Seven Types Of Ambiguity
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Seven Types Of Ambiguity
''Seven Types of Ambiguity'' is a work of literary criticism by William Empson which was first published in 1930. It was one of the most influential critical works of the 20th century and was a key foundation work in the formation of the New Criticism school. The book is organized around seven types of ambiguity that Empson finds in the poetry he discusses. The second edition (revised) was published by Chatto & Windus, London, 1947, and there was another revised edition in 1953. The first printing in America was by New Directions in 1947. ''Seven Types of Ambiguity'' ushered in New Criticism in the United States. The book is a guide to a style of literary criticism practiced by Empson. An ambiguity is represented as a puzzle to Empson. We have ambiguity when "alternative views might be taken without sheer misreading." Empson reads poetry as an exploration of conflicts within the author. Seven types # The first type of ambiguity is the metaphor, that is, when two things are said ...
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William Empson
Sir William Empson (27 September 1906 – 15 April 1984) was an English literary critic and poet, widely influential for his practice of closely reading literary works, a practice fundamental to New Criticism. His best-known work is his first, '' Seven Types of Ambiguity'', published in 1930. Jonathan Bate has written that the three greatest English literary critics of the 18th, 19th and 20th centuries are Johnson, Hazlitt and Empson, "not least because they are the funniest". Background and education Empson was the son of Arthur Reginald Empson of Yokefleet Hall, Yorkshire. His mother was Laura, daughter of Richard Mickelthwait, JP, of Ardsley House, Yorkshire. He was a first cousin of the twins David and Richard Atcherley. Empson first discovered his great skill and interest in mathematics at his preparatory school. He won an entrance scholarship to Winchester College, where he excelled as a student and received what he later described as "a ripping education" in spite ...
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New Criticism
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book ''The New Criticism''. The work of Cambridge scholar I. A. Richards, especially his ''Practical Criticism'' and ''The Meaning of Meaning'', which offered what was claimed to be an empirical scientific approach, were important to the development of New Critical methodology. Also very influential were the critical essays of T. S. Eliot, such as " Tradition and the Individual Talent" and " Hamlet and His Problems", in which Eliot developed his notions of the "theory of impersonality" and " objective correlative" respectively. Eliot's evaluative judgments, such as his condemnation of Milton and Dryden, his liking for the s ...
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Ambiguity
Ambiguity is the type of meaning in which a phrase, statement or resolution is not explicitly defined, making several interpretations plausible. A common aspect of ambiguity is uncertainty. It is thus an attribute of any idea or statement whose intended meaning cannot be definitively resolved according to a rule or process with a finite number of steps. (The '' ambi-'' part of the term reflects an idea of "two", as in "two meanings".) The concept of ambiguity is generally contrasted with vagueness. In ambiguity, specific and distinct interpretations are permitted (although some may not be immediately obvious), whereas with information that is vague, it is difficult to form any interpretation at the desired level of specificity. Linguistic forms Lexical ambiguity is contrasted with semantic ambiguity. The former represents a choice between a finite number of known and meaningful context-dependent interpretations. The latter represents a choice between any number of possi ...
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Chatto & Windus
Chatto & Windus is an imprint of Penguin Random House that was formerly an independent book publishing company founded in London in 1855 by John Camden Hotten. Following Hotten's death, the firm would reorganize under the names of his business partner Andrew Chatto and poet William Edward Windus. The company was purchased by Random House in 1987 and is now a sub-imprint of Vintage Books within the Penguin UK division. History The firm developed out of the publishing business of John Camden Hotten, founded in 1855. After his death in 1873, it was sold to Hotten's junior partner Andrew Chatto (1841–1913), who took on the poet William Edward Windus (1827-1910), son of the patron of J. M. W. Turner, Benjamin Godfrey Windus (1790-1867), as partner. Chatto & Windus published Mark Twain, W. S. Gilbert, Wilkie Collins, H. G. Wells, Wyndham Lewis, Richard Aldington, Frederick Rolfe (as Fr. Rolfe), Aldous Huxley, Samuel Beckett, the "unfinished" novel ''Weir of Hermiston'' (1896) by R ...
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New Directions Publishing
New Directions Publishing Corp. is an independent book publishing company that was founded in 1936 by James Laughlin and incorporated in 1964. Its offices are located at 80 Eighth Avenue in New York City. History New Directions was born in 1936 of Ezra Pound's advice to the young James Laughlin, then a Harvard University sophomore, to "do something useful" after finishing his studies at Harvard. The first projects to come out of New Directions were anthologies of new writing, each titled ''New Directions in Poetry and Prose'' (until 1966's ''NDPP 19''). Early writers incorporated in these anthologies include Dylan Thomas, Marianne Moore, Wallace Stevens, Thomas Merton, Denise Levertov, James Agee, and Lawrence Ferlinghetti. New Directions later broadened their focus to include writing of all genres, representing not only American writing, but also a considerable amount of literature in translation from modernist authors around the world. New Directions also published the ea ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ...
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Conceit
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle). These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways. History of meaning In the Renaissance, the term (which is related to the word concept) indicated the idea that informed a literary work--its theme. Later, it came to stand for the extended and heightened metaphor common in Renaissance poetry, and later still it came to denote the even more elaborate metaphors of 17th century poetry. The Renaissance conceit, given its importance in Petrarch's ''Il Canzoniere'', is also referred to as Petrarchan conceit. It is a comparison in which human experiences are described in terms of an outsized met ...
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Ambiguity
Ambiguity is the type of meaning in which a phrase, statement or resolution is not explicitly defined, making several interpretations plausible. A common aspect of ambiguity is uncertainty. It is thus an attribute of any idea or statement whose intended meaning cannot be definitively resolved according to a rule or process with a finite number of steps. (The '' ambi-'' part of the term reflects an idea of "two", as in "two meanings".) The concept of ambiguity is generally contrasted with vagueness. In ambiguity, specific and distinct interpretations are permitted (although some may not be immediately obvious), whereas with information that is vague, it is difficult to form any interpretation at the desired level of specificity. Linguistic forms Lexical ambiguity is contrasted with semantic ambiguity. The former represents a choice between a finite number of known and meaningful context-dependent interpretations. The latter represents a choice between any number of possi ...
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Books Of Literary Criticism
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a bo ...
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1930 Non-fiction Books
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ...
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Semantics
Semantics (from grc, σημαντικός ''sēmantikós'', "significant") is the study of reference, meaning, or truth. The term can be used to refer to subfields of several distinct disciplines, including philosophy Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. Some ..., linguistics and computer science. History In English, the study of meaning in language has been known by many names that involve the Ancient Greek word (''sema'', "sign, mark, token"). In 1690, a Greek rendering of the term ''semiotics'', the interpretation of signs and symbols, finds an early allusion in John Locke's ''An Essay Concerning Human Understanding'': The third Branch may be called [''simeiotikí'', "semiotics"], or the Doctrine of Signs, the most usual whereof being words, it is aptly enough ter ...
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