Schreiber Theory
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Schreiber Theory
The Schreiber theory is a writer-centered approach to film criticism and film theory which holds that the principal author of a film is generally the screenwriter rather than the director. The term was coined by David Morris Kipen, Director of Literature at the US National Endowment for the Arts. Outline In his 2006 book ''The Schreiber Theory: A Radical Rewrite of American Film History'', Kipen says that the influential 1950s-era auteur theory has wrongly skewed analysis towards a director-centred view of film. In contrast, Kipen believes that the screenwriter has a greater influence on the quality of a finished work and that knowing who wrote a film is "the surest predictor" of how good it will be: A filmgoer seeking out pictures written by, say, Eric Roth or Charlie Kaufman won't always see a masterpiece, but he'll see fewer clunkers than he would following even a brilliant director like John Boorman, or an intelligent actor like Jeff Goldblum. It's all a matter of betting on ...
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Film Criticism
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Journalism, journalistic criticism that appears regularly in newspapers, magazines and other popular mass-media outlets; and academic criticism by film scholars who are informed by film theory and are published in academic journals. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre or in the whole of History of film, film history. Film criticism is also labeled as a type of writing that perceives films as possible achievements and wishes to convey their differences, as well as the films being made in a level of quality that is satisfactory or unsatisfactory. Film criticism is also associated with the journalistic type of criticism, which is grounded in the media's effects being developed, and journalistic criticism resides in standard structures su ...
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John Boorman
Sir John Boorman (; born 18 January 1933) is a British film director, best known for feature films such as ''Point Blank'' (1967), ''Hell in the Pacific'' (1968), ''Deliverance'' (1972), ''Zardoz'' (1974), '' Exorcist II: The Heretic'' (1977), ''Excalibur'' (1981), ''The Emerald Forest'' (1985), '' Hope and Glory'' (1987), '' The General'' (1998), ''The Tailor of Panama'' (2001) and '' Queen and Country'' (2014). Boorman has directed 22 films and received five Academy Award nominations, twice for Best Director (for ''Deliverance'', and ''Hope and Glory''). He is also credited with creating the first Academy Award screeners to promote ''The Emerald Forest''. In 2004, Boorman received the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts. In January 2022, Boorman received a knighthood. Early life Boorman was born in Shepperton, Middlesex, England, the son of pub landlord George Boorman and his wife Ivy (née Chapman). George Boorman ...
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Yiddish
Yiddish (, or , ''yidish'' or ''idish'', , ; , ''Yidish-Taytsh'', ) is a West Germanic language historically spoken by Ashkenazi Jews. It originated during the 9th century in Central Europe, providing the nascent Ashkenazi community with a vernacular based on High German fused with many elements taken from Hebrew (notably Mishnaic) and to some extent Aramaic. Most varieties of Yiddish include elements of Slavic languages and the vocabulary contains traces of Romance languages.Aram Yardumian"A Tale of Two Hypotheses: Genetics and the Ethnogenesis of Ashkenazi Jewry".University of Pennsylvania. 2013. Yiddish is primarily written in the Hebrew alphabet. Prior to World War II, its worldwide peak was 11 million, with the number of speakers in the United States and Canada then totaling 150,000. Eighty-five percent of the approximately six million Jews who were murdered in the Holocaust were Yiddish speakers,Solomon Birnbaum, ''Grammatik der jiddischen Sprache'' (4., erg. Aufl., Hambu ...
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San Francisco Film Society
SFFILM, formerly known as The San Francisco Film Society, is a nonprofit arts organization located in San Francisco, California, that presents year-round programs and events in film exhibition, media education, and filmmaker services. The Executive Director of the San Francisco Film Society is Noah Cowan, who joined the organization in March 2014. Prior to Cowan, Ted Hope served as executive director between August 2012 and December 2013. Prior to Hope, SFFS was headed by Bingham Ray, who served for only ten weeks before his death in January 2012. Between 2005–2011, SFFS was led by Graham Leggat until his death in August 2011. Leadership for each of the San Francisco Film Society's areas of activity is currently provided by Director of Programming Rachel Rosen and Director of Filmmaker360 Michele Turnure-Salleo. The San Francisco Film Society rebranded as SFFILM in 2017. Exhibition The San Francisco Film Society presents more than 300 films annually through various festival ...
