|
Sarcophagus Of Adelphia
The Sarcophagus of Adelphia is an early Christian, circa 340 AD sarcophagus now in the Museo Archeologico Regionale Paolo Orsi in Syracuse, region of Sicily, Italy. The sarcophagus was found in the Rotunda of Adelphia inside the Catacombs of San Giovanni, in Siracusa. The iconography displayed has similarities to the layout of the Dogmatic and Junius Bassus sarcophagi, although the quality of to depictions is simplified. Description The name of the sarcophagus derives from the hypothesis that it was used for the burial of the Roman noblewoman Adelfia. The central medallion would represent a portrait of the couple, mentioned in the center of the lid by an epigraph arranged on three lines in a tabula ansata on a red background: (H)IC ADELFIA C(LARISSIMA) F(EMINA) POSITA CONPAR BALERI COMITIS ''Here lies Adelphia, famous woman, wife of Count Valerius''. The front side of the marble sarcophagus is split into two registers, typical of the style of the time, with both Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feeding The Five Thousand
In Christianity, the feeding the multitude is two separate miracles of Jesus reported in the Gospels. The first miracle, the "Feeding of the 5,000", is the only miracle—aside from the resurrection—recorded in all four gospels (Matthew 14:13–21; Mark 6:31–44; Luke 9:12–17; John 6:1–14). The second miracle, the "Feeding of the 4,000", with 7 loaves of bread and a few small fish, is reported by Matthew 15:32–39 and Mark 8:1–9, but not by Luke or John. The feeding of the 5,000 people The Feeding of the 5,000 is also known as the "miracle of the five loaves and two fish"; the Gospel of John reports that Jesus used five loaves and two fish supplied by a boy to feed a multitude. According to Matthew's gospel, when Jesus heard that John the Baptist had been killed, he withdrew by boat privately to a solitary place. Luke specifies that the place was near Bethsaida. The crowds followed Jesus on foot from the towns. When Jesus landed and saw a large crowd, he had compassion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Depictions Of Adam And Eve
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Christian Art
Early Christian art and architecture or Paleochristian art is the art produced by Christians or under Christian patronage from the earliest period of Christianity to, depending on the definition used, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine, or of some other regional type. It is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a persecuted group from producing durable works of art. Since Christianity was largely a religion not well represented in the public sphere, the lack of surviving art may reflect a lack of funds for patronage, and simply small numbers of followers. The Old Testament restrictions against the production of graven (an idol or fetish carved in wood or stone) images (see also Idolatry and Christianity) may also have constrained Christians from producing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4th-century Roman Sculptures
The 4th century (per the Julian calendar and Anno Domini/Common era) was the time period which lasted from 301 ( CCCI) through 400 ( CD). In the West, the early part of the century was shaped by Constantine the Great, who became the first Roman emperor to adopt Christianity. Gaining sole reign of the empire, he is also noted for re-establishing a single imperial capital, choosing the site of ancient Byzantium in 330 (over the current capitals, which had effectively been changed by Diocletian's reforms to Milan in the West, and Nicomedeia in the East) to build the city soon called Nova Roma (New Rome); it was later renamed Constantinople in his honor. The last emperor to control both the eastern and western halves of the empire was Theodosius I. As the century progressed after his death, it became increasingly apparent that the empire had changed in many ways since the time of Augustus. The two emperor system originally established by Diocletian in the previous century fell into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statues Of Jesus
There are many statues of Jesus, including: Monumental statues * '' Christ the Redeemer'' is perhaps the most famous statue of Jesus Christ, located in Rio de Janeiro, Brazil. Many other monumental statues of Jesus, include: * El Santisimo in Bucaramanga, Colombia * Cerro del Cubilete in Guanajuato, Mexico * Cerro de los Ángeles on a hill located in Getafe, Spain * Christ at El Picacho in the north area of Tegucigalpa, capital of Honduras * ''Christ Blessing'' in Manado, North Sulawesi, Indonesia * '' Christ of Havana'' in Havana, Cuba * ''Christ of the Abyss'' in various underwater locations * ''Christ of the Mercy'' in the city of San Juan del Sur, Nicaragua * '' Christ of the Ozarks'' in Arkansas, United States * Christ of the Sacred Heart above the town of El Morro, near the city of Rosarito, Baja California, Mexico * Christ of Vũng Tàu in Vung Tau city, Vietnam * Christ the King (Almada) overlooking the city of Lisbon, Portugal * ''Christ the King'' in Świebodzin, west ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Sarcophagi
