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Royal Roost
The Royal Roost was a jazz club located at 1580 Broadway in the Theater District of Manhattan in New York City. History Ralph Watkins originally opened the Royal Roost as a chicken restaurant. After a difficult start, Watkins was persuaded by Sid Torin (D.J. Symphony Sid) to try presenting modern jazz at the club. Beginning in 1948 the club began to showcase the likes of Charlie Parker, Dizzy Gillespie, Fats Navarro, Dexter Gordon, Tadd Dameron, and Max Roach. The presence of so many prominent bebop musicians performing at the Royal Roost led to the club being nicknamed "the Metropolitan Bopera House," a pun referencing the club's close proximity to the nearby Metropolitan Opera House. In 1949, a record label, Roost Records, was founded by Arthur Faden, Bill Faden, Monty Kay and Ralph Watkins, which recorded many of the musicians who performed at the club. In September 1948, Miles Davis debuted his nonet at the club, a project that would eventually give rise to the seminal cool ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Club
A jazz club is a venue where the primary entertainment is the performance of live jazz music, although some jazz clubs primarily focus on the study and/or promotion of jazz-music. Jazz clubs are usually a type of nightclub or bar, which is licensed to sell alcoholic beverages. Jazz clubs were in large rooms in the eras of Orchestral jazz and big band jazz, when bands were large and often augmented by a string section. Large rooms were also more common in the Swing era, because at that time, jazz was popular as a dance music, so the dancers needed space to move. With the transition to 1940s-era styles like Bebop and later styles such as soul jazz, small combos of musicians such as quartets and trios were mostly used, and the music became more of a music to listen to, rather than a form of dance music. As a result, smaller clubs with small stages became practical. In the 2000s, jazz clubs may be found in the basements of larger residential buildings, in storefront locations or in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Roach
Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz Jazz drumming, drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the ''DownBeat'' Hall of Fame in 1980 and the ''Modern Drummer'' Hall of Fame in 1992. In the mid-1950s, Roach co-led a pioneering quintet along with trumpeter Clifford Brown. In 1970, he founded the percussion ensemble M'Boom. He made numerous musical statements relating to the civil rights movement. Biography Early life and career Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defunct Jazz Clubs In New York City
{{Disambiguation ...
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birth Of The Cool
''Birth of the Cool'' is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. Background From 1944 to 1948, Miles Davis played in Charlie Parker's quintet. Davis recorded several albums worth of material with Parker during this period, including Parker's Sessions for the Savoy and Dial labels. Davis' first records released under his own name were recorded with Parker' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cool Jazz
Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that found in other contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of izzy Gillespie and his followers could be compared to fiery red colors." The term ''cool'' started being applied to this music around 1953, when Capitol Records released the album ''Classics in Jazz: Cool and Quiet''. Mark C. Gridley, writing in the ''All Music Guide to Jazz'', identifies four overlapping sub-categories of cool jazz: # "Soft variants of bebop," including the Miles Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roost Records
Roost Records (also known as Royal Roost Records) was a jazz record label established in 1949 by music producer Teddy Reig in New York City. The label was named after a club in New York City. Saxophonist Stan Getz, early in his career, recorded for the label, as did guitarist Johnny Smith. Smith was the bestselling artist on the Roost label. The label's catalogue included Sonny Stitt, Coleman Hawkins, Bud Powell, Seldon Powell, Billy Taylor, and Gene Quill. In the latter 1950s, Roost's music was distributed by Roulette Records. Roost was then acquired by Roulette, which sold music under the label's name until 1971. Since 2013, Roost Records' catalogue is owned by Warner Music Group via Parlophone. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera House (39th Street)
The Metropolitan Opera House was an opera house located at 1411 Broadway in Manhattan, New York City. Opened in 1883 and demolished in 1967, it was the first home of the Metropolitan Opera Company. History The Metropolitan Opera Company was founded in 1883. The Metropolitan Opera House (also known as "the old Met"), opened on October 22, 1883, with a performance of ''Faust''. It was located at 1411 Broadway, occupying the whole block between West 39th Street and West 40th Street on the west side of the street in the Garment District of Midtown Manhattan. Nicknamed "The Yellow Brick Brewery" for its industrial looking exterior, the original Metropolitan Opera House was designed by J. Cleaveland Cady. On August 27, 1892, the nine-year-old theater was gutted by fire. The 1892−93 season was canceled while the opera house was rebuilt along its original lines. During that season, the Vaudeville Club, which eventually became the Metropolitan Opera Club, was founded and hosted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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