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Manifesto
A manifesto is a published declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party or government. A manifesto usually accepts a previously published opinion or public consensus or promotes a new idea with prescriptive notions for carrying out changes the author believes should be made. It often is political, social or artistic in nature, sometimes revolutionary, but may present an individual's life stance. Manifestos relating to religious belief are generally referred to as creeds or, a confession of faith. Etymology It is derived from the Italian word ''manifesto'', itself derived from the Latin ''manifestum'', meaning clear or conspicuous. Its first recorded use in English is from 1620, in Nathaniel Brent's translation of Paolo Sarpi's ''History of the Council of Trent'': "To this citation he made answer by a Manifesto" (p. 102). Similarly, "They were so farre surprised with his Manifesto, that they would never s ...
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Richard Corliss
Richard Nelson Corliss (March 6, 1944 – April 23, 2015) was an American film critic and magazine editor for ''Time''. He focused on movies, with occasional articles on other subjects. He was the former editor-in-chief of ''Film Comment'' and authored several books including ''Talking Pictures'', which, along with other publications, drew early attention to the screenwriter, as opposed to the director. Personal life and background Corliss was born in 1944 in Philadelphia, Pennsylvania,Profile
filmreference.com; accessed September 6, 2014.
the son of Elizabeth Brown (née McCluskey) and Paul William Corliss. He attended St. Joseph's College, Philadelphia (now

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Pauline Kael
Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for ''The New Yorker'' magazine from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries. One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades." Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal." Owen Gleiberman said she "was more than a great critic. She reinvented the form, and pioneered an entire aesthetic of writing." Early life and education Kael was born to Isaac Paul Kael and Judith Kael ( Friedman), Jewish emigrants from Poland, on a chicken farm a ...
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Jeff Goldblum
Jeffrey Lynn Goldblum (; born October 22, 1952) is an American actor and musician. He has starred in some of the highest-grossing films of his era, such as ''Jurassic Park'' (1993) and '' Independence Day'' (1996), as well as their sequels. After playing supporting roles in the late 1970s and early 1980s, Goldblum came to wider attention as Seth Brundle in David Cronenberg's '' The Fly'' (1986), which earned him a Saturn Award for Best Actor. He has also appeared in several TV series, including ''Will & Grace'', for which he received a Primetime Emmy Award nomination. He directed the short film ''Little Surprises'', which was nominated for the Academy Award for Best Live Action Short Film. His jazz band, Jeff Goldblum and the Mildred Snitzer Orchestra, released their first album, '' The Capitol Studios Sessions'', in 2018. Early life Jeffrey Lynn Goldblum was born to Jewish parents in West Homestead, Pennsylvania, located just outside of Pittsburgh. His mother, Shirley J ...
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Charlie Kaufman
Charles Stuart Kaufman (; born November 19, 1958) is an American filmmaker and novelist. He wrote the films ''Being John Malkovich'' (1999), ''Adaptation'' (2002), and ''Eternal Sunshine of the Spotless Mind'' (2004). He made his directorial debut with ''Synecdoche, New York'' (2008), which film critic Roger Ebert called "the best movie of the decade" in 2009.Ebert, Roger. (December 13, 2009The best films of the decade – Roger Ebert's Journal. Blogs.suntimes.com. Retrieved on 2010-12-19. Further directorial work includes the stop motion animated film ''Anomalisa'' (2015) and ''I'm Thinking of Ending Things'' (2020). In 2020, Kaufman made his literary debut with the release of his first novel, ''Antkind''. One of the most celebrated screenwriters of his era, Kaufman has been nominated for four Academy Awards: twice for Best Original Screenplay for ''Being John Malkovich'' and ''Eternal Sunshine of the Spotless Mind'' (winning for the latter), once for Best Adapted Screenplay ( ...
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Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's ''Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L' ...
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Eric Roth
Eric R. Roth (born March 22, 1945) is an American screenwriter. He has been nominated six times for the Academy Award for Best Adapted Screenplay — for ''Forrest Gump'' (1994), '' The Insider'' (1999), ''Munich'' (2005), '' The Curious Case of Benjamin Button'' (2008), '' A Star Is Born'' (2018), and ''Dune'' (2021) — winning for ''Forrest Gump''. He also worked on the screenplays for the Oscar-nominated films ''Ali'' (2001) and '' Extremely Loud & Incredibly Close'' (2011), as well as Martin Scorsese's upcoming film ''Killers of the Flower Moon''. Early life and education Roth was born in New York City, New York, into a Jewish family, the son of Miriam "Mimi", a teacher, studio executive, and radio writer, and Leon Roth, a university teacher and film producer. He grew up in Bedford–Stuyvesant, Brooklyn in New York. He grew up boxing and would credit some of his later successes to habits learned from the sport. Roth went to college at the University of California, Sant ...
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Auteur Theory
An auteur (; , 'author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film ''The Bellboy'' via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. Pauline Kael argued, howeve ...
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