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Self-portraits By Vincent Van Gogh
The portraits of Vincent van Gogh (1853–1890) are the self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his ''œuvre'' as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face. Self-portraits 1885 On July 14, 2022, an almost certainly authentic self-portrait of van Gogh was uncovered under his 1885 painting "Head of a peasant woman". Lesley Stevenson, a conservator at the Scottish National Gallery of Modern Art, discovered it during an X-ray examination of their existing pieces. It shows a bearded van Gogh in a brimmed hat and a neckerchief around his throat. His left ear was clearly visible. The portrait is covered under layers of cardboard and glue, which experts are searching for ways to remove i ...
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Vincent Willem Van Gogh 102
Vincent ( la, Vincentius) is a male given name derived from the Roman name Vincentius, which is derived from the Latin word (''to conquer''). People with the given name Artists *Vincent Apap (1909–2003), Maltese sculptor *Vincent van Gogh (1853–1890), Dutch Post-Impressionism, Post-Impressionist painter *Vincent Munier (born 1976), French wildlife photographer Saints *Vincent of Saragossa (died 304), deacon and martyr, patron saint of Lisbon and Valencia *Vincent, Orontius, and Victor (died 305), martyrs who evangelized in the Pyrenees *Saint Vincent of Digne, Vincent of Digne (died 379), French bishop of Digne *Vincent of Lérins (died 445), Church father, Gallic author of early Christian writings *Vincent Madelgarius (died 677), Benedictine monk who established two monasteries in France *Vincent Ferrer (1350–1419), Valencian Dominican missionary and logician *Vincent de Paul (1581–1660), Catholic priest who served the poor *Vicente Liem de la Paz (Vincent Liem the ...
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Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ...
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Bedroom In Arles
''Bedroom in Arles'' (french: link=no, La Chambre à Arles; nl, Slaapkamer te Arles) is the title given to each of three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh's own title for this composition was simply ''The Bedroom'' (French: ''La Chambre à coucher''). There are three authentic versions described in his letters, easily distinguishable from one another by the pictures on the wall to the right. The painting depicts van Gogh's bedroom at 2, Place Lamartine in Arles, Bouches-du-Rhône, France, known as the Yellow House (Arles), Yellow House. The door to the right opened on to the upper floor and the staircase; the door to the left was that of the guest room he held prepared for Paul Gauguin, Gauguin; the window in the front wall looked on to Place Lamartine and its public gardens. This room was not rectangular but trapezoid with an obtuse angle in the left hand corner of the front wall and an acute angle at the right. Firs ...
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Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ...
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Fernand Cormon
Fernand Cormon (24 December 1845 – 20 March 1924) was a French painter born in Paris. He became a pupil of Alexandre Cabanel, Eugène Fromentin, and Jean-François Portaels, and one of the leading historical painters of modern France. Biography His father was the playwright Eugène Cormon. His mother was Charlotte Furais, the actress. At an early age he attracted attention for the perceived sensationalism in his art, although for a time his powerful brush dwelled with particular delight on scenes of bloodshed, such as the ''Murder in the Seraglio'' (1868) and the ''Death of Ravana, King of Lanka'' at the Toulouse Museum. The Musée d'Orsay has his ''Cain fleeing before Jehovah's Curse''; and for the Mairie of the fourth arrondissement of Paris he executed in grisaille a series of panels: ''Birth, Death, Marriage, War'', etc. ''A Chiefs Funeral'', and a series of large paintings for the Museum of natural history in Paris with themes from the Stone Age, occupied him for several ...
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Neo-impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, ''A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillism, Pointillist and Divisionism, Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-impressionist movement. Some argue that Neo-Impressionism became the f ...
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Jan Hulsker
Jan Hulsker (2 October 1907, The Hague – 9 November 2002, Vancouver) was a Dutch art historian especially noted for his work on Vincent van Gogh. He studied Dutch literature in Leiden and was promoted with a thesis on the author Aart van der Leeuw. In 1953, he was appointed to the Ministerie van Cultuur, Recreatie en Maatschappelijk werk, in charge of the art department. In 1959, he became general director in charge of culture at large (directeur-generaal voor culturele zaken). The establishment of the Vincent van Gogh Foundation and the Van Gogh Museum in Amsterdam were among his major tasks. From the 1950s, Hulsker contributed to Van Gogh research, concentrating on the dating of Van Gogh's correspondence. In 1973, Hulsker's most important study was published, ''Van Gogh door Van Gogh'', which has not been translated from the Dutch. He is the author of an acknowledged ''catalogue raisonné'' of Van Gogh's work, published in 1978, revised in 1989 and again in 1996. His catalo ...
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Jacob Baart De La Faille
Jacob Baart de la Faille (1 June 1886, Leeuwarden – 7 August 1959, Heemstede) compiled the first ''catalogue raisonné'' of the work of Vincent van Gogh, published in 1928. The catalogue was revised and republished by an editorial committee in 1970, and this version is considered to be the definitive catalogue of van Gogh's work. His catalogue numbers are preceded by an 'F': thus F612 refers to ''The Starry Night''. Shortly after the publication of the original catalogue, de la Faille became involved in a major fraud affair concerning the Berlin art dealer Otto Wacker. De la Faille had certified the authenticity of 30 paintings which were later determined to be fakes. Biography Jacob-Baart de la Faille was born to a Dutch father, Cornelis Baart de la Faille, and a Belgian mother, Henriette Adriana Krayenhoff. At the University of Utrecht he majored in law, not in art.Dr Jacob Baart de la Faille 1886–1959, in: Hammacher, ed., 1970, p. 39 Writings * J.-B. de La Faille: ''L ...
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National Gallery Of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Samuel Henry Kress#Biography, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexande ...
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Courtauld Institute Galleries
The Courtauld Gallery () is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the history of art. The Courtauld collection was formed largely through donations and bequests and includes paintings, drawings, sculptures and other works from medieval to modern times; it is particularly known for its French Impressionist and Post-Impressionist paintings. The collection contains some 530 paintings and over 26,000 drawings and prints. The head of the Courtauld Gallery is Ernst Vegelin. The gallery closed on 3 September 2018 for a major redevelopment, called Courtauld Connects, and reopened on 19 November 2021. History The Courtauld Institute was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art historian Sir ...
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