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Scuola Grande Dei Carmini
The Scuola Grande dei Carmini is a confraternity building in Venice, Italy. It is located in the sestiere of Dorsoduro, before Campo dei Carmini and Campo Santa Margherita, upon which its facade looks. It stands, separated by an alley, to the northeast of the church of Santa Maria dei Carmini. History It was the former home of the Venetian Scuola of the same name. The Scuola was founded in 1594 under Doge Pasquale Cicogna, and was the last of its kind to be recognized as a '' Scuola Grande'' in 1767 by the Council of Ten. Initially it was located in the Convent of the Church of Carmini, whose structure also faces the campo of the same name. The present scuola building was designed by Francesco Caustello and Baldassare Longhena. In 1807, the confraternity was suppressed by Napoleon's anticlerical decrees. The Austrians allowed the Scuola to reopen, and it continues activities today, though mostly cultural activities. Exterior The entrance facade and porch are of Baroque style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scuola Grande Dei Carmini (Venice)
The Scuola Grande dei Carmini is a confraternity building in Venice, Italy. It is located in the sestiere of Dorsoduro, before Campo dei Carmini and Campo Santa Margherita, upon which its facade looks. It stands, separated by an alley, to the northeast of the church of Santa Maria dei Carmini, Venice, Santa Maria dei Carmini. History It was the former home of the Venetian Scuola of the same name. The Scuola was founded in 1594 under Doge Pasquale Cicogna, and was the last of its kind to be recognized as a ''Scuole Grandi of Venice, Scuola Grande'' in 1767 by the Council of Ten. Initially it was located in the Convent of the Church of Santa Maria dei Carmini, Venice, Carmini, whose structure also faces the campo of the same name. The present scuola building was designed by Francesco Caustello and Baldassare Longhena. In 1807, the confraternity was suppressed by Napoleon, Napoleon's anticlerical decrees. The Austrians allowed the Scuola to reopen, and it continues activities today, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Zompini
Gaetano Zompini (25 September 1700 – 20 May 1778) was an Italian printmaker and engraver, known for his prints depicting workers from the lower classes in Venice. Born in Nervesa della Battaglia, he apprenticed with Niccolò Bambini. He also completed frescoes in Palazzo Marin in Venice. At times, his etchings recall the painted work of Pietro Longhi and other genre painters of Northern Italy. He died in Venice. ''L'arti che vanno per via nella città di Venezia'' (1753) is his major work, containing 60 prints of Venetian workers. They include the following, an inventory of possible trades in the mid-18th century: :''Aseo'' (Vinegar Seller); ''Astrologa'' (Fortune-teller); ''Botter'' (Barrel Maker and Repairer); ''Cappe'' (Mussel Seller); ''Caraguoi'' (Snail Vendor); ''Carboneri'' ( Colliers); 'www.ridinger-niemeyer.com'' ''Cava Rii'' (Can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Piazzetta
Giovanni Battista Piazzetta (also called Giambattista Piazzetta or Giambattista Valentino Piazzetta) (February 13, 1682 or 1683 – April 28, 1754) was an Italian Rococo painter of religious subjects and genre scenes. Biography Piazzetta was born in Venice, the son of a sculptor Giacomo Piazzetta, from whom he had early training in wood carving. Starting in 1697 he studied with the painter Antonio Molinari. By Piazzetta's account, he studied under Giuseppe Maria Crespi while living in Bologna in 1703–05, although there is no record by Crespi of formal tutelage. Thanks to Crespi, Carlo Cignani's influence reached Piazzetta. Piazzetta did find inspiration in Crespi's art, in which the chiaroscuro of Caravaggio was transformed into an idiom of graceful charm in his pictures of common folk. He was also greatly impressed by the altarpieces created by another Bolognese painter of a half-century earlier, Guercino. Around 1710, he returned to Venice. There he won recognition a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Of Trapani
Albert of Trapani (born Albert degli Abati; scn, Sant’Albertu di l’Abati; 1240 – 7 August 1307) was an Italian Roman Catholic priest and a professed member of the Carmelites. He practiced great austerities upon himself to make himself poor in the spirit of Jesus Christ and went out preaching and evangelizing; he was known for working and maintaining a positive relationship with Jews as well as for his powers of healing. The saint was likewise attributed for the 1301 lifting of the siege in Messina that could have seen hundreds die from starvation had it not been for his intervention. His beatification received approval in 1454 from Pope Nicholas V and he was canonized sometime later in mid-1476; some sources suggest that Pope Callixtus III canonized the saint on 15 October 1457. Life Alberto degli Abati was born circa 1240 in Trapani as the sole child to the nobles (of Florentine origin) Benedetto degli Abati and Giovanna Palizi. His father served as an admiral in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Balestra
Antonio Balestra (12 August 1666 – 21 April 1740) was an Italian painter of the Rococo period. Biography Born in Verona, he first apprenticed there with Giovanni Zeffio. By 1690 he moved to Venice, where he worked for three years under Antonio Bellucci, then moved to Bologna and then to paint in Carlo Maratta's workshop in Rome. In 1694, he won a prize from the Accademia di San Luca. He later painted both in Verona and Venice; although his influence was stronger in the mainland. His pupils in Verona were Pietro Rotari and Giambettino Cignaroli. In Venice, he painted for the churches of the I Gesuiti and San Zaccaria, and the Scuola della Carita. Pietro Longhi briefly worked under Balestra. In Venice, other pupils or painters he influenced, included Mariotti, Giuseppe Nogari, Mattia Bortoloni and Angelo Trevisani. He also influenced a young Giambattista Pittoni. Among his pupils from Verona were Domenico Pecchio, Domenico Bertini, and Carlo Salis. In painting, Balestra w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giustino Menescardi
