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Saramati
Saramati is a ragam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 20th ''melakarta'' scale Natabhairavi.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is a ''janya'' scale, as it does not have all the seven ''swaras'' (musical notes) in the descending scale. Structure and Lakshana ''Saramati'' is an asymmetric rāgam that does not contain ''panchamam'' or ''rishabham'' in the descending scale. It is a combination of the ''sampurna raga'' scale ''Natabhairavi'' and pentatonic scale ''Hindolam''. It is an ''sampurna-audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic descending scale).''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its ' structure (ascending and descending scale) is as follows: * : * : The notes used in this scale are ''shadjam, chathusruthi rishabham, sadharana gandharam, panchamam, shuddha dhaivatham'' and ''kaisiki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindhu Bhairavi (film)
''Sindhu Bhairavi'' is a 1985 Indian Tamil-language musical drama film written and directed by K. Balachander. The film stars Sivakumar, Suhasini and Sulakshana. It revolves around the three lead characters: a Carnatic singer J. K. Balaganapathi (JKB), his wife Bhairavi, and his girlfriend Sindhu. At the peak of his career, JKB gets addicted to alcohol following complications with his affair, and his career goes into a downward spiral. ''Sindhu Bhairavi'' released worldwide on 11 November 1985, and opened to positive reviews from critics, and was a blockbuster. The film won three National Awards for National Film Award for Best Actress, Best Actress (Suhasini), National Film Award for Best Music Direction, Best Music Direction (Ilaiyaraaja) and National Film Award for Best Female Playback Singer, Best Female Playback Singer (K. S. Chithra), in addition to the Filmfare Award for Best Film – Tamil. The film has a sequel in the format of a television series named ''Sahana (TV s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natabhairavi Scale
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhairavi corresponds to the ''Asavari thaat'' of Hindustani music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai ''Natabhairavi'' is known to be a rāgam that incites feelings of grandeur and devotion in the listeners. Structure and Lakshana It is the 2nd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Sri''. The mnemonic phrase is ''sa ri gi ma pa dha ni''. Its ' structure is as follows (see ''swaras'' in Carnatic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natabhairavi
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhairavi corresponds to the ''Asavari thaat'' of Hindustani music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai ''Natabhairavi'' is known to be a rāgam that incites feelings of grandeur and devotion in the listeners. Structure and Lakshana It is the 2nd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Sri''. The mnemonic phrase is ''sa ri gi ma pa dha ni''. Its ' structure is as follows (see ''swaras'' in Carnatic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindolam Scale
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of ''Hindolam'' in Hindustani music is ''Malkauns''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or Malkosh''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts. Structure and Lakshana ''Hindōḷaṃ'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification—''audava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of ''Hindolam'' in Hindustani music is ''Malkauns''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or Malkosh''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts. Structure and Lakshana ''Hindōḷaṃ'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification—''audava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shankar–Ganesh
