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Rossetti's Compass
Rossetti's Compass is a synthpop and EBM music band created in November 2010 by the British musician Mark Warner. It was conceived from a desire to explore different directions in the electro musical sphere, from pure synthpop to dark and menacing electro and EBM. In 2013, the band released three albums, including a limited edition semi-live recording session. True to its self-imposed remit of exploration, the Rossetti's Compass catalogue of works includes track remixes for bands from across the genre, including A.W.o.L. Angst Pop, Kant Kino, HNN, Technomancer, Shatoo, Attrition, and Naked Lunch. Formation and Evolution Rossetti's Compass was conceived by Mark Warner during a 2010 visit to Berlin where he was working with Oppenheimer Analysis members Andy Oppenheimer and Martin Lloyd (now deceased). At the time an active member of the Minimal Wave band Sudeten Creche, Warner was keen to explore the wider EBM sphere, and his early Rossetti's Compass compositions were used as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Corps (English Band)
Hard Corps were a 1980s synthpop band from Brixton, London. History Hugh Ashton, Robert Doran and Clive Pierce were introduced to chanteuse Regine Fetet, who, having never sung before had an enigmatic, fragile human voice which mated perfectly with the sound the three British sound engineers were creating. Hard Corps were an electronic band that pioneered electronic music in the 1980s and released their first single in 1984 ''Dirty/Respirer'' on Survival Records, with ''Respirer'' also being released that year on ''The Art of Survival'' compilation EP along with bands such as Tik and Tok, Eddie and Sunshine and Richard Bone. A later re-recording in 1985 of ''Respirer'' was produced by Mute Records founder and electronic music production supremo Daniel Miller. In 1985, the band supported The Cure in the UK and Europe and in 1988 supported Depeche Mode in the UK. They were on the cusp of making a real impact and hoped to support Depeche Mode when they returned to the USA, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of Bowie's single " Starman" and album '' The Rise and Fall of Zi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yazoo (band)
Yazoo (known as Yaz in North America) were an English synth-pop duo from Basildon, Essex, consisting of former Depeche Mode member Vince Clarke (keyboards) and Alison Moyet (vocals). The duo formed in late 1981 after Clarke responded to an advertisement Moyet placed in a British music magazine, although the pair had known each other since their schooldays. Over the next 18 months the duo released two albums, '' Upstairs at Eric's'' and '' You and Me Both'', which received critical acclaim for their production, particularly the blending of Clarke's synthesizer melodies with Moyet's blues- and soul-influenced vocals. Yazoo enjoyed worldwide success, particularly in their home country, where three of their four singles reached the top three of the UK Singles Chart and both their albums made the top two of the UK Albums Chart. In North America, they are known for the song "Situation", which, though originally only a B-side in the United Kingdom, was a club and airplay success in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devo
Devo (, originally ) is an American Rock music, rock band from Akron, Ohio, formed in 1973. Their classic line-up consisted of two sets of brothers, the Mothersbaughs (Mark Mothersbaugh, Mark and Bob Mothersbaugh, Bob) and the Casales (Gerald Casale, Gerald and Bob Casale, Bob), along with Alan Myers (drummer), Alan Myers. The band had a No. 14 Billboard Hot 100, ''Billboard'' chart hit in 1980 with the single "Whip It (Devo song), Whip It", the song that gave the band mainstream popularity. Devo's music and visual presentation (including stage shows and costumes) mingle kitsch science fiction themes, deadpan Surreal humour, surrealist humor and mordantly satire, satirical social commentary. The band's namesake, the tongue-in-cheek social theory of "de-evolution", was an integral concept in their early work, which was marked by experimental and dissonant art punk that merged rock music with electronic music, electronics. Their output in the 1980s embraced synth-pop and a more m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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