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Scene And Sequel
Scene and sequel are two types of written passages used by authors to advance the plot of a story. ''Scenes'' propel a story forward as the character attempts to achieve a goal.Swain, p. 84-85. ''Sequels'' provide an opportunity for the character to react to the scene, analyze the new situation, and decide upon the next course of action. Scene The concept of a scene in written fiction has evolved over many years. Dwight V. Swain, in ''Techniques of the Selling Writer'' (1965) defined a ''scene'' as a unit of conflict, an account of an effort to attain a goal despite opposition. According to Swain, the functions of a scene are to provide interest and to move the story forward. The structure of a scene, as described by Swain, is (1) goal, (2) conflict, (3) disaster. In ''The Art of Fiction'' (1983), John Gardner described a scene as having an unbroken flow of action without a lapse of time or leap from one setting to another. Over the years, other authors have attempted to improve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical modes, rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition (narrative), exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied metho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystery Fiction
Mystery is a genre fiction, fiction genre where the nature of an event, usually a murder or other crime, remains wiktionary:mysterious, mysterious until the end of the story. Often within a closed circle of suspects, each suspect is usually provided with a credible motive and a reasonable opportunity for committing the crime. The central character is often a detective (such as Sherlock Holmes), who eventually solves the mystery by logical deduction from facts presented to the reader. Some mystery books are non-fiction. Mystery fiction can be detective stories in which the emphasis is on the puzzle or suspense element and its logical solution such as a whodunit. Mystery fiction can be contrasted with hardboiled detective stories, which focus on action and gritty realism. Mystery fiction can involve a supernatural mystery in which the solution does not have to be logical and even in which there is no crime involved. This usage was common in the pulp magazines of the 1930s and 1940s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narratology
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969). Its theoretical lineage is traceable to Aristotle (''Poetics'') but modern narratology is agreed to have begun with the Russian Formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928), and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in ''The Dialogic Imagination'' (1975). Cognitive narratology is a more recent development that allows for a broader understanding of narrative. Rather than focus on the structure of the story, cognitive narratology asks "how humans make sense of stories" and "how humans use stories as sense-making instruments". Defining narrative Structuralist narratologists like Rimmon-Kenan define narrative fiction as "the narration of a succession of fictional eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Scenery
Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or is the genuine item, appropriated for theatrical use. History The history of theatrical scenery is as old as the theatre itself, and just as obtuse and tradition bound. What we tend to think of as 'traditional scenery', i.e. two-dimensional canvas-covered 'flats' painted to resemble a three-dimensional surface or vista, is a relatively recent innovation and a significant departure from the more ancient forms of theatrical expression, which tended to rely less on the actual representation of space senerial and more on the conveyance of action and mood. By the Shakespearean era, the occasional painted backdrop or theatrical prop was in evidence, but the show itself was written so as not to rely on such items to convey itself to the audience. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scene (drama)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed.George, Kathleen (1994) ''Playwriting: The First Workshop'', Focal Press, , p. 154 Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single location and continuous time made up of a serie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Element
A literary element, or narrative element, or element of literature is an essential characteristic of all works of written and spoken narrative fiction. Literary elements include plot, theme, character and tone. In contrast, literary techniques are non-universal features of literature and include figurative language, irony, and foreshadowing. Purpose Literary elements aid in the discussion and understanding of works of literature as basic categories of critical analysis; literary elements could be said to be produced by the readers of a work just as much as they are produced by its author. For the most part, they are popular concepts that are not limited to any particular branch of literary criticism, although they are most closely associated with the formalist method of professional literary criticism. There is no official definition or fixed list of terms of literary elements; however, they are a common feature of literary education at the primary and secondary level, and a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Structure
Dramatic structure (also known as dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of dramatic structures worldwide which have been hypothesized by critics, writers and scholars alike over time. This article covers the range of dramatic structures from around the world. How the acts are structured, what the center of the story is supposed to be about widely varies by region and time period. Africa and African diaspora Karibbean Kwik Kwak The structure is: #Tell riddles to test the audience. #Audience becomes a chorus and comments on the story. Usually there is a ritual ending. West Africa Griot A story structure commonly found in West Africa told by Griot storytellers, who tell their stories orally. Famous stories from this tradition include Anansi folktales. This storytelling type had influence on later African American, Creole, and Caribbean African diaspora stories. The story structure is as foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flashforward
A flashforward (also spelled flash-forward, and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to foreshadowing, in which future events are not shown but rather implicitly hinted at. It is also similar to an ellipsis, which takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a postmodern narrative device, named by analogy to the more traditional flashback, which reveals events that occurred in the past. Literature An early example of prolepsis which predates the postmodern period is Charles Dickens' novel ''A Christmas Carol' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flashback (narrative)
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert the v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue In Writing
Dialogue, in literature, is a verbal exchange between two or more characters (but can also involve strategic use of silence). If there is only ''one'' character talking aloud, it is a monologue. Identifiers ''"This breakfast is making me sick," George said.'' The ''George said'' is the identifier. ''Said'' is the verb most writers use because reader familiarity with ''said'' prevents it from drawing attention to itself. Although other verbs such as ''ask'', ''shout'', or ''reply'' are acceptable, some identifiers get in the reader's way. For example: ''"Hello," he croaked nervously, "my name's Horace."'' ''"What's yours?" he asked with as much aplomb as he could muster.'' Another example is: ''"My name is Peg, what's yours?" I asked.'' ''"My name is William, but my friends call me Will," said Will.'' Stephen King, in his book '' On Writing'', expresses his belief that ''said'' is the best identifier to use. King recommends reading a novel by Larry McMurtry, who he claims has m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Fiction
Action fiction is a literary genre that focuses on stories that involve high-stakes, high-energy, and fast-paced events. This genre includes a wide range of sub-genres, such as spy novels, adventure stories, tales of terror and intrigue ("cloak and dagger") and mysteries. This kind of story utilizes suspense, the tension that is built up when the reader wishes to know how the conflict between the protagonist and antagonist is going to be resolved or what the solution to the puzzle of a thriller is. Genre fiction Action fiction is a form of genre fiction whose subject matter is characterized by emphasis on exciting action sequences. This does not always mean they exclude character development or story-telling. Action fiction is related to other forms of fiction, including action films, action games and analogous media in other formats such as manga and anime. It includes martial arts action, extreme sports action, car chases and vehicles, suspense action, and action come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction-writing Mode
A fiction-writing mode is a manner of writing with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses. Some writing modes suggested include action, dialogue, thoughts, summary, scene, description, background, exposition and transition. Overview The concept goes back at least as far as Aristotle who, in ''Poetics'', referred to narration and action as different modes or manner of representing something. For many years, fiction writing was described as having two types: narration and dialogue. Evan Marshall, in ''The Marshall Plan for Novel Writing'' (1998) noted that writers should know what they are doing at all times. He described w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
