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Sarnath Capital
The Sarnath capital is a pillar capital, sometimes also described as a "stone bracket", discovered in the archaeological excavations at the ancient Buddhist site of Sarnath in 1905. The pillar displays Ionic volutes and palmettes. It used to be dated to the 3rd century BCE, during the Mauryan Empire period, but is now dated to the 1st century BCE, during the Sunga Empire period. One of the faces shows a galloping horse carrying a rider, while the other face shows an elephant and its mahaut. The capital is suggestive of the Hellenistic Ionic order, and is often discussed in conjunction with the Pataliputra capital. The two capitals have also been described as "quasi-Ionic", and compared for example to the anta capitals of the Temple of Apollo in Didyma. The capital is now located in the Sarnath Museum. File:Mauryan capital 250 BCE drawing.jpg, Reconstruction of the full capital by Percy Brown File:Sarnath capital in color.jpg, Frontal views of the Sarnath capital, in th ...
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Sarnath Museum
Sarnath Museum is the oldest site museum of Archaeological Survey of India. It houses the findings and excavations at the archaeological site of Sarnath, by the Archaeological Survey of India. Sarnath is located near Varanasi, in the state of Uttar Pradesh. The museum has 6,832 sculptures and artefacts. History To keep the antiquities found from the site, a decision was taken in 1904 by the Government to construct a site museum adjacent to the excavated site at Sarnath. It was due to initiative of Sir John Marshall, the then Director General of Archaeology in India, that this museum was created. The plans were prepared by Mr. James Ramson, the then consulting Architect to the Government of India. The building was completed in 1910 to house, display and study the antiquities in their right perspective. The building forms half of a monastery (Sangharam) in plan. Galleries The museum contains five galleries and two verandahs displaying antiquities ranging from the 3rd century BCE t ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Pataliputra Capital
The Pataliputra capital is a monumental rectangular capital with volutes and Classical Greek designs, that was discovered in the palace ruins of the ancient Mauryan Empire capital city of Pataliputra (modern Patna, northeastern India). It is dated to the 3rd century BCE. Discovery The monumental capital was discovered in 1895 at the royal palace in Pataliputra, India, in the area of Bulandi Bagh in Patna, by archaeologist L.A. Waddell in 1895. It was found at a depth of around 12 feet (4 meters), and dated to the reign of Ashoka or soon after, to the 3rd century BCE."Report on the excavations at Pataliputra (Patna)" Calcutta, 1903, page 1/ref> The discovery was first reported in Waddell's book "Report on the excavations at Pataliputra (Patna)". "The capital is currently on display in the Patna Museum. Construction The capital is made of unpolished buff sandstone. It is quite massive, with a length of 49 inches (1.23 meters), and a height of 33.5 inches (0.85 meters). It weighs ...
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Sarnath Capital In Sarnath Museum
Sarnath (Hindustani pronunciation: aːɾnaːtʰ also referred to as Sarangnath, Isipatana, Rishipattana, Migadaya, or Mrigadava) is a place located northeast of Varanasi, near the confluence of the Ganges and the Varuna rivers in Uttar Pradesh, India. Sarnath is where Gautama Buddha taught his first sermon after attaining enlightenment, and where the Buddhist ''sangha'' came into existence through the enlightenment of his first five disciples (Kaundinya, Assaji, Bhaddiya, Vappa and Mahanama). According to the '' Mahaparinibbana Sutta'' ('' Sutta'' 16 of the ''Digha Nikaya''), the Buddha mentioned Sarnath as one of the four places of pilgrimage his devout followers should visit. Singhpur, a village approximately north of Sarnath, is believed to be the birthplace of Shreyansanatha, the 11th ''tirthankara'' of Jainism. A temple dedicated to Shreyansanatha in Sarnath is an important pilgrimage site for Jains. Etymology The name ''Sarnath'' derives from the Sanskrit ...
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Mahout
A mahout is an elephant rider, trainer, or keeper. Mahouts were used since antiquity for both civilian and military use. Traditionally, mahouts came from ethnic groups with generations of elephant keeping experience, with a mahout retaining his elephant throughout its working life or service years. Mahouts would often ride on a howdah placed on the back of their elephant. Etymology The word ''mahout'' derives from the Hindi words ''mahaut'' (महौत) and ''mahavat'' (महावत), and originally from the Sanskrit ''mahamatra'' (महामात्र). Another term is ''cornac'' or ''kornak'', which entered many European languages via Portuguese. This word derives ultimately from the Sanskrit term ''karināyaka'', a compound of ''karin'' (elephant) and ''nayaka'' (leader). In Telugu, a person who takes care of elephants is called a ''mavati''; this word is also derived from Sanskrit. In Tamil, the word used is ''pahan'', which means "elephant keeper", and in S ...
