San Francisco School Of Circus Arts
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San Francisco School Of Circus Arts
Circus Center is a circus school in San Francisco, California. It was founded in 1984 by Wendy Parkman and Judy Finelli as the San Francisco School of Circus Arts. History In 1974 the Pickle Family Circus was founded by Peggy Snider and Larry Pisoni. Ten years later, the San Francisco School of Circus Arts was founded by Wendy Parkman and Judy Finelli as a project of the Pickle Family Circus. The school was then located at the Pickle headquarters in an old church on San Francisco's Potrero Hill. Two years later, Hannah Kahn assumed control of the school, directing it over the next 10 years. In 1990, master instructor Lu Yi was hired with the mandate of developing the most comprehensive Chinese acrobatics program outside of China. Three years later, the school was incorporated as a separate nonprofit organization, and moved into a vacant Polytech high school gymnasium in the Haight-Ashbury district. In 1996, the San Francisco Circus was established, and later that year the ...
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San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ...
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Clown
A clown is a person who performs comedy and arts in a state of open-mindedness using physical comedy, typically while wearing distinct makeup or costuming and reversing folkway-norms. History The most ancient clowns have been found in the Fifth Dynasty of Egypt, around 2400 BC. Unlike court jesters, clowns have traditionally served a socio-religious and psychological role, and traditionally the roles of priest and clown have been held by the same persons. Peter Berger writes, "It seems plausible that folly and fools, like religion and magic, meet some deeply rooted needs in human society." For this reason, clowning is often considered an important part of training as a physical performance discipline, partly because tricky subject matter can be dealt with, but also because it requires a high level of risk and play in the performer. In anthropology, the term ''clown'' has been extended to comparable jester or fool characters in non-Western cultures. A society in which ...
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Circus Schools
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term ''circus'' also describes the performance which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Philip Astley is credited as the father of the modern circus. In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'Penny Hatch on the south side of the Thames River, England. In 1770, he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a "circus". Performances developed significantly over the next fifty years, with large-scale theatri ...
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Aerial Straps
Straps, also known as aerial straps, are a type of aerial apparatus on which various feats of strength and flexibility may be performed, often in the context of a circus performance. It is a cotton or nylon web apparatus that looks like two suspended ribbons. Wrapping the strap ends around hands and wrists, the performer performs holds, twists, rolls and manoeuvres, requiring extreme strength and precision similar to men’s rings in gymnastics. Straps are available in various configurations, including those with various types of loops at the ends and those without loops. A straps act usually includes held poses and postures done on the straps, dance moves performed on the floor away from the straps, partner acrobatics done on and off the straps, as well as having the straps pulled up and let down during the act.Aerial Arts FAQ
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Aerial Silk
Aerial silks (also known as aerial contortion, aerial ribbons, aerial tissues, fabric, ribbon, or ''tissu'') is a type of performance in which one or more artists perform aerial acrobatics while hanging from a specialist fabric. The fabric may be hung as two pieces, or a single piece, folded to make a loop, classified as hammock silks. Performers climb the suspended fabric without the use of safety lines and rely only on their training and skill to ensure safety. They use the fabric to wrap, suspend, drop, swing, and spiral their bodies into and out of various positions. The fabric may also be used to fly through the air, striking poses and figures. Some performers use rosin (dried or mixed with rubbing alcohol) on their hands and feet to increase the friction and grip on the fabric. Aerial silks is a demanding art and requires a high degree of strength, power, flexibility, courage, stamina, and grace to practice. Tricks The three main categories of tricks are climbs, wraps, a ...
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Aerial Hoop
The aerial hoop (also known as the lyra, aerial ring or cerceau/cerceaux) is a circular steel apparatus (resembling a hula hoop) suspended from the ceiling, on which circus artists may perform aerial acrobatics. It can be used static, spinning, or swinging. Tricks that can be performed include the Candlestick, Bird's Nest and Crescent Moon Connections Tabs are the connection points where the aerial hoop attaches to the rigging Rigging comprises the system of ropes, cables and chains, which support a sailing ship or sail boat's masts—''standing rigging'', including shrouds and stays—and which adjust the position of the vessel's sails and spars to which they are .... Most aerial hoops connect at either one point (single tab configuration) or two points (double tab configuration). The number of tabs an aerial hoop has will depend on how it will be used, the intended effect, and the performer's comfort level. * Double tab hoops hung from two points (at equal or wider ...
