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Set De Flo'
Set de flo' (Set the floor) was a type of dance competition held among African Americans during the 19th century. It possibly is based on dance styles originating in Africa. Overview Set de flo' dancing involves drawing a circle on the ground (usually on a dirt floor); dancers are required to not step outside the bounds of the circle, and if they did, they will be disqualified. A caller, usually a fiddler, would call out increasingly complicated dance steps, which the dancers would have to perform without a misstep. Competitors could dance solo, or as couples. The expression "set de flo'" apparently refers not to the drawing of the circle on the ground, but to a particular dance step where the dancer would stomp on the floor when they began dancing, a move that appeared to set the floor in place for the dancer. When couples competed, the man and woman would bow to one another at the start of the dance. The woman would place her hands on her hips, then her male partner would grin an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Competition
Competitive dance is a popular, widespread sport in which competitors perform dances in any of several permitted dance styles—such as acro, ballet, contemporary, jazz, hip-hop, lyrical, modern, musical theatre, tap, and improv—before a common group of judges. This is in contrast with other activities that involve competition among dancers based on purpose, or specific dance styles or genres, such as pom squad and dancesport (competitive ballroom dance). The competitive dance industry largely consists of ''competition production companies''—also sometimes called ''dance competition companies and dance competition lines''—that conduct regional competitions at stops along their annual, nationwide tours. Dancers who compete at these regional competitions are students ranging in age from approximately five to eighteen years old. After competing regionally, qualifying routines and studios go on to compete nationally towards the end of their season. Dance schools (often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scythe
A scythe ( ) is an agricultural hand tool for mowing grass or harvesting crops. It is historically used to cut down or reap edible grains, before the process of threshing. The scythe has been largely replaced by horse-drawn and then tractor machinery, but is still used in some areas of Europe and Asia. Reapers are bladed machines that automate the cutting of the scythe, and sometimes subsequent steps in preparing the grain or the straw or hay. The word "scythe" derives from Old English ''siðe''. In Middle English and later, it was usually spelt ''sithe'' or ''sythe''. However, in the 15th century some writers began to use the ''sc-'' spelling as they thought (wrongly) the word was related to the Latin ''scindere'' (meaning "to cut"). Nevertheless, the ''sithe'' spelling lingered and notably appears in Noah Webster's dictionaries. A scythe consists of a shaft about long called a ''snaith'', ''snath'', ''snathe'' or ''sned'', traditionally made of wood but now sometimes me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Competitive Dance
Competitive dance is a popular, widespread sport in which competitors perform dances in any of several permitted dance styles—such as acro, ballet, contemporary, jazz, hip-hop, lyrical, modern, musical theatre, tap, and improv—before a common group of judges. This is in contrast with other activities that involve competition among dancers based on purpose, or specific dance styles or genres, such as pom squad and dancesport (competitive ballroom dance). The competitive dance industry largely consists of ''competition production companies''—also sometimes called ''dance competition companies and dance competition lines''—that conduct regional competitions at stops along their annual, nationwide tours. Dancers who compete at these regional competitions are students ranging in age from approximately five to eighteen years old. After competing regionally, qualifying routines and studios go on to compete nationally towards the end of their season. Dance schools (often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tap Dance
Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition. The sound is made by shoes that have a metal "tap" on the heel and toe. There are different brands of shoes which sometimes differ in the way they sound. Ok History The fusion of several ethnic percussive dances, such as West African step dances and Welsh, Irish, and Scottish clog dancing, hornpipes, and jigs, tap dance is believed to have begun in the mid-1800s during the rise of minstrel shows. As minstrel shows began to decline in popularity, tap dance moved to the increasingly popular Vaudeville stage. Due to Vaudeville's unspoken "two-colored rule", which forbade blacks to perform solo, many Vaudevi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stick Dance (African-American)
Stick dance was a dance style that African–Americans developed on American plantations during the slavery era, where dancing was used to practice "military drills" among the slaves, where the stick used in the dance was in fact a disguised weapon. Origins To add to the dance element of the practise, other slaves would gather around the competitive fighters. They would clap in rhythm, and sing in a call-and-response style, while one caller led the rest of the crowd. Like the banjo and other instruments, the berimbau was based on African instruments and developed by African-American slaves. An early depiction of slaves performing a stick dance is an 18th-century watercolour painting called ''The Old Plantation'', which is in the collections of The Abby Aldrich Rockefeller Folk Art Museum in Williamsburg, Virginia. It shows a dozen African-Americans gather in front of two slave cabins, with one stick dancer, and two women dancing with scarves to music of a drummer and a banjoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patting Juba