Shankar–Ganesh is an Indian music director duo who has worked on Tamil, Telugu, Malayalam and Kannada movies for around 50 years. Career They started as assistants to Tamil music composers M. S. Viswanathan and T. K. Ramamoorthy in 1964 and later the duo assisted M.S.Viswanathan alone from 1965 till 1967. Kannadhasan started his own film Titled "Nagarathil Thirudargal" in which he introduced Shankar Ganesh as music directors. The film was stopped, so Kannadhasan took them to Chinnappa Devar and requested him to give them a chance. After Kannadhasan's death, Shankar Ganesh had their titles changed to " Kavinger vazhangiya thevarin" Shankar Ganesh Kaveri Thanda Kalaiselvi was a Natya Nadagam (Dance Drama) wherein Jayalalitha was main lead and rehearsals used to happen at her house with all artistes and musicians coming to her house and doing practice. Shankaraman, musician duo Shankar and Ganesh used to come to play music. Sandhya used to make food and give all artistes brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Puducherry. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana, and the Union Territory of the Andaman and Nicobar Islands. It is also spoken by the Tamil diaspora found in many countries, including Malaysia, Myanmar, South Africa, United Kingdom, United States, Canada, Australia and Mauritius. Tamil is also natively spoken by Sri Lankan Moors. One of 22 scheduled languages in the Constitution of India, Tamil was the first to be classified as a classical language of India. Tamil is one of the longest-surviving classical languages of India.. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). A. K. Ramanujan described it as "the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Mukthi
Raja Mukthi () is a 1948 Indian Tamil language film starring M. K. Thyagaraja Bhagavathar, V. N. Janaki and P. Bhanumathi. M. G. Ramachandran had done a supporting role. The film was released on 9 October 1948. Plot King Rajendra Varman and Queen Mrinalini are reigning over the Vyjayanti empire. Mahendra Varman is the rival and the neighbouring King. Kannika is the minister's daughter, who is in love with King Rajendra Varman and aims to attain him at any cost. This convoluted tale of palace intrigue, suspicion, unreciprocated love, seduction, villainy and piety was interspersed with excellent music. Cast Production M. K. Thyagaraja Bhagavathar produced this movie himself under his banner ''Narendra Pictures''. He had done so in order to avoid shooting the movie in Madras city, where he had been imprisoned for more than 2 years. He booked Prabhat Studios in Poona and leased a bungalow to accommodate his cast. Most of the technicians are from Prabhat Studios. Soundtra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uthama Puthiran (1958 Film)
Uthama Puthiran may refer to: * ''Uthama Puthiran'' (1940 film), a 1940 Tamil language film starring P. U. Chinnappa * ''Uthama Puthiran'' (1958 film), a 1958 Tamil language film starring Sivaji Ganesan * ''Uthamaputhiran'' (2010 film), a 2010 Tamil language film starring Dhanush and Genelia D'Souza {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oorkavalan
''Oorkavalan'' () is a 1987 Indian Tamil-language action drama film directed by Manobala, starring Rajinikanth and Raadhika. The film did average business in box-office. Plot The story describes the struggle of a young villager Kangeyan to receive justice for his brother's murder. Manickam falls in love with Mallika, the daughter of Pannaiar. Mallika's marriage is arranged with Dorai, but she refuses and declares her love for Mannikam. Kangeyan gets them married in the village. The priest pretends to have divine powers and uses the superstitious beliefs of the villagers to kill Manickam. Kangeyan, not wanting to see Mallika as a widow, decides to get her married again to Pandian, a cart driver who was her childhood friend. Dorai intervenes again proceeding to use superstition again and Kangeyan learns about truth behind his brother's death exposing the priest and Dorai losing his lover in the process. Cast *Rajinikanth as Kangeyan *Raadhika as Vadivu * Pandiyan as Pandiyan *R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enga Chinna Rasa
''Enga Chinna Rasa'' () is a 1987 Indian Tamil language, Tamil-language Drama (film and television), drama film written, directed by and starring K. Bhagyaraj. The story is inspired by the Kannada novel ''Ardhaangi'' by B. Puttaswamayya. The film was remade in Telugu language, Telugu as ''Abbaigaru'', in Hindi as ''Beta (film), Beta'', and in Kannada as ''Annayya (1993 film), Annayya''. Cast *K. Bhagyaraj as Chinna Rasa *Radha (actress), Radha as Rukmini *Jaiganesh as Rukmini father *Idichapuli Selvaraj as Chinna Rasa father *C. R. Saraswathi as Chinna Rasa Stepmother *Kula Deivam V. R. Rajagopal as Chinna Rasa Uncle * Bayilvan Ranganathan as Village Doctor * Mannangatti Subramaniam as Chinna Rasa Sidekick Soundtrack The soundtrack was composed by Shankar–Ganesh. The song "Konda Seval" was re-used in its Telugu and Hindi remakes. References External links * {{K. Bhagyaraj 1980s Tamil-language films 1987 films Films based on Indian novels Films directed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
