Rosmonda D'Inghilterra
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Rosmonda D'Inghilterra
''Rosmonda d'Inghilterra'' (''Rosamund of England'') is a ''melodramma'' or opera in two acts by Gaetano Donizetti. The Italian language, Italian libretto was written by Felice Romani originally for Carlo Coccia, Coccia's ''Rosmunda'' (1829). It is based on the legend of Rosamund Clifford (''The Fair Rosamund''). Performance history It premiered at the Teatro della Pergola, Florence on 27 February 1834 and was revived only in Livorno in 1845. A request for it to be approved for the Teatro di San Carlo in Naples was submitted in June 1837 and it was revised as ''Eleonora di Gujenna'' for that theatre, but there is no evidence that it was actually performed there. It was largely forgotten until its English rediscovery in 1975 by Patric Schmid, co-founder of Opera Rara, who recognised Donizetti's handwriting by chance on the manuscript in the library of the Naples Conservatory. A concert performance was given at the Queen Elizabeth Hall, London with Yvonne Kenny in the title ro ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ...
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Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern expan ...
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Bruce Ford (tenor)
Bruce Ford (born August 15, 1956) is an American operatic tenor, particularly associated with Mozart roles and the bel canto repertory. Ford was born in Lubbock, Texas, and studied at Texas Tech University, the University of Texas, and later as a member of the Houston Grand Opera StudioHGO Studio Alumnilink) in Houston, where he created Philip Glass's ''The Madrigal Opera'' in 1981. He left for Europe, where he made his official operatic debut in Wuppertal in 1983, as Belmonte and Tamino, then in Mannheim in 1985, as Ferrando and Don Ramiro. In 1985, he also appeareared at the Grand Théâtre de Bordeaux as Almaviva, and the Aix-en-Provence Festival, as Lindoro. He began specializing in the bel canto repertory notably Rossini, appearing at the Pesaro Festival and the Wexford Festival in roles such as Argirio in ''Tancredi'', Uberto in ''La donna del lago'', Rinaldo in ''Armida'', Agorante in ''Ricciardo e Zoraide'', Antenore in ''Zelmira'', Erisso in ''Maometto II'', Or ...
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Nelly Miricioiu
Nelly Miricioiu (born 31 March 1952) is a Romanian-born British operatic soprano singing a large repertoire ranging from bel canto to verismo. Biography Born in Adjud, Romania, Miricioiu started singing at 5 and was hailed as a child prodigy. At 9 she started studying piano and at 14 she won her first singing contest, "Young Talents, Great hopes". At 18 she sang in Pergolesi's ''La serva padrona'' and joined the Conservatory of Iași where she continued her studies with Tibi Popovici. In 1972 she was the youngest contestant in the Francisco Vinas Musical Competition in Barcelona and in 1975 she won the first prize at the very first Maria Callas Grand Prix in Athens. More first prizes followed at competitions in Geneva, Paris, Sofia, Oostend. Miricioiu made her operatic debut in Mozart's ''The Magic Flute'', as the Queen of the Night at Iaşi Romanian Opera, and continued to sing at Brasov Opera House between 1975 and 1978 in roles such as Mimì in ''La bohème'', Micaëla in ''C ...
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Renée Fleming
Renée Lynn Fleming (born February 14, 1959) is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 18 Grammy Awards and has won four times. Other notable awards have included the Chevalier de la Légion d'Honneur from the French government, Germany's Cross of the Order of Merit, Sweden's Polar Music Prize and honorary membership in England's Royal Academy of Music. Unusual among artists whose careers began in opera, Fleming has achieved name recognition beyond the classical music world. Fleming has a full lyric soprano voice.Tommasini, Anthony"For a Wary Soprano, Slow and Steady Wins the Race" ''The New York Times'', September 14, 1997 She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. A significant portion of her career has been ...
