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Savane Church
The Savane church of Saint George ( ka, სავანის წმინდა გიორგის ეკლესია, tr) is an 11th-century Georgian Orthodox church in the western Georgian region of Imereti. A single-nave basilica built in 1046, the church has harmonious proportions, ornamented iconostasis, and exquisite decorative masonry details on the exterior façades. The church is inscribed on the list of Georgia's Immovable Cultural Monuments of National Significance. History The Savane church stands on a hill on the left bank of the Qvirila River, a tributary of the Rioni, in the centre of the eponymous village, in the Sachkhere Municipality, Imereti region. Prince Vakhushti, in his ''Description of the Kingdom of Georgia'' written in 1745, erroneously claims that the church, with its iconostatis, was hewn out of a single rock. This error was then repeated by Marie-Félicité Brosset, who relied on the information provided by Dimitri Meghvinet-Ukhutsesi. In 1920, ...
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Savane (village)
Savane may refer to: * Savane (album), Ali Farka Touré album * Savane (sportswear), sportswear collection owned by Perry Ellis International * Savane (software), free web-based software hosting system used by GNU Savannah (forked from SourceForge) * Savané, surname * Savane church, an 11th-century Georgian Orthodox church in the eponymous village in the western Georgian region of Imereti * Savane River (other) Savane River may refer to: Canada * Savane River (Caldwell River tributary), a tributary of the Caldwell River in Bas-Saint-Laurent, Quebec * Little Savane River (Temiscouata Lake), a tributary of Lake Témiscouata in Bas-Saint-Laurent, Quebec (s ...
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Porch
A porch (from Old French ''porche'', from Latin ''porticus'' "colonnade", from ''porta'' "passage") is a room or gallery located in front of an entrance of a building. A porch is placed in front of the facade of a building it commands, and forms a low front. Alternatively, it may be a vestibule, or a projecting building that houses the entrance door of a building. Porches exist in both religious and secular architecture. There are various styles of porches, many of which depend on the architectural tradition of its location. Porches allow for sufficient space for a person to comfortably pause before entering or after exiting a building, or to relax on. Many porches are open on the outward side with balustrade supported by balusters that usually encircles the entire porch except where stairs are found. The word "porch" is almost exclusively used for a structure that is outside the main walls of a building or house. Porches can exist under the same roof line as the rest of the ...
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Buildings And Structures In Imereti
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Bagrat IV Of Georgia
Bagrat IV ( ka, ბაგრატ IV; 101824 November 1072), of the Bagrationi dynasty, was the King of Georgia from 1027 to 1072. During his long and eventful reign, Bagrat sought to repress the great nobility and to secure Georgia's sovereignty from the Byzantine and Seljuq Empires. In a series of intermingled conflicts, Bagrat succeeded in defeating his most powerful vassals and rivals of the Liparitid family, bringing several feudal enclaves under his control, and reducing the kings of Lorri and Kakheti, as well as the emir of Tbilisi to vassalage. Like many medieval Caucasian rulers, he bore several Byzantine titles, particularly those of ''nobelissimos'', ''curopalates'', and ''sebastos''. Early reign Bagrat was the son of the king George I () by his first wife Mariam of Vaspurakan. At the age of three, Bagrat was surrendered by his father as a hostage to the Byzantine emperor Basil II () as a price for George's defeat in the 1022 war with the Byzantines. The young ch ...
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Eristavi
''Eristavi'' (; literally, "head of the nation") was a Georgian feudal office, roughly equivalent to the Byzantine ''strategos'' and normally translated into English as "prince" or less commonly as "duke". In the Georgian aristocratic hierarchy, it was the title of the third rank of prince and governor of a large province. Holders of the title were ex-officio commanders of a military 'banner', wore a distinctive dress, ring, belt and spear and rode a particular breed of horse. Some high-ranking eristavis were also titled as eristavt-eristavi (), i.e. "duke of dukes" or archduke but it is improbable that the holder of the title had any subordinate eristavis. Erismtavari (; literally, "chief of the people" or grand duke) was a similar title chiefly endowed upon the pre- Bagratid rulers of Iberia (Eastern Georgia) and later used interchangeably with the ''eristavi''. The title gave origin to the surname of four Georgian noble houses— Eristavi of Aragvi, Eristavi of Ksani, Erist ...
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Archivolt
An archivolt (or voussure) is an ornamental moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings (or other architectural elements) surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself (more properly, the ''intrados''). Most commonly archivolts are found as a feature of the arches of church portals. The mouldings and sculptures on these archivolts are used to convey a theological story or depict religious figures and ideologies of the church in order to represent the gateway between the holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and the churches they were designed for. Etymology The word originat ...
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Belfry (architecture)
The belfry is a structure enclosing bells for ringing as part of a building, usually as part of a bell tower or steeple. It can also refer to the entire tower or building, particularly in continental Europe for such a tower attached to a city hall or other civic building. A belfry encloses the bell chamber, the room in which the bells are housed; its walls are pierced by openings which allow the sound to escape. The openings may be left uncovered but are commonly filled with louvers to prevent rain and snow from entering and damaging the bells. There may be a separate room below the bell chamber to house the ringers. Etymology The word ''belfry'' comes from the Old North French or , meaning 'movable wooden siege tower'. The Old French word itself is derived from Middle High German , 'protecting shelter' (cf. the cognate ''bergfried''), combining the Proto-Germanic , 'to protect', or , 'mountain, high place', with , 'peace; personal security', to create , lit. 'high place ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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Engaged Column
In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi- or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral buildings. In the temples it is attached to the cella walls, repeating the columns of the peristyle, and in the theatres and amphitheatres, where they subdivided the arched openings: in all these cases engaged columns are utilized as a decorative feature, and as a rule the same proportions are maintained as if they had been isolated columns. In Romanesque work the classic proportions were no longer adhered to; the engaged column, attached to the piers, has always a special function to perform, either to support subsidiary arches, or, raised to the vault, to carry its transverse or diagonal ribs. The ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ...
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