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Samba De Orpheus
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Batucada
Batucada is a substyle of samba and refers to a percussive style, usually performed by an ensemble, known as a bateria. Batucada is characterized by its repetitive style and fast pace. As is Samba, the Batucada is a Brazilian musical expression with African roots. Overview/Instruments The wide variety of instruments used in a batucada include: *Repinique, a high-pitched tom-tom like drum played with a single stick (or two long sticks) and the hand. Traditionally the leader of the ensemble uses the repinique (also referred to as 'repique') to direct and solo. *Surdo, a large drum with an average size of 50 cm in diameter. It provides the downbeat, the bass downbeat of the rhythm. When only one surdo is playing, it accentuates the 2nd and 4th beat of every measure. When a second surdo is playing, it is tuned slightly higher and is played accentuating the first and third beats of the measure. A third surdo de terceira or Surdo-mor syncopates in between the beats. *Tamborim, a smal ...
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Colonial Brazil
Colonial Brazil ( pt, Brasil Colonial) comprises the period from 1500, with the arrival of the Portuguese, until 1815, when Brazil was elevated to a kingdom in union with Portugal as the United Kingdom of Portugal, Brazil and the Algarves. During the early 300 years of Brazilian colonial history, the economic exploitation of the territory was based first on brazilwood (''pau brazil'') extraction (16th century), which gave the territory its name; sugar production (16th–18th centuries); and finally on gold and diamond mining (18th century). Slaves, especially those brought from Africa, provided most of the work force of the Brazilian export economy after a brief period of Indian slavery to cut brazilwood. In contrast to the neighboring Spanish possessions, which had several viceroyalties with jurisdiction initially over New Spain (Mexico) and Peru, and in the eighteenth century expanded to viceroyalties of the Río de la Plata and New Granada, the Portuguese colony of Brazil ...
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Samba-enredo
Samba-enredo, also known as samba de enredo, is a sub-genre of modern samba made specifically by a samba school for the festivities of Brazilian Carnival. It is a samba style that consists of a lyric and a melody created from a summary of the theme chosen as the plot of a samba school. The first sambas sung by the samba schools in their carnival presentations were freely created and generally were about of the samba itself or the reality of the samba musicians. The institution of contests between the Rio de Janeiro samba school from the 1930s onwards compelled them to commit themselves to presented themes, which began to narrate mainly episodes and exalt characters from the official Brazilian historiography. Background "Samba-enredo" translates literally in Portuguese Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, varian ...
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National Identity
National identity is a person's identity or sense of belonging to one or more states or to one or more nations. It is the sense of "a nation as a cohesive whole, as represented by distinctive traditions, culture, and language". National identity may refer to the subjective feeling one shares with a group of people about a nation, regardless of one's legal citizenship status. National identity is viewed in psychological terms as "an awareness of difference", a "feeling and recognition of 'we' and 'they'". National identity also includes the general population and diaspora of multi-ethnic states and societies that have a shared sense of common identity identical to that of a nation while being made up of several component ethnic groups. Hyphenated ethnicities are an example of the confluence of multiple ethnic and national identities within a single person or entity. As a collective phenomenon, national identity can arise as a direct result of the presence of elements from the "c ...
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National Symbol
A national symbol is a symbol of any entity considering and manifesting itself to the world as a national community: the sovereign states but also nations and countries in a state of colonial or other dependence, federal integration, or even an ethnocultural community considered a 'nationality' despite having no political autonomy. National symbols intend to unite people by creating visual, verbal, or iconic representations of the national people, values, goals, or history. These symbols are often rallied around as part of celebrations of patriotism or aspiring nationalism (such as independence, autonomy or separation movements) and are designed to be inclusive and representative of all the people of the national community. Common official national symbols *The flag or banner of a nation-state *The coat of arms of the land or ruling dynasty *The seal or stamp of the land or ruling dynasty *The head of state, especially in a monarchy *The associated device and motto can a ...
