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Saint George Freeing The Princess
''Saint George Freeing the Princess'' is a marble stiacciato bas-relief sculpture by Donatello, sculpted around 1416 or 1417. It was originally situated under the same artist's ''Saint George'' on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas replacing them in their original positions. Paola Grifoni, Francesca Nannelli, ''Le statue dei santi protettori delle arti fiorentine e il Museo di Orsanmichele'', Quaderni del servizio educativo, Edizioni Polistampa, Florence, 2006. References {{Donatello 1417 sculptures Sculptures by Donatello George George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd Presiden ... Sculptures of saints ...
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Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ...
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Bargello Museum
The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy. Terminology The word ''bargello'' appears to come from the late Latin ''bargillus'' (from Gothic ''bargi'' and German ''burg''), meaning "castle" or "fortified tower". During the Italian Middle Ages it was the name given to a military captain in charge of keeping peace and justice (hence "Captain of justice") during riots and uproars. In Florence he was usually hired from a foreign city to prevent any appearance of favoritism on the part of the Captain. The position could be compared with that of a current Chief of police. The name Bargello was extended to the building which was the office of the captain. The palace Construction began in 1255. The palace was built to house first the Capitano del Popolo and later, in 1261, the 'podestà', the highest magistrate of the Florence ...
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Stiacciato
Stiacciato is a technique that allows a sculptor to create a recessed or relief sculpture with carving only millimetres deep and with mere scribing. To give the illusion of greater depth, the thickness of the carving gradually decreases from the foreground to the background. In some ways it is more similar to a two-dimensional image than a three-dimensional sculpture. The technique allows the use of perspective in the relief. The Renaissance master who also became an art historian of the period, Giorgio Vasari, writes of the technique: {{cquote, ''The third types are called bas- and stiacciati-relief, which have nothing in them but drawing the figure with dents and ''schiacciato'' relief. They are very difficult if there is a large amount of drawing and invention involved, because it is hard to give these things grace thanks to the mode's love of contours. And Donato e Donatelloworked best of all sculptors in this genre, with art, drawing and invention. We see many of this kind ...
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Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ...
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Saint George (Donatello)
''St George'' is a marble sculpture by Donatello. It is one of fourteen sculptures commissioned by the guilds of Florence to decorate the external niches of the Orsanmichele church. St. George was commissioned by the guild of the armorers and sword makers, the Arte dei Corazzai e Spadai. A stone thrown at the sculpture in 1858 broke its nose, and in 1892 Donatello's ''St. George'' was moved to the Bargello Museum in Florence. From 1892 to 2008 a bronze replica was placed in the original niche, to be replaced by a marble replica on 23 April 2008. The original sculpture was stolen from the Villa Medici in Poggio a Caiano, but in May 1945 it was recovered by Frederick Hartt in Neumelans in the South Tyrol and returned to Florence on 20 July 1945. The box base was added back onto the statue in 1976. Description Saint George is sculptured as a young, brave, determined and strong man in armor. He is not standing in contrapposto, although his right leg is turned to the same angle as hi ...
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Orsanmichele
Orsanmichele (; "Kitchen Garden of St. Michael", from the Tuscan contraction of the Italian word ''orto'') is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michele which no longer exists. Located on the Via Calzaiuoli in Florence, the church was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante, and Benci di Cione. Between 1380 and 1404, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. On the ground floor of the square building are the 13th-century arches that originally formed the loggia of the grain market. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. Late in the 14th century, the guilds were charged by the city to commission statues of their patron saints to embellish the facades of the church. The sculptures ...
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Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ...
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1417 Sculptures
Year 1417 ( MCDXVII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. Events January–December * June 29 – An English fleet, led by the Earl of Huntingdon, defeats a fleet of Genoese carracks and captures their admiral, the "Bastard of Bourbon". * July 27 – Avignon Pope Benedict XIII is deposed, bringing to an end the Great Western Schism. * August 12 – King Henry V of England begins using English in correspondence (back to England from France whilst on campaign), marking the beginning of this king's continuous usage of English in prose, and the beginning of the restoration of English as an official language for the first time since the Norman Conquest, some 350 years earlier. * September 20 – Henry V of England captures Caen, Normandy, which remains in English hands until 1450. * November 14 – Pope Martin V succeeds Pope Gregory XII (who abdicated in 1415), as the 206th pope. Date un ...
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Sculptures By Donatello
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Sculptures Of Orsanmichele
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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