In the burial practices of ancient Rome and Roman funerary art, marble and limestone sarcophagi elaborately carved in relief were characteristic of elite inhumation burials from the 2nd to the 4th centuries AD. At least 10,000 Roman sarcophagi have survived, with fragments possibly representing as many as 20,000. Although mythological scenes have been quite widely studied, sarcophagus relief has been called the "richest single source of Roman iconography," and may also depict the deceased's occupation or life course, military scenes, and other subject matter. The same workshops produced sarcophagi with Jewish or Christian imagery. Early Christian sarcophagi produced from the late 3rd century onwards, represent the earliest form of large Christian sculpture, and are important for the study of Early Christian art. They were mostly made in a few major cities, including Rome and Athens, which exported them to other cities. Elsewhere the stela gravestone remained more common. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi
The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path". Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew ( 2:1– 22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists used the expanded Christian iconography to reinforce the idea that J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marriage At Cana
The transformation of water into wine at the wedding at Cana (also called the marriage at Cana, wedding feast at Cana or marriage feast at Cana) is the first miracle attributed to Jesus in the Gospel of John. In the Gospel account, Jesus Christ, his mother and his disciples are invited to a wedding. When his mother notices that the wine has run out, Jesus delivers a sign of his divinity by turning water into wine at her request. The location of Cana has been subject to debate among biblical scholars and archaeologists; several villages in Galilee are possible candidates. The account is taken as evidence of Christ’s approval of marriage and earthly celebrations, and has also been used as an argument against teetotalism. Biblical account John 2:1–11 states that Jesus was at a wedding (''seudat nissuin'') in Cana with his disciples. Jesus' mother (unnamed in the Gospel of John) told Jesus, "They have no wine," and Jesus replied, "Woman, what concern is that to you and to me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadrach, Meshach, And Abednego
Shadrach, Meshach, and Abednego (Hebrew names Hananiah, Mishael, and Azariah) are figures from the biblical Book of Daniel, primarily chapter 3. In the narrative, the three Hebrew men are thrown into a fiery furnace by Nebuchadnezzar II, King of Babylon for refusing to bow to the king's image. The three are preserved from harm and the king sees four men walking in the flames, "the fourth ... like the Son of God". They are first mentioned in Daniel 1, where alongside Daniel they are brought to Babylon to study Chaldean language and literature with a view to them serving at the King's court, and their Hebrew names are replaced with Chaldean or Babylonian names. The first six chapters of Daniel are stories dating from the late Persian/early Hellenistic period, and Daniel's absence from the story of the Hebrew children in the fiery furnace suggests that it may originally have been independent. It forms a pair with the story of Daniel in the lions' den, both making the point that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denial Of Peter
The Denial of Peter (or Peter's Denial) refers to three acts of denial of Jesus by the Apostle Peter as described in all four Gospels of the New Testament. All four Canonical Gospels state that during Jesus' Last Supper with his disciples, he predicted that Peter would deny knowledge of him, stating that Peter would disown him before the rooster crowed the next morning. Following the arrest of Jesus, Peter denied knowing him three times, but after the third denial, he heard the rooster crow and recalled the prediction as Jesus turned to look at him. Peter then began to cry bitterly. This final incident is known as the Repentance of Peter. The turbulent emotions behind Peter's denial and later repentance have been the subject of major works of art for centuries. Examples include Caravaggio's ''The Denial of Saint Peter (Caravaggio), Denial of Saint Peter'', which is now at the Metropolitan Museum of Art. The incidents have also inspired segments in various films related to the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
