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Scapigliatura Movement
''Scapigliatura'' () is the name of an artistic movement that developed in Italy after the Risorgimento period (1815–71). The movement included poets, writers, musicians, painters and sculptors. The term Scapigliatura is the Italian equivalent of the French "bohème" (bohemian), and "Scapigliato" literally means "unkempt" or "dishevelled". Most of these authors have never been translated into English, hence in most cases this entry cannot have and has no detailed references to specific sources from English books and publications. However, a list of sources from Italian academic studies of the subject is included, as is a list of the authors' main works in Italian. History Origin and inspiration The term Scapigliatura was derived from the novel ''La Scapigliatura e il 6 Febbraio'' by Cletto Arrighi, pen-name of Carlo Righetti (1830–1906), who was one of the forerunners of the movement. The main Italian inspiration of the Scapigliati was the writer and journalist Giuseppe Rovani ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Risorgimento
The unification of Italy ( it, Unità d'Italia ), also known as the ''Risorgimento'' (, ; ), was the 19th-century political and social movement that resulted in the consolidation of different states of the Italian Peninsula into a single state in 1861, the Kingdom of Italy. Inspired by the rebellions in the 1820s and 1830s against the outcome of the Congress of Vienna, the unification process was precipitated by the Revolutions of 1848, and reached completion in 1871 after the Capture of Rome and its designation as the capital of the Kingdom of Italy. Some of the states that had been targeted for unification ('' terre irredente'') did not join the Kingdom of Italy until 1918 after Italy defeated Austria-Hungary in the First World War. For this reason, historians sometimes describe the unification period as continuing past 1871, including activities during the late 19th century and the First World War (1915–1918), and reaching completion only with the Armistice of Villa G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mefistofele
''Mefistofele'' () is an opera in a prologue and five acts, later reduced to four acts and an epilogue, the only completed opera with music by the Italian composer-librettist Arrigo Boito (there are several completed operas for which he was librettist only). The opera was given its premiere on 5 March 1868 at La Scala, Milan, under the baton of the composer, despite his lack of experience and skill as a conductor. However, it was not a success and was immediately withdrawn after only two performances. Revisions in 1875 resulted in success in Bologna and, with further adjustments in 1876 for Venice, the opera was performed elsewhere. Composition history Boito began consideration of an opera on the Faustian theme after completing his studies at the Milan Conservatory in 1861. ''Mefistofele'' is one of many pieces of classical music based on the Faust legend and, like many other composers, Boito used Goethe's version as his starting point. He was an admirer of Richard Wagner and, li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy
Savoy (; frp, Savouè ; french: Savoie ) is a cultural-historical region in the Western Alps. Situated on the cultural boundary between Occitania and Piedmont, the area extends from Lake Geneva in the north to the Dauphiné in the south. Savoy emerged as the feudal County of Savoy ruled by the House of Savoy during the 11th to 14th centuries. The original territory, also known as "ducal Savoy" or "Savoy proper", is largely co-terminous with the modern French Savoie and Haute-Savoie ''départements'', but the historical expansion of Savoyard territories, as the Duchy of Savoy (1416–1860) included parts of what is now western Italy and southwestern Switzerland. The current border between France and Italy is due to the Plombières Agreement of 1858, which in preparation for the unification of Italy ceded western Savoy to France, while the eastern territories in Piedmont and Liguria were retained by the House of Savoy, which was to become the ruling dynasty of Italy. Geogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Fleurs Du Mal
''Les Fleurs du mal'' (; en, The Flowers of Evil, italic=yes) is a volume of French poetry by Charles Baudelaire. ''Les Fleurs du mal'' includes nearly all Baudelaire's poetry, written from 1840 until his death in August 1867. First published in 1857, it was important in the symbolist —including painting— and modernist movements. Though it was extremely controversial upon publication, with six of its poems censored due to their immorality, it is now considered a major work of French poetry. The poems in ''Les Fleurs du mal'' frequently break with tradition, using suggestive images and unusual forms. They deal with themes relating to decadence and eroticism, particularly focusing on suffering and its relationship to original sin, disgust toward evil and oneself, obsession with death, and aspiration toward an ideal world. Les Fleurs du mal had a powerful influence on several notable French poets, including Paul Verlaine, Arthur Rimbaud, and Stéphane Mallarmé. Overview ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baudelaire
Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticism inherited from Romantics, but are based on observations of real life. His most famous work, a book of lyric poetry titled ''Les Fleurs du mal'' (''The Flowers of Evil''), expresses the changing nature of beauty in the rapidly industrializing Paris during the mid-19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé, among many others. He is credited with coining the term modernity (''modernité'') to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernist. Early life Baudelaire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Prati
Giovanni Prati (27 January 1815 – 9 May 1884) was an Italian poet and politician. Prati was born in Dasindo, province of Trento, then part of the Austrian Empire. He was educated in law at Padua. Adopting a literary career, he was inspired by anti-Austrian feeling and devotion to the royal house of Savoy, and in early life his combination of a sympathy for national independence with monarchical sentiments brought him into trouble in both quarters, to the point that Guerrazzi expelled him from Tuscany in 1849 for his praise of Carlo Alberto. These sentiments also led him to attend the "Salotto Maffei" salons in Milan, hosted by Clara Maffei Elena Clara Antonia Carrara Spinelli (13 March 1814, in Bergamo – 13 July 1886, in Milan) was an Italian woman of letters and backer of the Risorgimento, usually known by her married name of countess Clara Maffei or Chiarina Maffei. Life At 17 .... In 1862 he was elected a deputy to the Italian parliament, and in 1876 a senator. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleardo Aleardi
Aleardo Aleardi (14 November 181217 July 1878), born Gaetano Maria, was an Italian poet who belonged to the so-called Neo-romanticists. Biography Aleardo was born in Verona in 1812. He was known for being an active part of the Risorgimento movement. In 1848 he was invited by Daniele Manin to go to Paris to garner support for the Venetian Republic. He was arrested twice: at Mantua in 1852 and at Josephstadt in Bohemia in 1859. After the unification of Italy, he became a member of parliament. In 1873 he became a senator. He later became a professor of aesthetics at Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico an ..., where he died in 1878. Aleardo Aleardi, whose name was originally Gaetano Maria Aleardi, was born in Verona in 1812 to Maria Channels and Count Giorgio Aleardi. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iginio Ugo Tarchetti
Iginio (or Igino) Ugo Tarchetti (; 29 June 1839 – 25 March 1869) was an Italian author, poet, and journalist. Life Born in San Salvatore Monferrato, his military career was cut short by ill health, and in 1865 he settled in Milan. Here he entered literary study, becoming part of the Scapigliatura, a literary movement animated by a spirit of rebellion against traditional culture. He worked on several newspapers and published a torrent of short stories, novels, and poems. He contracted tuberculosis and died in poverty at the age of 29. Tarchetti published his plagiarized translation of " The Mortal Immortal" (1833) by Mary Shelley as "The Elixir of Immortality", with small but significant changes but without attribution. He also appropriated foreign texts in the Gothic tradition, such as works by E. T. A. Hoffmann, Edgar Allan Poe and Theophile Gautier. Lawrence Venuti, who discovered the antecedents of "Mortal Immortal" while translating Tarchetti's ''Fantastic Tales'', c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Ricordi
Giovanni Ricordi (3 March 1785 – 15 March 1853) was an Italian violinist and the founder of the classical music publishing company Casa Ricordi. The musicologist Philip Gossett described him as "a genius and positive force in the history of Italian opera". Ricordi was born in Milan in 1785 to Gianbatista Ricordi, who was a glassmaker, and Angiola de Medici. Ricordi studied the violin from an early age and, for a short time, became the concertmaster and conductor of the small puppet theatre Fiando. In 1803 he created a in Milan where he worked as a music copyist and dealer in printed music and instruments with the Teatro Carcano, which opened in that year, and with the Teatro Lentasio. In 1807 he studied in Leipzig at the Breitkopf & Härtel company to learn the techniques of engraving and printing. When he returned to Milan in early 1808, he founded his publishing company with a partner who dropped out by the middle of the year. As MacNutt notes, during its first decade the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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