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Radio Broadcasting
Radio broadcasting is transmission of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a broadcast radio receiver (''radio''). Stations are often affiliated with a radio network which provides content in a common radio format, either in broadcast syndication or simulcast or both. Radio stations broadcast with several different types of modulation: AM radio stations transmit in AM ( amplitude modulation), FM radio stations transmit in FM (frequency modulation), which are older analog audio standards, while newer digital radio stations transmit in several digital audio standards: DAB (digital audio broadcasting), HD radio, DRM ( Digital Radio Mondiale). Television broadcasting ...
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Commuter Rail
Commuter rail, or suburban rail, is a passenger rail transport service that primarily operates within a metropolitan area, connecting commuters to a central city from adjacent suburbs or commuter towns. Generally commuter rail systems are considered heavy rail, using electrified or diesel trains. Distance charges or zone pricing may be used. The term can refer to systems with a wide variety of different features and service frequencies, but is often used in contrast to rapid transit or light rail. Similar non-English terms include ''Treno suburbano'' in Italian, ''Cercanías'' in Spanish, Aldiriak in Basque, Rodalia in Catalan/Valencian, Proximidades in Galician, ''Proastiakos'' in Greek, ''Train de banlieue'' in French, '' Banliyö treni '' in Turkish, ''Příměstský vlak'' or ''Esko'' in Czech, ''Elektrichka'' in Russian, ''Pociąg podmiejski '' in Polish and ''Pendeltåg'' in Swedish. Some services share similarities with both commuter rail and high-frequency rapid ...
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Oswaldo Cruz, Rio De Janeiro
Oswaldo Cruz is a neighborhood of the North Zone of Rio de Janeiro, of middle-class and lower middle-class situated near the neighborhoods of Madureira (east), Bento Ribeiro (west), Vila Valqueire (south), and Turiaçu (north). It is known nationally for being the birthplace of Portela, the great champion of the Carioca Carnival. Cut by the railway, Oswaldo Cruz is a typically residential neighborhood, with approximately 40.000 residents. History The neighborhood was once part of the Parish of Irajá, created in 1644. In the end of the 19th century and beginning of 20th century, the economy of the region, supported by slavery, enters crisis and the old latifundiums start to be divided by the poor population, mainly by people escaping the urban reforms realized in the center of the city. In 1890, the Dona Clara Station of trains was inaugurated, that gave name to the area of limits still not defined, that then was confused with Madureira. In 1917, with the death of the docto ...
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Estácio, Rio De Janeiro
Estácio is a neighborhood in Rio de Janeiro, Brazil. The neighborhood was named after Estácio de Sá Estácio de Sá (1520 – February 20, 1567) was a Portuguese soldier and officer. Sá travelled to the colony of Brazil on the orders of the Portuguese crown to wage war on the French colonists commanded by Nicolas Durand de Villegaignon. These F ..., the founder of Rio de Janeiro. The place where samba began. References Neighbourhoods in Rio de Janeiro (city) {{RiodeJaneiro-geo-stub ...
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Maxixe (dance)
The maxixe (), occasionally known as the Brazilian tango, is a dance, with its accompanying music (often played as a subgenre of choro), that originated in the Brazilian city of Rio de Janeiro in 1868, at about the same time as the tango was developing in neighbouring Argentina and Uruguay. It is a dance developed from Afro-Brazilian dances (mainly the lundu) and from European dances (mainly the polka). Like the tango, the maxixe travelled to Europe and the United States in the early years of the 20th century. The music was influenced by various other forms including the Spanish tango, lundu, polka and habanera, and is danced to a rapid 2/4 time. Pianist Ernesto Nazareth composed many Brazilian tangos; he was known for blending folk influences into his tangos, polkas and waltzes. He resisted using folk terms for his compositions; he preferred ''Brazilian Tango'' to ''maxixe''.
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Music Industry
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artists ...
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