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Scandinavian Romanser
The Scandinavian , plural , is a classical music art song equivalent to the German , French or Russian romance. Term The term ' is Swedish, plural ', and in Swedish ( :sv:Romans (musik)) applies also to the German . References {{reflist Danish music Norwegian music Swedish music Finnish music Song forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Song
An art song is a Western vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire").Meister, ''An Introduction to the Art Song'', pp. 11–17. An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many pieces of vocal music are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not. Other factors help define art songs: *Songs that are part of a staged work (such as an aria from an opera or a song from a musical) are not usually considered art songs.Kimball, p. xiv However, some Baroque arias that "appear with great fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélodie
A ''mélodie'' () is a form of French art song, arising in the mid-19th century. It is comparable to the German ''Lied''. A ''chanson'', by contrast, is a folk or popular French song. The literal meaning of the word in the French language is "melody". Nature The ''mélodie'' is often defined by comparison with the ''lied''. Pierre Bernac provides this comparison in ''The Interpretation of French Song'': Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the French taste, which abhors overstatement and venerates concision and diversity. Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings. The ''mélodie'' is noted for its deliberate and close relationship betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Romance
Russian romance (russian: рома́нс ''románs'') is a type of sentimental art song with hints of Gypsy influence that was developed in Imperial Russia by such composers as Nikolai Titov (1800-1875), Alexander Alyabyev (1787–1851), Alexander Varlamov (1801–48), and Alexander Gurilyov (1803–58). By the early 20th century, several types of the Russian romance had emerged. An elite type of the Italianate opera-influenced song known as the "salon romance" is contrasted to the lower-class genre of "cruel romance" which features "sentimental courtship, illicit love, pained rejection, and often suicide". The latter is supposed to have given birth to the Russian chanson. The Russian romance had its heyday in the 1910s and 1920s when the top performers included Anastasia Vyaltseva, Varvara Panina, Nadezhda Plevitskaya, Tamara Tsereteli, Pyotr Leshchenko, and Alexander Vertinsky. In the early Soviet era the genre was less favoured, as it was seen as a vestige of the pre-revo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danish Music
The earliest traces of Danish music go back to the many twisting Bronze-Age horns or lurs which some experts have identified as musical instruments. They have been discovered in various parts of Scandinavia, mostly Denmark, since the end of the 18th century. Denmark's most famous classical composer is Carl Nielsen, especially remembered for his six symphonies, while the Royal Danish Ballet specializes in the work of Danish choreographer August Bournonville. Danes have distinguished themselves as jazz musicians, and the Copenhagen Jazz Festival has acquired an international reputation. The modern pop and rock scene has produced a few names of note, including MØ, Dizzy Mizz Lizzy, Lukas Graham, D-A-D, Tina Dico, Aqua, The Raveonettes, Michael Learns to Rock, Volbeat, Alphabeat, Safri Duo, Medina, Oh Land, Kashmir, King Diamond, Outlandish, and Mew. Lars Ulrich is the first Danish musician to be inducted into the Rock and Roll Hall of Fame. Origins The earliest traces of Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Music
Much has been learned about early music in Norway from physical artifacts found during archaeological digs. These include instruments such as the lur. Viking and medieval sagas also describe musical activity, as do the accounts of priests and pilgrims from all over Europe coming to visit St Olaf's grave in Trondheim. In the later part of the 19th century, Norway experienced economic growth leading to greater industrialization and urbanization. More music was made in the cities, and opera performances and symphony concerts were considered to be of high standards. In this era both prominent composers (like Edvard Grieg and Johan Svendsen) and performers combined the European traditions with Norwegian tones. The import of music and musicians for dance and entertainment grew, and this continued in the 20th century, even more so when gramophone records and radio became common. In the last half of the 20th century, Norway, like many other countries in the world, underwent a roots rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swedish Music
The Music of Sweden shares roots with its neighboring countries in Scandinavia, as well as Eastern Europe, including polka, schottische, waltz, polska and mazurka. The Swedish fiddle and nyckelharpa are among the most common Swedish folk instruments. The instrumental genre is the biggest one in Sweden. In the 1960s, Swedish youth sparked a roots revival in Swedish folk culture. Many joined ''Spelmanslag'' (folk musicians' clubs) and performed on mainstream radio and TV. They focused on instrumental polska music, with vocals and influences from other traditional genres becoming more prominent since the 1990s. By 1970, the "dansband" culture also began. Swedish music has also included more modern and pop influences. On a per capita basis, Sweden is one of the world's most successful exporters of popular music. Its most famous export is ABBA, one of the best-selling pop groups of all time. Sweden has also historically dominated the Scandinavian music scene, with Danes and Norwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finnish Music
The music of Finland can be roughly divided into categories of folk music, classical and contemporary art music, and contemporary popular music. The folk music of Finland belongs to a broader musical tradition, that has been common amongst Balto-Finnic people, sung in the so-called ''Kalevala'' metre. Though folk songs of the old variety became progressively rarer in western Finland, they remained common in eastern parts of the country, mainly Karelia. After publication of Kalevala, this type of singing started to gain more popularity again. In the west of the country, more mainstream Nordic folk music traditions prevail. The Sami people of northern Finland have their own musical traditions, collectively Sami music. Finnish folk music has undergone a roots revival in the recent decades, and has also become a part of popular music. In the field of classical and contemporary art music, Finland has produced a proportionally exceptional number of musicians and composers. Contemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Forms
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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