Santa Maria Egiziaca A Pizzofalcone, Naples
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Santa Maria Egiziaca A Pizzofalcone, Naples
Santa Maria Egiziaca a Pizzofalcone is a Baroque-style, Roman Catholic, Basilica church on the street of the titular name in the hill of Pizzofalcone, in the historic center of Naples, region of Campania, Italy. The church layout was initially designed by Cosimo Fanzago. History A small church was located at the site in 1616, but in 1639, a group of five Augustinian monks from the convent associated with the church of Santa Maria Egiziaca a Forcella founded a convent in a palace next to the small church. In 1648, they first hired Cosimo Fanzago to design the church. In 1665, the role fell to Francesco Antonio Picchiatti, and in 1691 to 1716 to Antonio Galluccio.Donatella Mazzoleni, ''Tra Castel dell'Ovo e Sant'Elmo'' il percorso delle origini, Electa, Napoli, 1995, pag. 104. The latter architects modified Fanzago's designs significantly. Architecture The entrance contains a scenic staircase, designed, as well as the dome, by Guglielmelli. It leads to a striking convex facade. ...
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Paolo De Matteis
Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter. Biography He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He served in the employ of the Spanish Viceroy of Naples. From 1702 to 1705, de' Matteis worked in Paris, Calabria, and Genoa. In Genoa, he painted an ''Immaculate Conception with St. Jerome Appearing to St. Sevrio''. Returning to Naples, he painted decorative schemes for Neapolitan churches, including the vault of the chapel of San Ignatius in the church of Gesù Nuovo in Naples. He also painted an ''Assumption of the Virgin'' for the Abbey at Monte Cassino. Between 1723 and 1725, de' Matteis lived in Rome, where he received a commission from Pope Innocent XIII. He had as pupils Filippo Falciatore, Francesco Peresi, and members of the Sarnelli family including Francesco, Gennaro, ...
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Baroque Architecture In Naples
The Baroque (, ; ) is a Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the s ...
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18th-century Roman Catholic Church Buildings In Italy
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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Basilica Churches In Naples
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and ...
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Nicola Fumo
Nicola may refer to: People * Nicola (name), including a list of people with the given name or, less commonly, the surname **Nicola (artist) or Nicoleta Alexandru, singer who represented Romania at the 2003 Eurovision Song Contest * Nicola people, an extinct Athapaskan people of the Nicola Valley in British Columbia, Canada, and a modern alliance now residing there ** Nicola language, an extinct Athabascan language Places * Nicola River, British Columbia, Canada ** Nicola Country, a region of British Columbia around the river ** Nicola Lake, a lake near the upper reaches of the river Arts, entertainment, and media * ''Nicola'' (album) (1967), by Scottish folk musician Bert Jansch * (magazine), a Japanese fashion magazine * ''Nicola'' (composition), a piano composition by Steve Race Other uses * Nicola (apple), trade name of an apple cultivar * MV ''Nicola'', a ferryboat in British Columbia, Canada * ''Nicola'' (sponge), a genus of sponges in the family Clathrinidae * NiCola ...
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Onofrio Palumbo
Onofrio Palumbo (active 1650, Naples)Opera Omnia di Onofrio Palumbo
was an painter of the Baroque period. In the church of the Santissima Trinità dei Pellegrini, Naples, he painted an altarpiece of ''San Gennaro protecting Naples from lightning''. He also painted a contemporary portrait of Masaniello now at the museum of the

Giuseppe Bastelli
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Giu ...
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Antonio Galluccio
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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Francesco Antonio Picchiatti
Francesco Antonio Picchiatti (10 January 1619, Ferrara – 28 August 1694, Naples) was an Italian architect of the Baroque period active in Naples. He is also called Picchetto. He was son of Bartolommeo Picchiatti, who also served as an architect in Naples. Biography Francesco Antonio lived nearly all his life in Naples and worked for various Spanish viceroys. He worked under Pedro Antonio de Aragón and was held in high esteem by the Marquis of Carpio, Don Gaspar de Haro, who was viceroy in Naples from 1683 to 1687. Francesco Antonio served this Marquis as an antiquarian and collector. Francesco Antonio worked on a number of projects in Naples. He aided in the reconstruction of the church of San Agostino near the Royal Mint, the church of the Divino Amore, the church and Monastery of Santa Maria dei Miracoli and that of San Girolamo delle Monache, as well as Palazzo Cellamare. He helped build, and with his father design, the circular church of ''Pio Monte della Misericordia ...
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