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San Michele E San Francesco, Carmignano
San Michele e San Francesco is a renaissance-style, Roman Catholic parish church located in the Piazza SS Francesco e Michele in the town of Carmignano, province of Prato, region of Tuscany, Italy. It is best known for housing the Jacopo Pontormo altarpiece of the '' Visitation''. History The ''pieve'' church was putatively established after a visit to the town in 1211 by St Francis of Assisi. Under the patronage of Bernardo da Quintavalle a small convent and oratory were built. The present church, with a single nave typical of Franciscan churches, was built in 1330, with refurbishments over the centuries. The convent was suppressed in 1798. During World War II, the church was damaged, and reconstruction aimed to restore it to its medieval layout. This joined the church to the Oratory of St Sebastian on the left and the cloister on the right. The portal has a memorial to Giovanni Parenti of Carmignano, general of the Franciscans. The interiors has six lateral altars. The first ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Antonio Di Miniato Di Piero
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António ( Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galici ...
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Roman Catholic Churches In Tuscany
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ...
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Renaissance Architecture In Tuscany
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ...
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14th-century Roman Catholic Church Buildings In Italy
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ...
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Pier Antonio Michi
Seaside pleasure pier in England.html" ;"title="Brighton, England">Brighton, England. The first seaside piers were built in England in the early 19th century. A pier is a raised structure that rises above a body of water and usually juts out from its shore, typically supported by piling, piles or column, pillars, and provides above-water access to offshore areas. Frequent pier uses include fishing, [ oat docking and access for both passengers and cargo, and oceanside recreation. Bridges, buildings, and walkways may all be supported by architectural piers. Their open structure allows tides and currents to flow relatively unhindered, whereas the more solid foundations of a quay or the closely spaced piles of a wharf can act as a breakwater, and are consequently more liable to silting. Piers can range in size and complexity from a simple lightweight wooden structure to major structures extended over . In American English, a pier may be synonymous with a dock. Piers have bee ...
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Flagellants
Flagellants are practitioners of a form of mortification of the flesh by whipping their skin with various instruments of penance. Many Christian confraternities of penitents have flagellants, who beat themselves, both in the privacy of their dwellings and in public processions, in order to repent of sins and share in the Passion of Jesus. In the 14th century, a movement within Western Christianity known as Flagellantism became popular and adherents "began beating their flesh in a public penitential ritual in response to war, famine, plague and fear engendered by millenarianism." Though this movement withered away, the practices of public repentance and promoting peace were adopted by the flagellants in Christian, especially Roman Catholic, confraternities of penitents that exist to the present-day. History Flagellation (from Latin ''flagellare'', to whip) was quite a common practice amongst the more fervently religious throughout antiquity. Christianity has formed a permane ...
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Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant colou ...
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Cosimo Lotti
Cosimo Lotti (1571–1643) was an Italian engineer, scenographer, and landscape designer. He worked around Florence until in his mid-fifties he moved to Madrid where he produced theatrical spectacles for the royal court. Lotti was born in Florence in 1571 and first became a pupil of Bernardino Poccetti. He then worked with Bernardo Buontalenti on the lay out of the Boboli Gardens and went on to install water features in other gardens. His paintings included a ''Birth of Mary'' for the church of San Giorgio a Castelnuovo in Prato. In 1626 he left Florence for Spain, at the request of the Count Duke of Olivares, to join the court of Philip IV as an engineer. As well as redesigning royal gardens in the Italianate style, particularly involving spectacular fountains, he impressed the King with his cleverly engineered theatrical special effects. This included an extravagant staging of a musical piece in the Italian style with poetry by Lope de Vega. Lotti became the organiser of the ...
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Santi Michele E Francesco 03
Santi is used as: People with the surname * Brenden Santi (born 1993), Australian-Italian rugby league player * Domenico Santi (1621–1694), also known as il Mengazzino, Italian painter * Emanuele Santi, Italian economist and political scientist * Enrico Mario Santí, Cuban-American writer and scholar * Franco Biondi Santi (1922–2013), Italian winemaker * Giancarlo Santi (born 1939), Italian director and screenwriter * Giorgio Santi (1746–1822), Italian scientist * Giovanni Santi (1435–1494), Italian painter and decorator, father of Raphael * Guido De Santi (1923–1998), Italian racing cyclist * Guido Santi, filmmaker, director and producer * Marco de Santi (born 1983), Brazilian professional vert skater * Nello Santi (1931–2020), "Papa Santi", Italian conductor * Pietro Santi Bartoli (1615–1700), Italian engraver, draughtsman and painter * Sebastiano Santi (1788–1866), Italian painter * Simone Santi (born 1966), Italian volleyball referee * Tom Santi (born 1985), A ...
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Luigi Catani
Luigi Catani (7 November 1762 – 17 December 1840) is an Italians, Italian painter of frescoes during the Neoclassicism, neoclassical period, active in Tuscany. Biography He was born in Prato and died in Florence. He was a pupil of Pietro Benvenuti. He was employed in the decoration of churches and aristocratic palaces in the duchy, including Palazzo Incontri, Siena, Palazzo Incontri in Siena, San Niccolò in Prato, the Villa Medicea in Poggio a Caiano, Palazzina dei Servi, Palazzo delle Cento, Palazzo Strozzi Sacrati, Palazzo Venturi Ginori, the Royal Palace of Pisa, and the Bardi chapel in Santa Maria Maddalena de' Pazzi.Encyclopedia treccani
Dizionario Biografico degli Italiani - Volume 22 (1979) entry of Catani, by Agnese Fantozzi.


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{{DEFAULTSORT:Catani Luigi 18th-century I ...
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Giovanni Battista Naldini
Giovanni Battista Naldini (1535–1591) was an Italian painter in a late-Mannerist style, active in Florence and Rome. Biography His first apprenticeship (1549–1557) was in the studio of Jacopo Pontormo. He went from Rome for a number of months following 1560, and was recruited to work for Giorgio Vasari in 1562. He painted two crowded, mannerist canvases for the Studiolo of Francesco I in the Palazzo Vecchio: the ''Allegory of Dreams'' and the ''Gathering of Ambergris''. He supplied altarpieces to Santa Maria Novella and Santa Croce. He painted an altarpiece of ''Calling of Saint Matthew'' for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini's two mentors and Sarto's two pupils: Pontormo and Vasari. Among his pupils were the Cavalieri Francesco Curradi, Cosimo Gamberucci. and Cosimo Duti. Naldini p ...
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