Río Ancho
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Río Ancho
"Río Ancho" is a Spanish flamenco guitar piece that combines flamenco and gypsy jazz influences. The piece is in the key of E minor and progresses to A minor, D, G, C and B7. The original performances of the song had notable flute solos towards the end of the piece, reminiscent of classic Spanish gypsy music with trumpets. The track first featured on Paco de Lucia's 1976 album ''Almoraima''. In 1980, Paco de Lucia and Al Di Meola collaborated and produced an ensemble track composed of Di Meola's "Mediterranean Sundance" from his 1977 album '' Elegant Gypsy'' with "Río Ancho". It was performed live in San Francisco on December 5, 1980, and the set was released by Columbia as ''Friday Night in San Francisco''. The collaborative version of the song consists of a relatively simple lyrical harmonic progression adorned by a flamenco rhythm. However, it poses technical difficulties due to the speed and precision required of Di Meola's picking on the steel-stringed guitar, playing ...
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Paco De Lucia 2007
Paco is a Spanish nickname for Francisco. According to folk etymology, the nickname has its origins in Saint Francis of Assisi, who was the father of the Franciscan order; his name was written in Latin by the order as ''Pater Communitatis'' (father of the community); hence "Paco" was supposedly obtained by taking the first syllable of each word. People with the nickname Paco include * Paco Alcácer (born 1993), Spanish footballer *Paco Arespacochaga (born 1971), Portuguese singer *Paco Cabanes Pastor (1954–2021), Valencian pilota player *Paco Calderón (born 1959), Mexican political cartoonist *Paco Craig (born 1965), American football player *Paco de Lucía (1947–2014), Spanish flamenco guitarist and composer *Paco Decina (born 1955), Italian choreographer *Francisco Estévez (born 1945), Spanish composer * Francisco Gento (born 1933), Spanish footballer *Paco Godia (1921–1990), Spanish racing driver *Paco González (born 1966), Spanish sport journalist *Paco Herrera (born ...
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Strumming
In music, strumming is a way of playing a stringed instrument such as a guitar, ukulele, or mandolin. A strum or stroke is a sweeping action where a finger or plectrum brushes over several Strings (music), strings to generate sound. On most stringed instruments, strums are typically executed by a musician's designated strum hand (typically the musician's Handedness, dominant hand, which is often responsible for generating the majority of sound on a stringed instrument), while the remaining hand (referred to as the fret hand on most instruments with a fingerboard) often supports the strum hand by altering the tones and pitches of any given strum. Strums are often contrasted with pizzicato, plucking, as a means of vibrating an instrument's strings. In plucking, a specific string or designated set of strings are individually targeted to vibrate, whereas in strumming, a less precise targeting is usually used. Compared to other plucking techniques, any group of strings brushed in a ...
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Paco De Lucía Songs
Paco is a Spanish nickname for Francisco. According to folk etymology, the nickname has its origins in Saint Francis of Assisi, who was the father of the Franciscan order; his name was written in Latin by the order as ''Pater Communitatis'' (father of the community); hence "Paco" was supposedly obtained by taking the first syllable of each word. People with the nickname Paco include *Paco Alcácer (born 1993), Spanish footballer *Paco Arespacochaga (born 1971), Portuguese singer *Paco Cabanes Pastor (1954–2021), Valencian pilota player *Paco Calderón (born 1959), Mexican political cartoonist *Paco Craig (born 1965), American football player *Paco de Lucía (1947–2014), Spanish flamenco guitarist and composer *Paco Decina (born 1955), Italian choreographer *Francisco Estévez (born 1945), Spanish composer *Francisco Gento (born 1933), Spanish footballer *Paco Godia (1921–1990), Spanish racing driver *Paco González (born 1966), Spanish sport journalist *Paco Herrera (born 19 ...
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La Peña Flamenca
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ...
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Seis Cuerdas
The seis is a type of Puerto Rican Jíbaro dance music closely associated with the décima. It originated in the latter half of the 17th century in the southern part of Spain. The seis is influenced by Spanish, African, and Taino cultures. The Arabian aspects come from Spain, where the Muslims or the Moors had ruled for over 700 years. Like other Jíbaro music, the seis is associated with Christmas, folkloric festivals, concursos de trovadores (poetry-singing contests), and other large celebrations. The word means '' six'', which may have come from the custom of having six couples perform the dance, though many more couples eventually became quite common. Men and women form separate lines down the hall or in an open place of beaten earth, one group facing the other. The lines would approach and cross each other and at prescribed intervals the dancers would tap out the rhythm with their feet. Instruments The seis was made for a solo voice and accompanying instruments. The melo ...
