual intercourse without any preliminary 'love-making'. Big Bill Broonzy stated "Shave 'em dry is what you call makin' it with a woman; you ain't doin' nothin', just makin' it." However, Ma Rainey in her version made no specific reference to its meaning or content. Rudi Blesh commented upon its importance as an archaic eight-bar blues which was "complete, harmonically and poetically". Rainey, previously a minstrel and tent-show singer, quite possibly knew of the broad outline of the number and "Shav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Rainey
Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, ''Rainey and Rainey, Assassinators of the Blues''. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including " Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1925), "Ma Rainey's Black Bottom" (1927), and "Soon This Morning" (1927). Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banner Records
Banner Records was an American record company and label in the 1920s and 1930s. It was created primarily for the S.S. Kresge Company, though it was employed as a budget label in other discount stores. History Banner was formed in January 1922 as the flagship label of the Plaza Music Company of New York City. Plaza Music produced several cheap labels targeted at discount houses and hired bandleader Adrian Schubert as musical director. At the beginning, Banner concentrated on popular dance hits, though it also recorded comedy, semi-classical music, and a small number of country and blues records. In its first years Banner also leased masters from Paramount Records and Emerson Records. In July 1929 Plaza merged with Cameo-Pathé and the Scranton Button Company to form the ( ARC). ARC dropped Pathé and Scranton Button's label Emerson but kept active all of the other labels belonging to the combined company, including Banner. After ARC acquired the rights to Brunswick Records, Banne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded "Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's "Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records Coral Records was a subsidiary of Decca Records that was fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Bob (musician)
Black Bob ( fl. 1930s) was the pseudonym used by an American blues piano player, based in Chicago, who recorded widely in the 1930s accompanying other performers. His real name is unknown, but suggestions have included Bob Hudson, Bob Robinson, Bob Alexander, and Bob Schanault (or Chenault). Almost nothing is known of his life beyond his recordings. According to Chicago pianist Charlie West, he became known as Black Jack in Cincinnati, Ohio, before moving around 1927 to Chicago where he adopted the name Black Bob. Reportedly, Big Bill Broonzy thought that his real name was Robert Alexander, though Memphis Slim gave his name as Bob Hudson. It was once erroneously suggested that Black Bob was a pseudonym for Bob Call. Reviewing the evidence, researcher Bob Eagle raised the possibility that he may have been the Bob Schanault (possibly misspelled) who recorded with Memphis Minnie in 1936. Black Bob was the pianist on many Chicago blues recordings of the mid and late 1930s, notably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lil Johnson (blues Singer)
Lil Johnson ( fl. 1920s–1930s, born 1900, date of death and places of birth and death unknown) was an American singer who recorded dirty blues and hokum songs in the 1920s and 1930s. Career Her origins and early life are not known. She first recorded in Chicago in 1929, accompanied by the pianists Montana Taylor and Charles Avery on five songs, including "Rock That Thing". She did not return to the recording studio until 1935, when her more risqué songs included " Get 'Em from the Peanut Man (Hot Nuts)", " Anybody Want to Buy My Cabbage?", and "Press My Button (Ring My Bell)" (''"Come on baby, let's have some fun / Just put your hot dog in my bun"''). She also recorded a version of "Keep A-Knockin'", which later became a hit for Little Richard. From her second session onwards, she formed a partnership with the ragtime-influenced pianist Black Bob, who provided ebullient support for her increasingly suggestive lyrics. In 1936 and 1937, she recorded over 40 songs, mostly for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Document Records
Document Records is an independent record label, founded in Austria and now based in Scotland, that specializes in reissuing vintage blues and jazz. The company has been recognised by The Blues Foundation, being honoured with a Keeping the Blues Alive Award. Document Records is the only UK-based recipient of the award in 2018. History Document was established in 1986 by Johnny Parth, the former owner of Roots Records, in Austria to make previously unreleased blues and gospel records from before the 1942–44 musicians' strike available on a number of European labels. In 1990, Parth felt obliged to switch production from LP to CD. With this change, he consolidated the catalogue into complete reissues in chronological order, increasingly on the Document label as other label names were dropped. The new policy was to reissue as many as possible of the recordings listed in the book, ''Blues and Gospel Records: 1890–1943''. The scope was expanded to include bluegrass, spiritu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josh White
Joshua Daniel White (February 11, 1914 – September 5, 1969) was an American singer, guitarist, songwriter, actor and civil rights activist. He also recorded under the names Pinewood Tom and Tippy Barton in the 1930s. White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs. In 1931, White moved to New York, and within a decade his fame had spread widely. His repertoire expanded to include urban blues, jazz, traditional folk songs, and political protest songs, and he was in demand as an actor on radio, Broadway, and film. However, White's anti-segregationist and international human rights political stance presented in many of his recordings and in his speeches at rallies were subsequently used by McCarthyites as a pretext for labeling him a communist to slander and harass him. From 1947 through the mid-1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Roland
Walter Roland (possibly December 20, 1902 – October 12, 1972) was an American blues, boogie-woogie and jazz pianist, guitarist and singer, noted for his association with Lucille Bogan, Josh White and Sonny Scott. The music journalist Gérard Herzhaft stated that Roland was "a great piano player... as comfortable in boogie-woogies as in slow blues," adding that "Roland – with his manner of playing and his singing – was direct and rural." Biography Roland was born in Ralph, Tuscaloosa County, Alabama. Possible dates include December 20, 1902 (according to his Social Security documentation), or December 4, 1903 (according to his death certificate), though the researchers Bob Eagle and Eric LeBlanc suggest 1900 on the basis of 1910 census information. Roland started playing on the Birmingham blues circuit in the 1920s. A competent and versatile pianist, his range covered slow blues to upbeat, jaunty boogie-woogie numbers. He was also skilled as a guitar player and had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Records
Perfect Records was a United States-based record label, founded in 1922 by Pathé Records to produce cheap 78 rpm discs. From the start, Perfect Records sold well. The Pathé and Perfect labels were part of the merger that created the American Record Corporation (ARC) in July 1929. After the merger, ARC weeded out some of their poorer-selling labels (Pathé, for example), and Perfect continued to be a successful label through the 1930s until ARC dropped their entire group of cheaper labels in late 1938. The label was revived in 1993 by Dean Blackwood and issued recordings pressed on 78 r.p.m. vinyl by Sun City Girls, Charlie Feathers, Junior Kimbrough, The Balfa Brothers, and John Fahey. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... Ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo Records
Romeo Records was an American jazz record label that started in 1926 as a subsidiary of Cameo Records. The discs were sold exclusively at S. H. Kress & Co. department stores and retailed for 25 cents each. In 1931 Romeo was acquired by the American Record Corporation and continued through 1938 until the cessation of ARC's dime-store labels: ( Perfect, Melotone, Banner, and Oriole). From the beginning, Romeo discs had a maroon label. It was changed to a black label in 1931 and then became blue in 1935. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References * External links Romeo Recordson the Internet Archive'Great 78 Project {{Authority control American record labels Record labels established in 1926 Record labels disestablished ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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