Giustino Menescardi (1720–1776) was an Italian painter and scenic designer, active in Northern Italy and Venice in a late Baroque style. Biography Little is known about his training. His works appear to display the influence of Tiepolo. In the Carnavals of 1756 and 1757, he collaborated with Francesco Grassi in the scenography for the Teatro Ducale and in the commedie francesi being enacted in the Theater of Colorno. On the 28 of January he was paid 704 lire for his work as a scenographer in the French opera ''Zelindor e Gl'Inca in Perù'', the work ''il balli de Selvaggi'', and the work ''Aci e Galatea''. He painted the canvas of ''St Augustine triumphs over Heresy'' for the church of Santo Stefano, Venice. he also painted for the Sala dell'Archivio of the Scuola Grande dei Carmini and in the Ducal Palace of Venice. A ''Resurrection of Christ'' attributed to Menascardi is in the Hood Museum of Art at Dartmouth College. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Varotari
Alessandro Leone Varotari (4 April 1588 – 20 July 1649), also commonly known as Il Padovanino, was an Italian painter of the late-Mannerist and early- Baroque Venetian school, best known for having mentored Pietro Liberi, Giulio Carpioni, and Bartolommeo Scaligero. He was the son of Dario Varotari the Elder and the brother of painter Chiara Varotari, who accompanied him on his travels and assisted with his work.Alessandro Varotari in the Biography Born in , from which his nickname derives, he was the son of the local painter and architect[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorio Lazzarini
Gregorio Lazzarini (1657 – 10 November 1730) was an Italian painter of mythological, religious and historical subjects, as well as portraits. One of the most successful Venetian artists of the day, a prominent teacher, and father to a significant school of painting, he is best known for having first trained Giambattista Tiepolo, who joined his workshop in 1710 at the age of fourteen. His own style was somewhat eclectic. Life Born in Venice, the son of a barber, he was the brother of the proficient painter, Elisabetta Lazzarini (1662–1729). He trained initially with the Genovese painter Francesco Rosa, then with Girolamo Forabosco, and lastly in the studio of Pietro della Vecchia. He joined the painters' guild in Venice in 1687. Active in Venice until at least 1715, he spent most of his life in the Venetian Republic. He was a prolific painter. He was reputed to be a patient teacher who imparted a broad knowledge of artistic styles for the portrayal of mythological and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Zanchi
Antonio Zanchi (; 6 December 1631 – 12 April 1722) was an Italian painter of the Baroque, active mainly in Venice, but his prolific works can also be seen in Padova, Treviso, Rovigo, Verona, Vicenza, Loreto, Brescia, Milano, and Bergamo, as well as Bavaria. He was born in Este and trained with Francesco Ruschi. French Wikipedia entry for Francesco Ruschi. His masterpieces were the canvas on the ''Plague of Venice'' painted for the Scuola di San Rocco and the ceiling on the ''Crowning of the Virgin Mary with St. Girolamo Miani'' (1703) in the Patriarchal Seminary of Venice, next to the Church of Santa Maria della Salute. He also painted a number of canvases for the Venetian church of Santa Maria del Giglio. Among his pupils were Francesco Trevisani 200px, ''Portrait of Cardinal Pietro Ottoboni ''by Francesco Trevisani. The Bowes Museum, Barnard Castle, County Durham">Barnard_Castle.html" ;"title="Bowes Museum, Barnard Castle">Bowes Museum, Barnard Castle, County Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John XXII
Pope John XXII ( la, Ioannes PP. XXII; 1244 – 4 December 1334), born Jacques Duèze (or d'Euse), was head of the Catholic Church from 7 August 1316 to his death in December 1334. He was the second and longest-reigning Avignon Pope, elected by the Conclave of Cardinals, which was assembled in Lyon through the work of King Louis X's brother Philip, the Count of Poitiers. Like his predecessor, Clement V, Pope John centralized power and income in the Papacy and lived a princely life in Avignon. John excommunicated the enemies of Edward II of England, while warning Edward of a possible reassessment of the papal grant of Ireland. He opposed the political policies of Louis IV of Bavaria as Holy Roman Emperor, which prompted Louis to invade Italy and set up an antipope, Nicholas V. John opposed the Franciscan understanding of the poverty of Christ and his apostles passing multiple papal bulls to enforce his views. This led William of Ockham to write against unlimited papal power. Fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul V
Pope Paul V ( la, Paulus V; it, Paolo V) (17 September 1550 – 28 January 1621), born Camillo Borghese, was head of the Catholic Church and ruler of the Papal States from 16 May 1605 to his death in January 1621. In 1611, he honored Galileo Galilei as a member of the Papal Accademia dei Lincei and supported his discoveries. In 1616, Pope Paul V instructed Cardinal Bellarmine to inform Galileo that the Copernican theory could not be taught as fact, but Bellarmine's certificate allowed Galileo to continue his studies in search for evidence and use the geocentric model as a theoretical device. That same year Paul V assured Galileo that he was safe from persecution so long as he, the Pope, should live. Bellarmine's certificate was used by Galileo for his defense at the trial of 1633. Early life Camillo Borghese was born in Rome on 17 September 1550 into the Borghese family of Siena which had recently established itself in Rome. He was the eldest son of seven sons of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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