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Self-portrait In A Velvet Dress
''Self-portrait in a Velvet Dress'' ( es, Autorretrato con traje de terciopelo or es, Autorretrato con vestido de terciopelo) is a 1926 oil-on-canvas painting by Mexico, Mexican artist Frida Kahlo. Background At the age of 18, Kahlo suffered life-threatening injuries (from which she would never fully recover and would lead to lifelong physical pain) when the train she was riding hit a trolley. During her extended period of convalescence, her parents gave her an easel and painting supplies as well as affixed a mirror to the ceiling above her bed so that she could see herself while lying on her back. It was during this recovery period that Kahlo painted ''Self-portrait in a Velvet Dress''. The picture is considered if not Kahlo's first self-portrait then at least her first significant self-portrait. It is her oldest surviving self-portrait and has been described as her, "earliest important work" and, "her first serious work". It has also been described as, "her first real paint ...
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Self Portrait In A Velvet Dress
The self is an individual as the object of that individual’s own reflective consciousness. Since the ''self'' is a reference by a subject to the same subject, this reference is necessarily subjective. The sense of having a self—or ''selfhood''—should, however, not be confused with subjectivity itself. Ostensibly, this sense is directed outward from the subject to refer inward, back to its "self" (or itself). Examples of psychiatric conditions where such "sameness" may become broken include depersonalization, which sometimes occurs in schizophrenia: the self appears different from the subject. The first-person perspective distinguishes selfhood from personal identity. Whereas "identity" is (literally) sameness and may involve categorization and labeling, selfhood implies a first-person perspective and suggests potential uniqueness. Conversely, we use "person" as a third-person reference. Personal identity can be impaired in late-stage Alzheimer's disease and in other neurode ...
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Self-Portrait With Monkey
''Self-Portrait with Monkey'' (''Autorretrato con mono'' in Spanish) is an oil on masonite painting by Mexican artist Frida Kahlo, commissioned in 1938 by A. Conger Goodyear, then president of the Museum of Modern Art in New York City. It is one of the many self-portraits painted by Kahlo for friends and patrons during her career. The original is housed at the Albright–Knox Art Gallery in Buffalo, New York. American singer-songwriter Madonna acquired this painting, and in 2001 she lent this piece at the Tate Modern Tate Modern is an art gallery located in London. It houses the United Kingdom's national collection of international modern and contemporary art, and forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives. It is ... exhibition ''Surrealism: Desire Unbound'', which was the first British exhibition dedicated to Kahlo. References Paintings by Frida Kahlo 1938 paintings Self-portraits Paintings in the collection of the Al ...
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Mexican Art
Various types of visual arts developed in the geographical area now known as Mexico. The development of these arts roughly follows the history of Mexico, divided into the prehispanic Mesoamerican era, the New Spain, colonial period, with the period after Mexican War of Independence, the development Mexican national identity through art in the nineteenth century, and the florescence of modern Mexican art after the Mexican Revolution (1910-1920). Mesoamerican art is that produced in an area that encompasses much of what is now central and southern Mexico, before the Spanish conquest of the Aztec Empire for a period of about 3,000 years from Mexican Art can be bright and colourful this is called encopended. During this time, all influences on art production were indigenous, with art heavily tied to religion and the ruling class. There was little to no real distinction among art, architecture, and writing. The Spanish conquest led to 300 years of Spanish colonial rule, and art producti ...
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Mexican Paintings
Mexican may refer to: Mexico and its culture *Being related to, from, or connected to the country of Mexico, in North America ** People *** Mexicans, inhabitants of the country Mexico and their descendants *** Mexica, ancient indigenous people of the Valley of Mexico ** Being related to the State of Mexico, one of the 32 federal entities of Mexico ** Culture of Mexico *** Mexican cuisine *** historical synonym of Nahuatl, language of the Nahua people (including the Mexica) Arts and entertainment * "The Mexican" (short story), by Jack London * "The Mexican" (song), by the band Babe Ruth * Regional Mexican, a Latin music radio format Films * ''The Mexican'' (1918 film), a German silent film * ''The Mexican'' (1955 film), a Soviet film by Vladimir Kaplunovsky based on the Jack London story, starring Georgy Vitsin * ''The Mexican'', a 2001 American comedy film directed by Gore Verbinski, starring Brad Pitt and Julia Roberts Other uses * USS ''Mexican'' (ID-1655), United Stat ...
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Self-portraits
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Paintings By Frida Kahlo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1926 Paintings
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Self-portraiture
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Self Portrait With Loose Hair
''Self Portrait with Loose Hair'' ( es, Autorretrato con el pelo suelto), also known as ''Self Portrait with Unbound Hair'', is a 1947 oil-on-masonite painting by Mexican artist Frida Kahlo. Description In a 2012 exploration of hair as an indicator of indigenous feminine identity, ''Self Portrait with Loose Hair'' is described as: :"In this ''autorretrato'' (self-portrait), Kahlo paints a bust of herself with her dark hair untied and cascading over her shoulder. The thick texture of her hair consumes the right portion of the image. She is wearing traditional Mexican attire. The background appears to be representative of gray stone, and a green leaf is placed near her head. At the bottom of the image, a tattered scroll spans the width of the composition and reveals loosely painted text." The text on the picture reads, "Here I painted myself, Frida Kahlo, with my reflection in the mirror. I am 37 years old and this is July, 1947. In Coyoacán, Mexico, the place where I was bo ...
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The Two Fridas
''The Two Fridas'' (''Las dos Fridas'' in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings. It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress. The painting is housed at the Museo de Arte Moderno in Mexico City. History Kahlo painted ''The Two Fridas'' in 1939, the same year she divorced artist Diego Rivera, although they remarried a year later. According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre: Théodore Chassériau's '' The Two Sisters'' and the anonymous '' Gabrielle d'Estrées and One of Her Sisters''. In January 1940, ''The Two Fridas'' was exhibited along with '' The Wounded Table'' at the International Surrealist Exhibition in Mexico ...
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Self-Portrait With Thorn Necklace And Hummingbird
''Self-Portrait with Thorn Necklace and Hummingbird'' (''Autorretrato con Collar de Espinas'') is a 1940 self-portrait by Mexican painter Frida Kahlo which also includes. a black cat, a monkey, and two dragonflies. It was painted after Kahlo's divorce from Diego Rivera and the end of her affair with photographer Nickolas Muray. Muray bought the portrait shortly after it was painted, and it is currently part of the Nickolas Muray collection at the Harry Ransom Center at the University of Texas at Austin. Background Frida Kahlo was a Mexican painter active between 1925 and 1954. She began painting while bedridden due to a bus accident that left her seriously injured. Most of her work consists of self-portraits, which deal directly with her struggle with medical issues, infertility, and her troubeparate Frida on which to project her anguish and pain.Herrera, “Kahlo, Frida". Scholars have interpreted her self-portraits as a way for Kahlo to reclaim her body from medical issues a ...
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