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Send Tape Echo Echo Delay
Send tape echo echo delay (more commonly known as STEED, alternatively known as single tape echo and echo delay) is a technique used in magnetic tape sound recording to apply a delay effect using tape loops and echo chambers. In 2006, while publicising his memoir (''Here, There, and Everywhere: My Life Recording the Music of The Beatles''), recording engineer Geoff Emerick stated that "God only knows" how the effect worked. Technique The technique was developed at EMI/Abbey Road Studios in the late 1950s, by EMI engineer Gwynne Stock.Kehew & Ryan, Recording The Beatles,p. 286 It involved delaying the recorded (dry) signal, sending it into the studio's echo chamber using a tape machine. The dry signal (without delay) was also sent to the chamber via the tape machine's replay head. The resulting sound was picked up by two condenser microphones. These microphones then fed the wet signal back to the recording console. The amount of feedback could be controlled allowing mult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Tape Sound Recording
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations that have led to present-day magnetic ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Lewisohn
Mark Lewisohn (born 16 June 1958) is an English historian and biographer. Since the 1980s, he has written many reference books about the Beatles and has worked for EMI, MPL Communications and Apple Corps.Catching Up With Mark Lewisohn What Goes On, 4 April 2005 He has been referred to as the world's leading authority on the band ''The Independent'', 26 April 2004 due to his meticulous research and integrity. His works include '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mix (magazine)
''Mix'' magazine is a periodical, billing itself as "the world's leading magazine for the professional recording and sound production technology industry". The magazine is headquartered in New York City and distributed in 94 countries. Its Korean version, ''Mix Korea'', was started in 2007. NewBay Media bought it from Penton Media in 2011. Future The future is the time after the past and present. Its arrival is considered inevitable due to the existence of time and the laws of physics. Due to the apparent nature of reality and the unavoidability of the future, everything that currently ... acquired NewBay Media in 2018. References External links See alsoInterview with founder, David SchwartzNAMM Oral History Library, January 14, 2011 Monthly magazines published in the United States Music magazines published in the United States Magazines established in 1977 Magazines published in New York City Professional and trade magazines 1977 establishments in New Yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacific Audio Visual Institute
Pacific Audio Visual Institute (PAVI) was a private educational institution that specializes in music production and music management located in Vancouver, British Columbia, Canada. PAVI offers one-year diploma programs in Audio Engineering & Production and Music Business Management. PAVI differs from other institutions in that classes are taught within an operating, full-service, professional studio complex. Pacific Audio Visual Institute is accredited by the Private Career Training Institutions Agency of British Columbia. PAVI has recently been AwardeBritish Columbia’s Education Quality Assurance Designation The EQA helps identify which provincial post-secondary institutions have met government assurance standards and offer consumer protection. Each year PAVI awards more than $100,000 in scholarships A scholarship is a form of financial aid awarded to students for further education. Generally, scholarships are awarded based on a set of criteria such as academic merit, divers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Townsend
Ken Townsend MBE, is an English sound engineer who played an important role at Abbey Road Studios. He worked on several Beatles albums, such as ''Rubber Soul'', ''Revolver'' and ''Sgt. Pepper's Lonely Hearts Club Band''. In 1966 he invented artificial double tracking (ADT). He spent his whole working career at EMI, and retired as the Chairman of the Studio Group after 42 years of service. Career Following a four-year apprenticeship at EMI's Hayes facility, Townsend was hired in 1954 as a recording engineer at EMI Studios. Townsend worked with the Beatles throughout their entire career at EMI. He was present on 6 June 1962 for the band's first session at the studio and in August 1969 as they completed work on their album ''Abbey Road''. Later described by producer George Martin as one of the "backroom boy ,, quoted in . Townsend rarely worked directly with the band but instead as a maintenance engineer, responsible for helping develop many of the studio inventions first use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artificial Double Tracking
Automatic double-tracking or artificial double-tracking (ADT) is an analogue recording technique designed to enhance the sound of voices or instruments during the mixing process. It uses tape delay to create a delayed copy of an audio signal which is then combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking. The technique was developed in 1966 by engineers at Abbey Road Studios in LondonMartin, George, '' All You Need Is Ears'', St. Martin's Press, 1979, p. 155, . at the request of the Beatles. Overview As early as the 1950s, it was discovered that double tracking the lead vocal in a song gave it a richer, more appealing sound, especially for singers with weak or light voices. Use of this technique became possible with the advent of magnetic tape for use in sound recording. Originally, a pair of single-track (or "mono") tape recorders were used to produce the effect; later, multitra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolution 9
"Revolution 9" is a sound collage from the Beatles' 1968 self-titled double album (also known as the "White Album"). The composition, credited to Lennon–McCartney, was created primarily by John Lennon with assistance from Yoko Ono and George Harrison. Lennon said he was trying to paint a picture of a revolution using sound. The composition was influenced by the avant-garde style of Ono as well as the musique concrète works of composers such as Edgard Varèse and Karlheinz Stockhausen. The recording began as an extended ending to the album version of Lennon's song "Revolution". He, Harrison and Ono then combined the unused coda with numerous overdubbed vocals, speech, sound effects, and short tape loops of speech and musical performances, some of which were reversed. These were further manipulated with echo, distortion, stereo panning, and fading. At eight minutes and twenty-two seconds, it is the longest track that the Beatles officially released. Background and inspiration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birthday (The Beatles Song)
"Birthday" is a song by the English rock band the Beatles from their 1968 double album ''The Beatles'' (also known as "the White Album"). Written by John Lennon and Paul McCartney, mainly by McCartney, it is the opening track on the third side of the LP (or the second disc in CD versions of the record). Surviving Beatles Paul McCartney and Ringo Starr performed it for Starr's 70th birthday at Radio City Music Hall on 7 July 2010. Writing The song was largely written during a recording session at EMI Studios on 18 September 1968 by John Lennon and Paul McCartney. McCartney: "We thought, 'Why not make something up?' So we got a riff going and arranged it around this riff. So that is 50–50 John and me, made up on the spot and recorded all in the same evening." During the session, the Beatles and the recording crew made a short trip around the corner to McCartney's house to watch the 1956 rock & roll movie ''The Girl Can't Help It'' which was being shown for the first time on B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later invo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paperback Writer
"Paperback Writer" is a song by the English rock band the Beatles. Written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single in May 1966. It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and Norway. On the US ''Billboard'' Hot 100, the song was at number one for two non-consecutive weeks, being interrupted by Frank Sinatra's "Strangers in the Night". "Paperback Writer" was the last new song by the Beatles to be featured on their final tour in 1966. Background and inspiration "Paperback Writer" was largely written by Paul McCartney, who based the lyrics on a challenge made to him by his Aunt Lil. McCartney said in 1966: "Years ago, my Auntie Lil said to me, 'Why do you always write songs about love all the time? Can't you ever write about a horse or the summit conference or something interesting?' So, I thought, 'All right, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fermata
A fermata (; "from ''fermare'', to stay, or stop"; also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be prolonged beyond the normal duration its note value would indicate.''The Harvard Dictionary of Music'', p. 310 Exactly how much longer it is held is up to the discretion of the performer or conductor, but twice as long is common. It is usually printed above but can be occasionally below (when it is upside down) the note to be extended. When a fermata is placed over a bar or double-bar, it is used to indicate the end of a phrase or section of a work. In a concerto, it indicates the point at which the soloist is to play a cadenza. A fermata can occur at the end of a piece (or movement) or in the middle of a piece. It can be followed by either a brief rest or more notes. Other names for a fermata are ''corona'' (Italian), ''point d'orgue' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
