Ruby Flipper
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Ruby Flipper
Ruby Flipper were a multiracial, mixed-sex dance troupe who performed dance routines to songs in the UK Singles Chart on the BBC television series ''Top of the Pops'' in 1976. Members The original Ruby Flipper line-up consisted of four female dancers and three male dancers: *Lulu CartwrightBBCi: TOTP2 - Legs and Co
accessed 11 April 2011
*Cherry Gillespie *Phillip Haigh (sometimes credited as Phillip Steggles)BBCi: TOTP2 - Interviews, Phillip Steggles
accessed 11 April 2011
*Patti Hammond *Sue Menhenick *Floyd Pearce
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Legs & Co
Legs & Co. were a dance troupe created in 1976 for the BBC's weekly ''Top of the Pops'' programme. They had made over three hundred appearances on this show by the time of their last performance in 1981. The group then continued for four further years on tour. The six-girl dance troupe replaced Ruby Flipper on ''Top of the Pops'', representing a reversion to the earlier all-female format for troupes on this show, and covering the time period when the disco, punk and new wave music fashions were at their chart peak. ''Top of the Pops'' dance troupe history Legs & Co. were the fourth dance troupe to perform on the BBC's ''Top of The Pops''. The tenure of the first group, the Go-Jos, ran from 1964 to 1968, with Pan's People then taking over until April 1976. This group were choreographed for their entire existence by Flick Colby, who was also initially a dancer in the troupe. Ruth Pearson performed as one of the dancers in this group throughout its run on the programme, retirin ...
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Pan's People
Pan's People were a British all-female dance troupe most commonly associated with the BBC TV music chart show ''Top of the Pops'', from the late 1960s to the mid-1970s. They appeared on many other TV shows in the UK and elsewhere in Europe, and also performed in nightclub cabaret. They were the second dance troupe to appear regularly on ''Top of the Pops'', succeeding the Go-Jos in May/June 1968. Starting with monthly appearances, they became a weekly feature of the programme following its revamp and time extension in January 1970, continuing in the show until April 1976. As a result of line-up changes just one dancer, Ruth Pearson, appeared on the whole run. Due to their weekly exposure on British television the group acquired a high profile, and in addition as a result of the increasing number of preserved recordings from 1973 onwards, the 'classic' line-up which existed from 1972 to 1974 is still widely recognised today. The dancers in this line-up were: Babs Lord (born 1945 ...
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Dance Troupe
A dance troupe or dance company is a group of dancers and associated personnel who work together to perform dances as a sport, spectacle or entertainment. There are many different types of dance companies, often working in different list of dance styles, styles of dance. Some companies are formed from members of dance studios or from paid professionals. Dance company members can range from as young as two years old up to 18 years old. Dance troupes may be formed for competition purposes. Many dance companies are established within cities to be near theatres or other performing art venues. A dance troupe will likely have performance costumes, sets or props, and proper footwear. A dance studio will more than likely be the location where dance classes and or practices will take place. History There is evidence that shows the start of dance troupes in Roman and Greek times. These groups were originally for musicals and performed in theatres. Dance troupes would perform for the high ...
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Donna Summer
LaDonna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the " Queen of Disco", while her music gained a global following. Influenced by the counterculture of the 1960s, Summer became the lead singer of a psychedelic rock band named Crow and moved to New York City. In 1968, she joined a German adaptation of the musical ''Hair'' in Munich, where she spent several years living, acting, and singing. There, she met music producers Giorgio Moroder and Pete Bellotte, and they went on to record influential disco hits together such as " Love to Love You Baby" and "I Feel Love", marking Summer's breakthrough into international music markets. Summer returned to the United States in 1976, and more hits such as " Last Dance", her version of "MacArthur Park", " Heaven Knows", " Hot Stuff", " Bad Girls", "Dim All the Lights", "No More Tears (E ...
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Native New Yorker (song)
"Native New Yorker" is a disco song written by Sandy Linzer and Denny Randell. It was first recorded in 1977 by Frankie Valli and released on his album '' Lady Put the Light Out''. Later in 1977 the song became a hit single for the soul dance band Odyssey, reaching No. 3 on the U.S. disco chart. Odyssey's "Native New Yorker" also went to No. 6 on the soul chart and No. 21 on the ''Billboard'' Hot 100. It reached No. 5 on the UK Singles Chart. The group recorded the song at House of Music, a private recording studio on Pleasant Valley Way in West Orange, New Jersey. Jeffrey Kawalek was the recording and mix engineer. Richard Tee played its signature piano track. Jim Bonnefond assisted on many sessions. Studio owner Charlie Conrad did additional engineering, and added additional instrumental solos to the original mixes to create extended dance versions. Sandy Linzer added Tommy Mandel on clavinet and played hair drum himself on the mix that would be released as a single, engineere ...
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Odyssey (band)
Odyssey is originally a New York City, United States-based singing group, best known for its 1977 hit " Native New Yorker", and a series of other mainly dance and soul hits in the late 1970s and early 1980s. Now based in the United Kingdom, the band is led and fronted by Steven Collazo and continues to perform and record. Career The group began as the Connecticut-born "Lopez Sisters" group, featuring Steven Collazo's mother, Lillian Lopez (Lillian Lopez Collazo Jackson; November 16, 1935 – September 4, 2012), Louise Lopez (February 22, 1933 – January 28, 2015), and Carmen Lopez (July 12, 1934 - April 22, 2016), the latter having left the group before Odyssey, as the act would come to be known after her departure, was conceived. Filipino bassist and singer Tony Reynolds joined the group soon after "Native New Yorker" reached no. 21 on the ''Billboard'' Hot 100, no. 5 in the UK Singles Chart. A string of albums and singles followed and the group managed another R&B chart hit ...
