Rusalka (Dargomyzhsky)
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Rusalka (Dargomyzhsky)
''Rusalka'' ( rus, Русалка, Rusálka ) is an opera in four acts, six tableaux, by Alexander Dargomyzhsky, composed during 1848-1855. The Russian libretto was adapted by the composer from Aleksandr Pushkin's incomplete dramatic poem of the same name. It premiered on 4 May 1856 (Old Style) at the Theatre-circus, conducted by Konstantin Lyadov (father of Anatoly Lyadov), choreographed by Marius Petipa and Nikolay Goltz, but was badly received predominantly by the aristocracy. In 1859, the opera was again presented at the Bolshoi Theatre in Moscow, but it was not until 1865, when it was staged at the Mariinsky Theatre, that it was finally well received. The conductor was Eduard Nápravník; the Prince was sung by Fyodor Petrovich Komissarzhevsky, the Princess by Darya Leonova, Miller by Osip Petrov, and Natasha by Yulya Platonova. Although much of Dargomyzhsky's ''Rusalka'' is fairly conventional in musical form and style, its singular innovation for the history of Russia ...
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Alexander Dargomyzhsky
Alexander Sergeyevich Dargomyzhsky ( rus, link=no, Александр Сергеевич Даргомыжский, Aleksandr Sergeyevich Dargomyzhskiy., ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪdʑ dərɡɐˈmɨʂskʲɪj, Ru-Aleksandr-Sergeevich-Dargomyzhsky.ogg; ) was a 19th-century Russian composer. He bridged the gap in Russian opera composition between Mikhail Glinka and the later generation of The Five and Pyotr Ilyich Tchaikovsky. Biography Dargomyzhsky was born in village Troitskoye, Belyov uyezd, Tula Governorate (now Arsenyevsky District, Tula Oblast), and educated in Saint Petersburg. He was already known as a talented musical amateur when in 1833 he met Mikhail Glinka and was encouraged to devote himself to composition. His opera '' Esmeralda'' (libretto by composer, based on Victor Hugo's ''The Hunchback of Notre Dame'') was composed in 1839 (performed 1847), and his '' Rusalka'' was performed in 1856; but he had little success or recognition either at home or abro ...
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Song
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compose ...
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Emiliya Lileyeva
Emilia Bashur ( bg, Емилия Башур, née Valeva), known by her stage name Emilia, is a Bulgarian pop folk singer. She has released eight studio albums to date. Early life Emilia was born in Galabovo Galabovo ( bg, Гълъбово , from гълъб ''galab'', "dove" + -ovo) is a town in south-central Bulgaria, part of Stara Zagora Province. It is the administrative centre of the homonymous Galabovo Municipality. As of December 2009, the to ... on 21 March 1982. She has one older sister, Daniela. Emilia became interested in music at an early age and began singing in the local choir. She began learning traditional Bulgarian music with Jivka Dimitrova and Dimitar Kolev. Several years later, she signed a contract with the Bulgarian record label Payner. In 1999, she recorded her first song- "Its over with you" which became popular in the pop-folk culture. Her debut album ''Veselo Momiche'' (''Happy Girl'') was successful. She has a son, Ivan and a daughter, Mira. Dis ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Pavel Bulakhov
Pavel (Bulgarian, Russian, Serbian and Macedonian: Павел, Czech, Slovene, Romanian: Pavel, Polish: Paweł, Ukrainian: Павло, Pavlo) is a male given name. It is a Slavic cognate of the name Paul (derived from the Greek Pavlos). Pavel may refer to: People Given name *Pavel I of Russia (1754–1801), Emperor of Russia * Paweł Tuchlin (1946–1987), Polish serial killer *Pavel (film director), an Indian Bengali film director * Surname *Ágoston Pável (1886–1946), Hungarian Slovene writer, poet, ethnologist, linguist and historian *Andrei Pavel (born 1974), Romanian tennis coach and former professional tennis player *Claudia Pavel (born 1984), Romanian pop singer and dancer also known as Claudia Cream *Elisabeth Pavel (born 1990), Romanian basketball player * Ernst Pavel, Romanian sprint canoeist who competed in the early 1970s *Harry Pavel (born 1951), German wheelchair curler, 2018 Winter Paralympian *Marcel Pavel (born 1959), Romanian folk singer *Pavel Pa ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ...
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Rodney Milnes
Rodney Milnes Blumer OBE (26 July 1936 – 5 December 2015) was an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.Rodney Milnes. ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. He wrote under the professional name of Rodney Milnes. Life and career Milnes was born in Stafford, where his father was a surgeon. He learnt the piano as a child, to the level of playing the early Beethoven sonatas, and later recalled accompanying a fellow Oxford student in ''Winterreise'' at the Holywell Music Room. Wheatcroft, Geoffrey. Rodney Milnes, 1936-2015. ''Opera'', Vol 67 No 2, February 2016, p140-145. Milnes attended Rugby School and studied history at Christ Church, Oxford University. He was a member of the Oxford University Opera Club, taking part in ''The Fair Maid of Perth'' in 1955 (with Dudley Moore among the first violins and David Lloyd-Jones in the chorus),Rodney remembered (letters). L ...
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Maxim Mikhailov
Maxim Dormidontovich Mikhailov (russian: Максим Дормидонтович Михайлов; – Moscow 30 March 1971) was a Russian bass. His son, Igor Mikhailov (1920-1983) was the bass of the Bolshoi for several decades. His grandson Maxim Mikhailov (1962–2018) was also a bass singer. Mikhailov was born in Koltsovka, Kazan Governorate. He had no musical training beyond that as an archdeacon in the Russian Orthodox Church, but was a physical phenomenon with enormous depth and volume. He was directly recruited as a singer by the Soviet authorities, his beard was shaved but he did not abdicate his curacy, and sent to study in preparation for the Bolshoi Theatre. He became Joseph Stalin's favorite singer and most famous interpreter of the role of Ivan Susanin in the reworked "patriotic" Soviet version of the opera of that name, formerly and since better known as Mikhail Glinka's ''A Life for the Tsar''. Mikhailov sang Susanin nearly 400 times from his first performanc ...
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