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Marco Porcu
Marco may refer to: People * Marco (given name), people with the given name Marco * Marco (actor) (born 1977), South Korean model and actor * Georg Marco (1863–1923), Romanian chess player of German origin * Tomás Marco (born 1942), Spanish composer and writer on music Places * Marco, Ceará, Brazil, a municipality * Marco, New Zealand, a locality in the Taranaki Region * Marco, Indiana, United States, an unincorporated town * Marco, Missouri, United States, an unincorporated community * Marco Island, Florida, United States, a city and an island Science and technology * Mars Cube One (MarCO), a pair of small satellites which fly by Mars in 2018 * MARCO, a macrophage receptor protein that in humans is encoded by the MARCO gene * Mid-Atlantic Regional Council on the Ocean (MARCO) * Marco, the official window manager of MATE Arts and entertainment * '' Marco: 3000 Leagues in Search of Mother'', a 1976 Japanese anime series, directed by Isao Takahata * ''Marco'' (film), a ...
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War Child (charity)
War Child International is a network of three independent non-governmental organisations: War Child UK, War Child Holland, and War Child Canada, each legally, operationally, and financially independent but sharing a common brand identity and mission to support children and young people affected by armed conflict and war. They work with parents, caregivers, community members, NGOs, governments, corporations, and other partners worldwide to ensure children have access to protection as well as education and psychosocial support. War Child has its work rooted in the United Nations Convention on the Rights of the Child. History War Child was established by film-makers Bill Leeson, David Wilson, and social entrepreneur and peace activist Willemijn Verloop in response to violence and ethnic cleansing they witnessed in war-torn former Yugoslavia in 1993, in the midst of the Bosnian War. The trio were deeply shocked by the children’s experiences of conflict but were inspired by the ...
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Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ...
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Sweep Picking
Sweep picking is a guitar playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve the desired effect. History The technique was first used and developed by jazz guitarists Les Paul, Chet Atkins, Tal Farlow and Barney Kessel in the 1950s, as well as rock guitarists Jan Akkerman, Ritchie Blackmore and Steve Hackett in the 1970s. In the 1980s, sweep picking became widely known for its use by shred guitarists including Yngwie Malmsteen, Jason Becker, Michael Angelo Batio, Tony MacAlpine and Marty Friedman. Jazz fusion guitarist Frank Gambale released several books and instructional videos about the technique, of which the most well-known is ''Monster Licks & Speed Picking'' in 1988. Prasad, Anil (2014-01-30)"Steve Hackett Revisits Gene ...
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Pull-off
A pull-off is a stringed instrument playing and articulation technique performed by plucking or "pulling" the finger that is grasping the sounding part of a string off the fingerboard of either a fretted or unfretted instrument. This intermediate- to advanced playing technique is done using the tip of a finger or fingernail on the fretting hand. Pull-offs are done to facilitate the playing of embellishments and ornaments such as grace notes. Pull-offs may be notated in sheet music or improvised by the performer, depending on the musical style and context. Performance and effect A pull-off is performed on a string which is already vibrating; when the fretting finger is pulled off (exposing the string either as open or as stopped by another fretting finger "lower" on the same string, with "lower" meaning in a position that is lower in pitch) the note playing on the string changes to the new, longer vibrating length of the string. Pull-offs are performed on both fretted instruments ...
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Hammer-on
A hammer-on is a playing technique performed on a stringed instrument (especially on a fretted string instrument, such as a guitar) by sharply bringing a fretting-hand finger down on to the fingerboard behind a fret, causing a note to sound. This technique is the opposite of the pull-off. Passages in which a large proportion of the notes are performed as hammer-ons and pull-offs instead of being plucked or picked in the usual fashion are known in classical terminology as ''legato'' phrases. The sound is smoother and more connected than in a normally picked phrase, due to the absence of the necessity to synchronize the plucking of one hand with the fingering on the fingerboard with the other hand; however, the resulting sounds are not as brightly audible, precisely due to the absence of the plucking of the string, the vibration of the string from an earlier plucking dying off. The technique also facilitates very fast playing because the picking hand does not have to move at such ...
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