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The Real Thing (group)
The Real Thing are a British soul group formed in the 1970s. The band charted internationally with their song "You to Me Are Everything", which reached No. 1 on the UK Singles Chart. They also had successes a string of British hits such as "Can't Get By Without You" and " Can You Feel the Force?". They returned to mainstream success in 1986 with the Decade Remix of "You to Me Are Everything". By number of sales, they were the most successful black rock/soul act in England during the 1970s. The journalist, author and founder of ''Mojo'' magazine Paul Du Noyer credits them alongside Deaf School with restoring "Liverpool's musical reputation in the 1970s" with their success. History Founded in 1970 by Chris Amoo, Dave Smith, Kenny Davis and Ray Lake, the Real Thing's live, progressive soul-influenced covers of American hits attracted enough attention for them to secure a recording deal with EMI. The singles they released through EMI in 1972 and 1973 such as "Vicious Circle" were, de ...
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Summer Nights (Grease Song)
"Summer Nights" is a popular song from the musical '' Grease''. Written by Jim Jacobs and Warren Casey, its best-known version was recorded by American actor and singer John Travolta and British-Australian singer, songwriter and actress Olivia Newton-John for the big-screen adaptation of the musical, and released as a single that same year. It was released in August 1978 as the fourth single from the movie's soundtrack album and became a massive hit worldwide during the summer of 1978. Parts of the song were introduced to a new audience when it was re-released in the 1990s as part of a megamix of several songs from the movie version. Background In the movie version of ''Grease'', Travolta and Newton-John played the lead roles of Danny Zuko and Sandy Olsson. The song's genesis stems from a summertime love affair between Danny and Sandy, which had ended upon Sandy's revelation that she was moving back to Australia with her family; however, Sandy soon learns that her family is st ...
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(You Make Me Feel) Mighty Real
"You Make Me Feel (Mighty Real)" is a 1978 song by American disco/ R&B singer Sylvester. It was written by James Wirrick and Sylvester, and released as the second single from Sylvester's fourth album, ''Step II'' (1978). The song was already a largely popular dance club hit in late 1978, as the B-side of his previous single "Dance (Disco Heat)", before it was officially being released in December. Music critic Robert Christgau has said the song is "one of those surges of sustained, stylized energy that is disco's great gift to pop music". In 2003, ''Q Magazine'' included "You Make Me Feel (Mighty Real)" in their list of the "1001 Best Songs Ever". In 2019, the song was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Origins The song was originally recorded as a mid-tempo piano-driven gospel song; however, after producer Patrick Cowley saw a rehearsal of the song at San Fran ...
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Sylvester James
Sylvester James Jr. (September 6, 1947December 16, 1988), known mononymously as Sylvester, was an American singer-songwriter. Primarily active in the genres of disco, rhythm and blues, and soul, he was known for his flamboyant and androgynous appearance, falsetto singing voice, and hit disco singles in the late 1970s and 1980s. Born in Watts, Los Angeles, to a middle-class African-American family, Sylvester developed a love of singing through the gospel choir of his Pentecostal church. Leaving the church after the congregation expressed disapproval of his homosexuality, he found friendship among a group of black cross-dressers and transgender women who called themselves the Disquotays. Moving to San Francisco in 1970 at the age of 22, Sylvester embraced the counterculture and joined the avant-garde drag troupe the Cockettes, producing solo segments of their shows which were heavily influenced by female blues and jazz singers such as Billie Holiday and Josephine Baker. During t ...
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The Real Thing (UK Band)
The Real Thing are a British soul group formed in the 1970s. The band charted internationally with their song "You to Me Are Everything", which reached No. 1 on the UK Singles Chart. They also had successes a string of British hits such as "Can't Get By Without You" and " Can You Feel the Force?". They returned to mainstream success in 1986 with the Decade Remix of "You to Me Are Everything". By number of sales, they were the most successful black rock/soul act in England during the 1970s. The journalist, author and founder of ''Mojo'' magazine Paul Du Noyer credits them alongside Deaf School with restoring "Liverpool's musical reputation in the 1970s" with their success. History Founded in 1970 by Chris Amoo, Dave Smith, Kenny Davis and Ray Lake, the Real Thing's live, progressive soul-influenced covers of American hits attracted enough attention for them to secure a recording deal with EMI. The singles they released through EMI in 1972 and 1973 such as "Vicious Circle" were, de ...
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You're The One That I Want
"You're the One That I Want" is a song performed by American actor and singer John Travolta and Anglo-Australian singer, songwriter and actress Olivia Newton-John for the 1978 film version of the musical '' Grease''. It was written and produced by John Farrar, and released in May 1978 as the second single from '' Grease: The Original Soundtrack from the Motion Picture''. The song is one of the best-selling singles in history to date, having sold over 4 million copies in the United States and the United Kingdom alone, with estimates of more than 15 million copies sold overall. * Background "You're the One That I Want" was one of the two singles, along with " Hopelessly Devoted to You", that Farrar wrote specifically for Newton-John's appearance in the film that had not been in the original stage musical. Randal Kleiser, the film's director, was not fond of this song because he felt that it did not mesh well with the rest of the Warren Casey-Jim Jacobs score. Synopsis Danny ...
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