Roy DeCarava
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Roy DeCarava
Roy Rudolph DeCarava (December 9, 1919 – October 27, 2009) was an American artist. DeCarava received early critical acclaim for his photography, initially engaging and imaging the lives of African Americans and jazz musicians in the communities where he lived and worked. Over a career that spanned nearly six decades, DeCarava came to be known as a founder in the field of black and white fine art photography, advocating for an approach to the medium based on the core value of an individual, subjective creative sensibility, which was separate and distinct from the " social documentary" style of many predecessors. Early life and education Roy DeCarava was born in Harlem, New York on December 9, 1919. DeCarava came of age during the Harlem Renaissance, when artistic activity and achievement among African Americans flourished across the literary, musical, dramatic, and visual arts. After graduating from Textile High School in New York City in 1938, DeCarava independently bega ...
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Fine-art Photography
Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion. This stands in contrast to representational photography, such as photojournalism, which provides a documentary visual account of specific subjects and events, literally representing objective reality rather than the subjective intent of the photographer; and commercial photography, the primary focus of which is to advertise products, or services. History Invention through 1940s One photography historian claimed that "the earliest exponent of 'Fine Art' or composition photography was John Edwin Mayall", who exhibited daguerreotypes illustrating the Lord's Prayer in 1851. Successful attempts to make fine art photography can be traced to Victorian era practitioners such as Julia Margaret Cameron, Charles Lutwidge Dodgson, and Oscar Gustave Rejla ...
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Edward Steichen
Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography. Steichen was credited with transforming photography into an art form. His photographs appeared in Alfred Stieglitz's groundbreaking magazine ''Camera Work'' more often than anyone else during its publication run from 1903 to 1917. Stieglitz hailed him as "the greatest photographer that ever lived". As a pioneer of fashion photography, Steichen's gown images for the magazine ''Art et Décoration'' in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines ''Vogue'' and '' Vanity Fair'', while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. After ...
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Iconoclasm
Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wikt:κλάω, κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an ''Iconolatry, ic ...
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Hunter College
Hunter College is a public university in New York City. It is one of the constituent colleges of the City University of New York and offers studies in more than one hundred undergraduate and postgraduate fields across five schools. It also administers Hunter College High School and Hunter College Elementary School. Hunter was founded in 1870 as a women's college; it first admitted male freshmen in 1946. The main campus has been located on Park Avenue since 1873. In 1943, Eleanor Roosevelt dedicated Franklin Delano Roosevelt's and her former townhouse to the college; the building was reopened in 2010 as the Roosevelt House Public Policy Institute at Hunter College. The institution has an 57% undergraduate graduation rate within six years. History Founding Hunter College has its origins in the 19th-century movement for normal school training which swept across the United States. Hunter descends from the Female Normal and High School (later renamed the Normal College of the C ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Kamoinge Workshop
The Kamoinge Workshop is a photography collective that was founded in 1963. In 2013, the group stood as “the longest continuously running non-profit group in the history of photography.” The collective was born when two groups of African-American photographers came together in collaboration. The first group, named Group 35, consisted of photographers James Ray Francis, Earl James, Louis Draper, Herman Howard, Calvin Wilson, and Calvin Mercer. Louis Draper was especially crucial to its founding. The other group did not yet have a name, but included African-American photographers Albert Fennar, James Mannas, Herbert Randall, and Shawn Walker. The first director of the group was Roy DeCarava, who led the collective from 1963 to 1965. Al Fennar suggested the newly united group of artists to name themselves ''Kamoinge,'' after reading Jomo Kenyatta’s book, written in 1962, called ''Facing Mount Kenya -- Kamoinge'' can be translated to “a group of people who are working toget ...
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