Rotae Passionis
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Rotae Passionis
''Rotae Passionis'' ('Passion Wheels') is a piece for mixed chamber ensemble by the American composer Christopher Rouse. It was commissioned by Boston Musica Viva and completed in 1983, when the work was first performed. It is dedicated to Carl Orff, who died the previous year." Instrumentation The work is scored for seven players: #flute (doubling piccolo and alto flute) #clarinet (doubling E-flat and bass clarinets) #percussion #piano #violin #viola #cello At certain points in the work, the wind players and the pianist are also required to play percussion instruments. Structure The work consists of three parts, each representing an element of the Passion story: #Circuitus Lamentationis - Dolor in Horto (Agony in the Garden) #Rotae Passionis (Passion Wheels) (based on the Fourteen Stations of the Cross) #Rota Parallela - Christus in Somno Inspiration for the composition was derived from Northern Renaissance art, in particular the works of Hieronymus Bosch and Matthias Grü ...
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Christopher Rouse (composer)
Christopher Chapman Rouse III (February 15, 1949 – September 21, 2019) was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015. Biography Rouse was born in Baltimore, Maryland, the son of Christopher Rouse Jr., a salesman at Pitney Bowes, and Margorie or Margery Rouse, a radiology secretary. He studied with Richard Hoffmann at Oberlin Conservatory of Music, graduating in 1971. He later completed graduate degrees under Karel Husa at Cornell University in 1977. In between, Rouse studied privately with George Crumb. Early recognition came from the BMI Foundation's BMI Student Composer ...
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Matthias Grünewald
Matthias Grünewald ( – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt. Only ten paintings—several consisting of many panels—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece created ''c.'' 1512 to 1516. Life The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he was recognised in his own lifetime. The first source to sketch his biography comes from the German art historian Joa ...
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Compositions By Christopher Rouse
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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1982 Compositions
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. ...
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Carmina Burana (Orff)
' is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection '' Carmina Burana''. Its full Latin title is ' ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images"). It was first performed by the Oper Frankfurt on 8 June 1937. It is part of '' Trionfi'', a musical triptych that also includes ''Catulli Carmina'' and ''Trionfo di Afrodite''. The first and last sections of the piece are called "" ("Fortune, Empress of the World") and start with "O Fortuna". Text In 1934, Orff encountered the 1847 edition of the '' Carmina Burana'' by Johann Andreas Schmeller, the original text dating mostly from the 11th or 12th century, including some from the 13th century. was a young law student and an enthusiast of Latin and Greek; he assisted Orff in the selection and organization of 24 of these poems into a libretto mostly in secular Latin verse, with a small amount of Middle High German a ...
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Rota Fortunae
In medieval and ancient philosophy the Wheel of Fortune, or ''Rota Fortunae'', is a symbol of the capricious nature of Fate. The wheel belongs to the goddess Fortuna (Greek equivalent Tyche) who spins it at random, changing the positions of those on the wheel: some suffer great misfortune, others gain windfalls. The metaphor was already a cliché in ancient times, complained about by Tacitus, but was greatly popularized for the Middle Ages by its extended treatment in the ''Consolation of Philosophy'' by Boethius from around 520. It became a common image in manuscripts of the book, and then other media, where Fortuna, often blindfolded, turns a large wheel of the sort used in watermills, to which kings and other powerful figures are attached. Origins The origin of the word is from the "wheel of fortune"—the zodiac, referring to the Celestial spheres of which the 8th holds the stars, and the 9th is where the signs of the zodiac are placed. The concept was first invented in ...
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Triptych
A triptych ( ; from the Greek language, Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the easter ...
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Los Angeles Times
The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the United States. The publication has won more than 40 Pulitzer Prizes. It is owned by Patrick Soon-Shiong and published by the Times Mirror Company. The newspaper’s coverage emphasizes California and especially Southern California stories. In the 19th century, the paper developed a reputation for civic boosterism and opposition to labor unions, the latter of which led to the bombing of its headquarters in 1910. The paper's profile grew substantially in the 1960s under publisher Otis Chandler, who adopted a more national focus. In recent decades the paper's readership has declined, and it has been beset by a series of ownership changes, staff reductions, and other controversies. In January 2018, the paper's staff voted to unionize and final ...
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Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ;  – 9 August 1516) was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a hugely individualistic painter with deep insight into ...
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Boston Musica Viva
Boston Musica Viva is a Boston, Massachusetts-based music ensemble founded by its Music Director, Richard Pittman, in 1969 and dedicated to contemporary music. Composers and compositions In its 44-year history, Boston Musica Viva has performed more than 600 works by over 250 composers. These include over 150 works written specifically for BMV, over 160 world premieres, and over 75 Boston premieres. Among the composers whose work the ensemble has performed are Pulitzer Prize-winners Ellen Taaffe Zwilich John Harbison, Joseph Schwantner and Steven Stucky. World premieres Boston Musica Viva has presented the world premieres of Thea Musgrave’s opera ''The Mocking-Bird'', John Harbison’s ''A Full Moon in March'', Theo Loevendie’s ''Gassir, the Hero'', Martin Brody’s ''Heart of a Dog'', and John Eaton’s ''Traveling with Gulliver''. Touring In addition to its Boston concert season, Boston Musica Viva’s touring engagements have taken them to Lincoln Center, the Library of Co ...
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Stations Of The Cross
The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, refers to a series of images depicting Jesus Christ on the day of Crucifixion of Jesus, his crucifixion and accompanying prayers. The stations grew out of imitations of the Via Dolorosa in Jerusalem, which is a traditional processional route symbolising the actual path Jesus walked to Mount Calvary. The objective of the stations is to help the Christian faithful to make a spiritual Christian pilgrimage, pilgrimage through contemplation of the Passion (Christianity), Passion of Christ. It has become one of the most popular devotions and the stations can be found in many Western Christianity, Western Christian churches, including those in the Catholic Church, Roman Catholic, Lutheran, Anglican, and Methodist traditions. Commonly, a series of 14 images will be arranged in numbered order along a path, along which worshippers—individually or in a procession—move in order, stoppi ...
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Agony In The Garden
The Agony in the Garden of Gethsemane is an episode in the life of Jesus. After the Last Supper, Jesus enters a garden where he experiences great anguish and prays to be delivered from his impending death on the cross ("Take this cup from me") while also submitting to his Father's will. The incident is described in the Synoptic Gospels Matthew 26:36–46Mark 14:32–42Luke 22:39–46
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Gospel narratives

According to the