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Hellenistic Influence On Indian Art
Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire (c.321–185 BCE) especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art. Historical context Pre-Hellenistic influences (518–327 BCE) Coin finds in the Kabul hoard in Kabul or the Shaikhan Dehri hoard in Pushkalavati have revealed numerous Achaemenid coins as well as many Greek coins from the 5th and 4th centuries BCE were circulating in the area, at least as far as the Indus during the rule of the Achaeme ...
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Percy Brown (art Historian)
Percy Brown (1872–1955) was a renowned British scholar, artist, art critic, historian and archaeologist, well known as an author on Indian architecture and art, especially for his studies on Greco-Bactrian art. Life and career Brown was born in Birmingham in 1872. He began his studies at a local art school and then studied at the Royal College of Art, where he graduated in 1898. He was part of the Indian Education Service for 28 years, from 1899 until 1927. He became principal of the Mayo School of Arts (today the National College of Arts) in Lahore and curator of the Lahore Museum. In 1909, he left Lahore to be succeeded in the position of principal of the Mayo School of Arts by Ram Singh, who held this post until 1913. The same year, he became the principal of the Government School of Art in Kolkata. He retired in 1927 and became secretary and curator A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, ...
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Didyma
Didyma (; grc, Δίδυμα) was an ancient Greek sanctuary on the coast of Ionia in the domain of the famous city of Miletus. Apollo was the main deity of the sanctuary of Didyma, also called ''Didymaion''. But it was home to both of the temples dedicated to the twins Apollo and Artemis. Other deities were also honoured within the sanctuary. The Didymaion was well renowned in antiquity because of its famed oracle. This oracle of Apollo was situated within what was, and is, one of the world's greatest temples to Apollo. The remains of this Hellenistic temple belong to the best preserved temples of classical antiquity. Besides this temple other buildings existed within the sanctuary which have been rediscovered recently; a Greek theatre and the foundations of the above-mentioned Hellenistic temple of Artemis, to name but two. Geography The ruins of Didyma are located a short distance to the northwest of modern Didim in Aydın Province, Turkey, whose name is derived from the ...
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Anta Capital
An anta capital is the crowning portion of an anta, the front edge of a supporting wall in Greek temple architecture. The anta is generally crowned by a stone block designed to spread the load from superstructure ( entablature) it supports, called an "anta capitals" when it is structural, or sometimes "pilaster capital" if it is only decorative as often during the Roman period. In order not to protrude unduly from the wall, these anta capitals usually display a rather flat surface, so that the capital has more or less a brick-shaped structure overall. The anta capital can be more or less decorated depending on the artistic order it belongs to, with designs, at least in ancient Greek architecture, often quite different from the design of the column capitals it stands next to. This difference disappeared with Roman times, when anta or pilaster capitals have design very similar to those of the column capitals. Doric anta capital The Doric capital was designed in the continuity of the ...
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Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ...
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Mauryan Empire
The Maurya Empire, or the Mauryan Empire, was a geographically extensive Iron Age historical power in the Indian subcontinent based in Magadha, having been founded by Chandragupta Maurya in 322 BCE, and existing in loose-knit fashion until 185 BCE. Quote: "Magadha power came to extend over the main cities and communication routes of the Ganges basin. Then, under Chandragupta Maurya (c.321–297 bce), and subsequently Ashoka his grandson, Pataliputra became the centre of the loose-knit Mauryan 'Empire' which during Ashoka's reign (c.268–232 bce) briefly had a presence throughout the main urban centres and arteries of the subcontinent, except for the extreme south." The Maurya Empire was centralized by the conquest of the Indo-Gangetic Plain, and its capital city was located at Pataliputra (modern Patna). Outside this imperial center, the empire's geographical extent was dependent on the loyalty of military commanders who controlled the armed cities sprinkling it. During Asho ...
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Sunga Empire
The Shunga Empire (IAST: ') was an ancient Indian dynasty from Magadha that controlled areas of the most of the northern Indian subcontinent from around 185 to 73 BCE. The dynasty was established by Pushyamitra, after taking the throne of the Maurya Empire. Its capital was Pataliputra, but later emperors such as Bhagabhadra also held court at Besnagar (modern Vidisha) in eastern Malwa. Pushyamitra ruled for 36 years and was succeeded by his son Agnimitra. There were ten Shunga rulers. However, after the death of Agnimitra, the second king of the dynasty, the empire rapidly disintegrated:K.A. Nilkantha Shastri (1970)''A Comprehensive History of India: Volume 2'' p.108: "Soon after Agnimitra there was no 'Sunga empire'." inscriptions and coins indicate that much of northern and central India consisted of small kingdoms and city-states that were independent of any Shunga hegemony.Bhandare, Shailendra. "Numismatics and History: The Maurya-Gupta Interlude in the Gangetic Plain". i''B ...
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