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks (clapping). "Pattin' Juba" would be used to keep time for other dances during a walkaround. A Juba dance performance could include: *counter-clockwise turning, often with one leg raised *stomping and slapping *steps such as "the Jubal Jew", " Yaller Cat", "Pigeon Wing" and "Blow That Candle Out". The dance traditionally ends with a step called " the Long Dog Scratch". Modern variations on the dance include Bo Diddley's "Bo Diddley Beat" and the step-shows of African American Greek organizations. History of the dance The Juba dance was originally brought by Kongo slaves to Charleston, South Carolina. It became an African-American plantation dance that was performed by slaves during their gatherings when no rhythm instruments were allowed due to fear of secret codes hidd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindy Hop
The Lindy Hop is an American dance which was born in the Black communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz dance, jazz, tap dance, tap, breakaway (dance), breakaway, and Charleston (dance), Charleston. It is frequently described as a jazz dance and is a member of the swing (dance), swing dance family. In its development, the Lindy Hop combined elements of both partnered and solo dancing by using the movements and improvisation of African-American dances along with the formal eight-count structure of European partner dances – most clearly illustrated in the Lindy's basic step, the swingout. In this step's open position, each dancer is generally connected hand-to-hand; in its closed position, leads and follows are connected as though in an embrace on one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoe (tool)
A hoe is an ancient and versatile agricultural and horticultural hand tool used to shape soil, remove weeds, clear soil, and harvest root crops. Shaping the soil includes piling soil around the base of plants (hilling), digging narrow furrows (drills) and shallow trenches for planting seeds or bulbs. Weeding with a hoe includes agitating the surface of the soil or cutting foliage from roots, and clearing the soil of old roots and crop residues. Hoes for digging and moving soil are used to harvest root crops such as potatoes. Types There are many kinds of hoes of varied appearances and purposes. Some offer multiple functions while others have only a singular and specific purpose. There are two general types of hoe: draw hoes for shaping soil and scuffle hoes for weeding and aerating soil. A draw hoe has a blade set at approximately a right angle to the shaft. The user chops into the ground and then pulls (draws) the blade towards them. Altering the angle of the handle can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African American
African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of enslaved Africans who are from the United States. While some Black immigrants or their children may also come to identify as African-American, the majority of first generation immigrants do not, preferring to identify with their nation of origin. African Americans constitute the second largest racial group in the U.S. after White Americans, as well as the third largest ethnic group after Hispanic and Latino Americans. Most African Americans are descendants of enslaved people within the boundaries of the present United States. On average, African Americans are of West/ Central African with some European descent; some also have Native American and other ancestry. According to U.S. Census Bureau data, African immigrants generally do not s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoruba People
The Yoruba people (, , ) are a West African ethnic group that mainly inhabit parts of Nigeria, Benin, and Togo. The areas of these countries primarily inhabited by Yoruba are often collectively referred to as Yorubaland. The Yoruba constitute more than 42 million people in Africa, are a few hundred thousand outside the continent, and bear further representation among members of the African diaspora. The vast majority of the Yoruba population is today within the country of Nigeria, where they make up 21% of the country's population according to CIA estimations, making them one of the largest List of ethnic groups of Africa, ethnic groups in Africa. Most Yoruba people speak the Yoruba language, which is the Niger–Congo languages, Niger-Congo language with the largest number of native or L1 speakers. In Africa, the Yoruba are contiguous with the Yoruboid languages, Yoruboid Itsekiri to the south-east in the northwest Niger Delta, Bariba people, Bariba to the northwest in Benin a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egbado
The Ẹgbado, now Yewa, are a subgroup of the Yoruba people and inhabit the eastern area of Ogun West Senatorial District, Ogun State, in south-west Nigeria, Africa. In 1995 they changed their name to the Yewa which comes from the Yewa River which in turn comes from the Yoruba goddess Yewa. Your clan now comprises 4 local Governments Yewa South, Yewa North, Imeko-Afon , and Ipokia, while the Ado-Odo/Ota LGA forms the 5th Awori part of the senatorial district. History The Egbado appear to have migrated - possibly from the Ketu, Ile-Ife, or Oyo - to their current area early in the 18th century. Egbado towns, most importantly Ipokia, Ado Odo, Ayetoro, Imeko Afon, Ilaro, and Igbogila, were established in the 11th to 18th century to take advantage of the slave trade routes from the inland Oyo empire to the coast at Porto-Novo. Other towns were Ilobi and Ijanna, which were strategic in protecting the flanks of the slaving routes. The Egbados' were subject to the rule of the Oyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