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Queen's University Belfast
, mottoeng = For so much, what shall we give back? , top_free_label = , top_free = , top_free_label1 = , top_free1 = , top_free_label2 = , top_free2 = , established = , closed = , type = Public research university , parent = , affiliation = , religious_affiliation = , academic_affiliation = , endowment = £70.0 million , budget = £395.8 million , rector = , officer_in_charge = , chairman = , chairperson = , chancellor = Hillary Clinton , president = , vice-president = , superintendent = , vice_chancellor = Ian Greer , provost = , principal = , dean = , director = , head_label = , head = , academic_staff = 2,414 , administrative_staff = 1,489 , students = () , undergrad = () , postgrad = () , doctoral = , other = 2,250 (Colleges) , address = , city = Belfast , state = , province = , postalcode = , country = Northern Ireland , campus = Urban , language = , free_label = Newspaper , free = ''The Go ...
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Alun Francis
Alun Francis (born 29 September 1943) is a Welsh conductor. Career Francis was the principal conductor of the Ulster Orchestra from 1966 for ten years. In 1978 he conducted the premiere of Donizetti's opera ''Gabriella di Vergy'' in the Queen Elizabeth Hall in London. From 1979 to 1985 he was Music director of the Northwest Chamber Orchestra in Seattle, then he was artistic counselor of the ensembles Opera Forum in Enschede. From 1987 to 1990 he was Generalmusikdirektor of the Nordwestdeutsche Philharmonie. Afterwards he conducted the Haydn-Orchester in Bolzano, the Berliner Symphoniker and the Orchestra Sinfonica di Milano Giuseppe Verdi. From 2003 to 2008 he was principal conductor of the Thüringen Philharmonie Gotha. He has been a regular guest conductor of the Zagreb Philharmonic Orchestra. As of 2010, he was principal conductor of the Orquesta Filarmónica de la UNAM in Mexico City. Discography Francis recorded works of Francis Poulenc, symphonies and symphonic work ...
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Christian Du Plessis
Christian du Plessis (born 2 July 1944) is a South African baritone, largely based in England, and particularly associated with the bel canto repertory. Born in Vryheid, South Africa, he studied in Johannesburg with Teasdale Griffiths and Esme Webb, and made his stage debut there, with the Transvaal Opera, as Yamadori in ''Madama Butterfly'', in 1967. Further studies followed in London with Otokar Kraus, making his debut there in 1970, as Mathieu in '' Andrea Chénier''. He became a member of the English National Opera, where he sang the standard baritone repertory: Valentin, Luna, Posa, Marcello, Cecil, also Germont in a recording of ''La traviata'', etc. In the mid-1970s, he began concentrating in the bel canto repertory, making a specialty of lesser-known works by Donizetti and Bellini, appearing in concert performances for the London Opera Society and stage productions by Opera Rara, notably the title role in ''Torquato Tasso'', Corrado in ''Maria de Rudenz'', Ernesto in ' ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Gilbert Duprez
Gilbert-Louis Duprez (6 December 180623 September 1896) was a French tenor, singing teacher and minor composer who famously pioneered the delivery of the operatic high C from the chest (''Ut de poitrine'', as Paris audiences called it). He also created the role of Edgardo in the popular bel canto-era opera ''Lucia di Lammermoor'' in 1835. Biography Gilbert-Louis Duprez was born in Paris. He studied singing, music theory, and composition with Alexandre-Étienne Choron and made his operatic début at the Odéon in 1825 as ''Count Almaviva'' in Rossini's ''Il barbiere di Siviglia''. He worked in that theatre without much success until 1828, when he decided to try his luck in Italy. There, the operatic scene was more active and developed. As a result, Duprez was able to immerse himself in work, beginning principally with ''tenore contraltino'' roles such as ''Idreno'' in '' Semiramide '' and ''Rodrigo'' in ''Otello'', both by Rossini. He appeared, too, as ''Gualtiero'' in Bellini' ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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