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Flying Trapeze
The flying trapeze is a specific form of the trapeze in which a performer jumps from a platform with the trapeze so that gravity makes the trapeze swing. The performance was invented in 1859 by a Frenchman named Jules Léotard, who connected a bar to some ventilator cords above the swimming pool in his father's gymnasium in Toulouse, France. After practicing tricks above the pool, Leotard performed his act in the Cirque Napoleon (now known as the Cirque d'hiver). The traditional flier's costume, the leotard, is named after him. Trapeze acts In a traditional flying trapeze act, flyers mount a narrow board (usually by climbing a tall ladder) and take off from the board on the fly bar. The flyer must wait for a call from the catcher to make sure he or she leaves at the correct time. Otherwise, the catcher will not be close enough to the flyer to make a successful catch. The flier then performs one of many aerial tricks and is caught by the catcher, who is swinging from a s ...
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Static Trapeze
Static trapeze, also known as fixed trapeze, is a type of circus art performed on the trapeze. In contrast to the other forms of trapeze, on static trapeze the bars and ropes mainly stay in place. Most often, the static trapeze is about wide and the bar is generally inches in diameter. The ropes are at least two human lengths, as many figures are performed on the ropes above the bar. The ropes can be made of many materials, including cotton or hemp, and often have a wire woven inside. It can be performed by a single artist or two partners working together. A single artist will do tricks above and below the bar, the ropes playing just as important a part as the bar. A partner act will involve the partners working together — supporting each other's weight, throwing, lifting and catching each other. Self-standing trapezes can be purchased for home use. Multiple trapeze is an act entailing the use of more than one trapeze, typically two or three. In these acts, multiple people ...
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Trampoline
A trampoline is a device consisting of a piece of taut, strong fabric stretched between a steel frame using many coiled spring (device), springs. Not all trampolines have springs, as the Springfree Trampoline uses glass-reinforced plastic rods. People bounce on trampolines for recreational and competitive purposes. The fabric that users bounce on (commonly known as the "bounce mat" or "trampoline bed") is not elastic itself; the elasticity is provided by the springs that connect it to the frame, which store potential energy. History Early trampoline-like devices A game similar to trampolining was developed by the Inuit, who would toss blanket dancers into the air on a walrus skin one at a time (see Nalukataq) during a spring celebration of whale harvest. There is also some evidence of people in Europe having been tossed into the air by a number of people holding a blanket. Mak in the Wakefield Mystery Play ''The Second Shepherds' Play'', and Sancho Panza in ''Don Quixote' ...
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Teeterboard
The teeterboard or Korean plank is an acrobatic apparatus that resembles a playground seesaw. The strongest teeterboards are made of oak (usually 9 feet in length). The board is divided in the middle by a fulcrum made of welded steel. At each end of the board is a square padded area, where a performer stands on an incline before being catapulted into the air. The well-trained flyer performs various aerial somersaults, landing on padded mats, a human pyramid, a specialized landing chair, stilts, or even a Russian bar. The teeterboard is operated by a team of flyers, catchers, spotters and pushers. Some members of the team perform more than one acrobatic role. In the early 1960s the finest teeterboard acts, trained in the Eastern Bloc countries, performed with Ringling Brothers and Barnum & Bailey Circus. Korean-style teeterboard called Neolttwigi is a form of teeterboard where two performers jump vertically in place, landing back on the apparatus instead of dismounting onto a land ...
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Juggling
Juggling is a physical skill, performed by a juggler, involving the manipulation of objects for recreation, entertainment, art or sport. The most recognizable form of juggling is toss juggling. Juggling can be the manipulation of one object or many objects at the same time, most often using one or two hands but also possible with feet. Jugglers often refer to the objects they juggle as ''props''. The most common props are balls, clubs, or rings. Some jugglers use more dramatic objects such as knives, fire torches or chainsaws. The term ''juggling'' can also commonly refer to other prop-based manipulation skills, such as diabolo, plate spinning, devil sticks, poi, cigar boxes, contact juggling, hooping, yo-yo, and hat manipulation. Etymology The words ''juggling'' and ''juggler'' derive from the Middle English ''jogelen'' ("to entertain by performing tricks"), which in turn is from the Old French '' jangler''. There is also the Late Latin form ''joculare'' of Latin ''jocu ...
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Chinese Pole
Chinese poles are vertical poles on which circus performers climb, slide down and hold poses. The poles are generally between in height and approximately in diameter. Some poles have a slightly larger pole that rotates around the static central pole using ball bearings. This rotating pole allows a performer to spin on the vertical axis, giving a performer the ability to incorporate rate of spin into a performance. Bringing the body closer into the pole causes the performer to spin faster. A few Chinese pole tricks have been incorporated with pole dancing techniques. The poles are sometimes covered with rubber to improve grip. However, the rubber can cause friction burns on parts of the Chinese pole artists' bodies. Acrobats often wear multiple layers of clothing to prevent such burns and bruises. The most famous trick is " the flag", where the artist hangs straight out from the pole with his or her hands. This requires a very strong upper body. A few people are able to do pushup ...
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