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Satirical Music
Satirical music describes music that employs satire or was described as such. It deals with themes of social, political, religious, cultural structures and provides commentary or criticism on them typically under the guise of dark humor or respective music genres. Topics include sexuality, race, culture, religion, politics, institutions, taboo subjects, morality, and the human condition. History Satirical route in music has been explored countless times; from premodern ballads such as the 4th-century BCE Song of Songs to classical, avant-garde, and modern popular music. Such examples are: ;Classical :Satirical ballets, operas, ballads, and plays include '' Le Bourgeois gentilhomme'' , ''Il Girello'' by Alessandro Melani, '' L'Europe galante'' , '' Poly'' , ''Le carnaval des revues'' by Jacques Offenbach, ''La belle Hélène'' , ''Ariadne auf Naxos'' , third movement of ''Lieder eines fahrenden Gesellen'' , '' Die Dreigroschenoper'' , '' Neues vom Tage'' , '' L'amour des tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Melani
Alessandro Melani (4 February 1639 – 3 October 1703) was an Italian composer and the brother of composer Jacopo Melani, and castrato singer Atto Melani. Along with Bernardo Pasquini and Alessandro Scarlatti, he was one of the leading composers active in Rome during the 17th century. He is also ranked among the second school of Roman opera composers which began with his brother's 1668 opera '' Il Girello''. He is chiefly remembered today for his large output of liturgical music that he wrote while serving in various musical posts in Rome. Of particular interest is the large number of polychoral motets that he produced and his eight ascribed oratorios. Three published collections of his liturgical music survive today along with numerous solitary motets from other published volumes. A number of original manuscripts also survive. Biography Born in Pistoia, Melani began singing at the Pistoia Cathedral at the age of 11, remaining there for ten years until he became '' maestro di cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satirical Music
Satirical music describes music that employs satire or was described as such. It deals with themes of social, political, religious, cultural structures and provides commentary or criticism on them typically under the guise of dark humor or respective music genres. Topics include sexuality, race, culture, religion, politics, institutions, taboo subjects, morality, and the human condition. History Satirical route in music has been explored countless times; from premodern ballads such as the 4th-century BCE Song of Songs to classical, avant-garde, and modern popular music. Such examples are: ;Classical :Satirical ballets, operas, ballads, and plays include '' Le Bourgeois gentilhomme'' , ''Il Girello'' by Alessandro Melani, '' L'Europe galante'' , '' Poly'' , ''Le carnaval des revues'' by Jacques Offenbach, ''La belle Hélène'' , ''Ariadne auf Naxos'' , third movement of ''Lieder eines fahrenden Gesellen'' , '' Die Dreigroschenoper'' , '' Neues vom Tage'' , '' L'amour des tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule für Musik und Theater, where he worked until retiring in 1989. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, Germany, his breakthrough came with orchestral works such as '' Atmosphères' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rake's Progress
''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Progress'' (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. The story concerns the decline and fall of one Tom Rakewell, who deserts Anne Trulove for the delights of London in the company of Nick Shadow, who turns out to be the Devil. After several misadventures, all initiated by the devious Shadow, Tom ends up in Bedlam, a hospital for the insane at that time situated in the City of London. The moral of the tale is: "For idle hearts and hands and minds the Devil finds work to do." Performance history It was first performed at the Teatro La Fenice in Venice on 11 September 1951, with Elisabeth Schwarzkopf creating the role of Anne Trulove, and Robert Rounseville that of Tom Rakewell. It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Love For Three Oranges
''The Love for Three Oranges'', Op. 33, also known by its French language title ' (russian: Любовь к трём апельсинам, links=no, ''Lyubov' k tryom apel'sinam''), is a satirical opera by Sergei Prokofiev. Its French libretto was based on the Italian play '' L'amore delle tre melarance'' by Carlo Gozzi. The opera premiered at the Auditorium Theatre in Chicago, Illinois, on 30 December 1921. Composition history The opera was the result of a commission during Prokofiev's successful first visit to the United States in 1918. After well-received concerts of his works in Chicago (including his First Symphony), Prokofiev was approached by the director of the Chicago Opera Association, Cleofonte Campanini, to write an opera. Conveniently, Prokofiev had drafted a libretto during his trip to the US; he had based it on Carlo Gozzi's play in the ''Commedia dell'arte'' tradition, (which was itself based on Giambattista Basile's fairy tale "The Love for Three Oranges"). T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neues Vom Tage
''Neues vom Tage'' (English: ''News of the Day'') is a comic opera (''Lustige Oper'') in three parts by Paul Hindemith, with a German libretto by Marcellus Schiffer. The opera is a satire of modern life, celebrity and marriage, involving parodies of both Puccini's music and Berlin Kabarett. The opera became notorious for a scene with a naked soprano (Laura) singing in the bath about the wonders of modern plumbing, though Hindemith replaced her with the tenor (Hermann) in the revised version. The on-stage nudity particularly aroused the ire of Ernst "Putzi" Hanfstängel, Hitler’s musical advisor, and was later indirectly cited by Joseph Goebbels as evidence that the "degenerate art" of " cultural bolshevist" composers should be excluded from Germany. Performance history ''Neues vom Tage'' was first performed on 8 June 1929, at the Kroll Opera House, Berlin, under the musical direction of Otto Klemperer. Hindemith revised the opera, changing the text and adding a little new mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Threepenny Opera
''The Threepenny Opera'' ( ) is a " play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, '' The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieder Eines Fahrenden Gesellen
''Lieder eines fahrenden Gesellen'' (''Songs of a Wayfarer'') is a song cycle by Gustav Mahler on his own texts. The cycle of four '' lieder'' for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter, whom he met while conductor of the opera house in Kassel, Germany, and orchestrated and revised in the 1890s. Introduction The work's compositional history is complex and difficult to trace. Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, probably between 1885 and 1886, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources. It appears to have been in the orchestral version that the cycle was first performed on 16 March 1896 by the Dutch baritone Anton Sistermans with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play '' Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Belle Hélène
''La belle Hélène'' (, ''The Beautiful Helen'') is an opéra bouffe in three acts, with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The piece parodies the story of Helen of Troy, Helen's elopement with Paris (mythology), Paris, which set off the Trojan War. The premiere was at the Théâtre des Variétés, Paris, on 17 December 1864. The work ran well, and productions followed in three continents. ''La belle Hélene'' continued to be revived throughout the 20th century and has remained a repertoire piece in the 21st. Background and first performance By 1864 Offenbach was well established as the leading French composer of operetta. After successes with his early works – short pieces for modest forces – he was granted a licence in 1858 to stage full-length operas with larger casts and chorus. The first of these to be produced, ''Orpheus in the Underworld, Orphée aux enfers'', achieved notoriety and box-office success for its risqué satire o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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