Rotary Wind Quintet
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Rotary Wind Quintet
The ''Rotary'' Wind Quintet is a chamber music composition by Karlheinz Stockhausen, the last of his three wind quintets (following ''Zeitmaße'' and '' Adieu'') and is Nr. 70½ in his catalogue of works. A performance lasts about 8½ minutes. History The ''Rotary'' quintet was composed in September 1997 on a commission from Henrik Rolf Hanstein, president of the Rotary Club of Cologne-Römerturm, on the occasion of the club's 25th anniversary. It was first performed by musikFabrik (Helen Bledsoe, flute, Peter Veale, oboe, Nina Janßen, clarinet, Jan Babinec, horn, and Alban Wesley, bassoon) on 25 October 1997 at a meeting of the club held at the Schloss Dyck in Jüchen in the Rhein-Kreis Neuss. The premiere was sprung by Hanstein as a surprise on the 200 or so club members, who had gathered for a banquet and were already seated when it was announced that, before any food or drinks would be served, a work by Stockhausen composed for the occasion would be performed. The captive a ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Inversion (music)
In music theory, an inversion is a type of change to intervals, chords, voices (in counterpoint), and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the positions of the notes reverse (i.e. the higher note becomes the lower note and vice versa). For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augmented ...
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1997 Compositions
File:1997 Events Collage.png, From left, clockwise: The movie set of ''Titanic (1997 film), Titanic'', the List of highest-grossing films, highest-grossing movie in history at the time; ''Harry Potter and the Philosopher's Stone'', is published; Comet Hale-Bopp passes by Earth and becomes one of the most observed comet, comets of the 20th century; Golden Bauhinia Square, where sovereignty of Hong Kong is Handover of Hong Kong, handed over from the United Kingdom to the People's Republic of China; the 1997 Central European flood kills 114 people in the Czech Republic, Poland, and Germany; Korean Air Flight 801 crashes during heavy rain on Guam, killing 229; Mars Pathfinder and Sojourner (rover), Sojourner land on Mars; flowers left outside Kensington Palace following the death of Diana, Princess of Wales, in a car crash in Paris., 300x300px, thumb rect 0 0 200 200 Titanic (1997 film) rect 200 0 400 200 Harry Potter rect 400 0 600 200 Comet Hale-Bopp rect 0 200 300 400 Death of Diana ...
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Compositions For Wind Quintet
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Chamber Music By Karlheinz Stockhausen
Chamber or the chamber may refer to: In government and organizations * Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics * Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men * Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is i ...
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Suzanne Stephens
Suzanne Stephens (born July 28, 1946) is an American clarinetist, resident in Germany, described as "an outstanding performer and tireless promoter of the clarinet and basset horn". Biography Suzanne Stephens was born in Waterloo, Iowa, the daughter of an American military officer, and grew up in the US, Heidelberg in Germany, and Saumur sur Loire in France. She studied clarinet initially with Ralph Hills in Fairfax, Virginia, and Sidney Forrest in Washington, D.C. She then studied in Paris with Ulysses Delecluse and Marcel Jean, before enrolling at Northwestern University in Evanston, Illinois, where she studied with Jerome Stowell, second clarinetist of the Chicago Symphony Orchestra, receiving the degrees Bachelor of Music Education and Master of Music. She won a Fulbright Scholarship in 1969–70, with which she pursued further studies under Hans Deinzer at the Academy of Music and Theater in Hanover. After passing the Konzertexamen there, she won the Kranichsteiner Musikpr ...
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Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ...
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Jerome Kohl
Jerome Joseph Kohl (November 27, 1946 – August 4, 2020) was an American musicologist, academic journal editor, and recorder teacher. A music theorist at the University of Washington, he became recognized internationally as an authority on the music of Karlheinz Stockhausen. Kohl was also a contributor at Wikipedia (a "Wikipedian"). Life and work Kohl grew up in Lincoln, Nebraska, with three siblings. During high school and college, he played the clarinet in the local symphony orchestra. He received his undergraduate, and in 1971, his master's degree in music from the University of Nebraska. Drafted into the army, he played in an army band during the Vietnam War. Afterwards, he started his doctoral studies in music theory at the University of Washington in Seattle. In the 1970s, Kohl joined the Seattle Recorder Society, attending and running classes at their meetings, as well as teaching privately. In 1976, Kohl co-founded and became the board president of the Early Music Guil ...
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Adventures In Sound And Music
An adventure is an exciting experience or undertaking that is typically bold, sometimes risky. Adventures may be activities with danger such as traveling, exploring, skydiving, mountain climbing, scuba diving, river rafting, or other extreme sports. Adventures are often undertaken to create psychological arousal or in order to achieve a greater goal, such as the pursuit of knowledge that can only be obtained by such activities. Motivation Adventurous experiences create psychological arousal, which can be interpreted as negative (e.g. fear) or positive (e.g. flow). For some people, adventure becomes a major pursuit in and of itself. According to adventurer André Malraux, in his ''Man's Fate'' (1933), "If a man is not ready to risk his life, where is his dignity?". Similarly, Helen Keller stated that "Life is either a daring adventure or nothing." Outdoor adventurous activities are typically undertaken for the purposes of recreation or excitement: examples are adventure racing ...
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In Freundschaft
''In Freundschaft'' (In friendship) is a composition by Karlheinz Stockhausen, number 46 in his catalogue of works. It is a serial composition for a solo instrument, first for clarinet, and later arranged by the composer for many other instruments, often in friendship to specific performers. ''In Freundschaft'' was first conceived in 1977 as a birthday present for clarinetist Suzanne Stephens, and was first performed at her birthday party in Aix-en-Provence on 28 July that year in a version for the flute. It was later reprised on other instruments as the composer adapted it to nearly every standard orchestral instrument at the request of performers. The work is an example of formula composition, with a basic motif first being presented and then varied in two contrasting, cyclical layers; interrupted by cadenzas. The work has been recorded multiple times, including under the supervision of its composer. Background The works by the prolific composer Karlheinz Stockhausen have be ...
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First Inversion
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it.Walter Piston, ''Harmony'', fifth edition, revised and expanded by Mark DeVoto (New York: W. W. Norton, 1987): p. 66. . In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively. : In the first inversion of G-dominant seventh chord, the bass note is B, the third of the seventh chord. : In figured bass, a first-inversion triad is a chord (not to be confused with an added sixth chord), while a first-inversion seventh chord is a chord. According to ''The American History and Encyclopedia of Music:'' Note that any voicing above the bass is allowed. A first inversion chord must have the third ...
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Third Inversion
The third inversion of a seventh chord is the voicing in which the seventh of the chord is the bass note and the root a major second above it. In the third inversion of a G-dominant seventh chord, the bass is F — the seventh of the chord — with the root, third, and fifth stacked above it (the root now shifted an octave higher), forming the intervals of a second, a fourth, and a sixth above the inverted bass of F, respectively. In figured bass, it is referred to as a chord. : According to ''The American History and Encyclopedia of Music:'' Note that any voicing above the bass is allowed. A third inversion chord must have the seventh chord factor in the bass, but it may have any arrangement of the root, third, and fifth above that, including doubled notes, compound intervals, and omission (F-G-B-D, F-B-D-G', F-G-B-D-G', etc.) See also *Figured bass *Root position *Inversion (music) *First inversion *Second inversion *Fourth inversion Inversions higher than the third re ...
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