Rosencrantz And Guildenstern
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Rosencrantz And Guildenstern
Rosencrantz and Guildenstern are characters in William Shakespeare's tragedy ''Hamlet''. They are childhood friends of Hamlet, summoned by King Claudius to distract the prince from his apparent madness and if possible to ascertain the cause of it. The characters were revived in W. S. Gilbert's satire, ''Rosencrantz and Guildenstern'', and as the alienated heroes of Tom Stoppard's absurdist play, ''Rosencrantz and Guildenstern Are Dead'', which was adapted into a film. ''Rosencrantz'' ("rose wreath") and '' Gyldenstjerne/Gyllenstierna'' ("golden star") were names of Danish (and Norwegian, and Swedish) noble families of the 16th century; records of the Danish royal coronation of 1596 show that one tenth of the aristocrats participating bore one or the other name. James Voelkel suggests that the characters were named after Frederik Rosenkrantz and Knud Gyldenstierne, cousins of Tycho Brahe who had visited England in 1592. Shakespeare's ''Hamlet'' The majority of characters in ''H ...
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Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". There are many works that have been pointed to as possible sources for Shakespeare's play—from ancient Greek tragedies to Elizabethan plays. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. When ...
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Arden Shakespeare
The Arden Shakespeare is a long-running series of scholarly editions of the works of William Shakespeare. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and full commentaries. There have been three distinct series of The Arden Shakespeare over the past century, with the third series commencing in 1995 and concluding in January 2020. Arden was the maiden name of Shakespeare's mother, Mary, but the primary reference of the enterprise's title is to the Forest of Arden, in which Shakespeare's ''As You Like It'' is set. First Series The first series was published by Methuen. Its first publication was Edward Dowden's edition of ''Hamlet'', published in 1899. Over the next 25 years, the entire canon of Shakespeare was edited and published. The original editor of The Arden Shakespeare was William James Craig (1899–1906), succeeded by R. H. Case (1909–1944). The text of The Arden Shakespeare, First series, was based on the 1864 "Gl ...
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The Tragedy Of Hamlet, Prince Of Denmark/Act 4
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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First Folio
''Mr. William Shakespeare's Comedies, Histories, & Tragedies'' is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published. Printed in folio format and containing 36 plays (see list of Shakespeare's plays), it was prepared by Shakespeare's colleagues John Heminges and Henry Condell. It was dedicated to the "incomparable pair of brethren" William Herbert, 3rd Earl of Pembroke and his brother Philip Herbert, Earl of Montgomery (later 4th Earl of Pembroke). Although 19 of Shakespeare's plays had been published in quarto before 1623, the First Folio is arguably the only reliable text for about 20 of the plays, and a valuable source text for many of those previously published. Eighteen of the plays in the First Folio, including '' The Tempest'', ''Twelfth Night'', and ''Measure for Measure'' among others, ...
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Just Deserts
Desert () in philosophy is the condition of being deserving of something, whether good or bad. It is sometimes called moral desert to clarify the intended usage and distinguish it from the dry desert biome. It is a concept often associated with justice: that good deeds should be rewarded and evil deeds punished. Nomenclature The English words "deserve" and "desert" derive from the Old French ''deservir'' (modern French: ''desservir''), which has the same meaning. While "deserve" is common as a verb, the noun result "desert" is rare in colloquial speech; it is almost exclusively used in the phrase "just deserts" (e.g. "Although she was not at first arrested for the crime, she later on received her just deserts."). The alternate spelling "just desserts" is a pun on this original term. In ordinary usage, to deserve is to earn or merit a reward or penalty. In moral philosophy, the additional distinction is generally drawn that the result is morally relevant somehow. For example, ...
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Poetic Justice
Poetic justice, also called poetic irony, is a literary device with which ultimately virtue is rewarded and misdeeds are punished. In modern literature, it is often accompanied by an ironic twist of fate related to the character's own action, hence the name poetic irony. Etymology English drama critic Thomas Rymer coined the phrase in ''The Tragedies of the Last Age Consider'd'' (1678) to describe how a work should inspire proper moral behaviour in its audience by illustrating the triumph of good over evil. The demand for poetic justice is consistent in Classical authorities and shows up in Horace, Plutarch, and Quintillian, so Rymer's phrasing is a reflection of a commonplace. Philip Sidney, in '' The Defence of Poesy'' (1595) argued that poetic justice was, in fact, the reason that fiction should be allowed in a civilized nation. History Notably, poetic justice does not merely require that vice be punished and virtue rewarded, but also that logic triumph. If, for example, a ...
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The Tragedy Of Hamlet, Prince Of Denmark/Act 5
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Polonius
Polonius is a character in William Shakespeare's play ''Hamlet''. He is chief counsellor of the play's ultimate villain, Claudius, and the father of Laertes and Ophelia. Generally regarded as wrong in every judgment he makes over the course of the play, Polonius is described by William Hazlitt as a "sincere" father, but also "a busy-body, hois accordingly officious, garrulous, and impertinent". In Act II, Hamlet refers to Polonius as a "tedious old fool" and taunts him as a latter day "Jephtha". Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet. Character Father of Ophelia and Laertes, and counsellor to King Claudius, he is described as a windbag by some and a rambler of wisdom by others. It has also been suggested that he only acts like a "foolish prating knave" to keep his position and popul ...
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Majestic Plural
The royal ''we'', majestic plural (), or royal plural, is the use of a plural pronoun (or corresponding plural-inflected verb forms) used by a single person who is a monarch or holds a high office to refer to themselves. A more general term for the use of a ''we'', ''us'', or ''our'' to refer to oneself is '' nosism''. Example After the United Kingdom had been asked to arbitrate a boundary dispute between Argentina and Chile, King Edward VII issued the adjudication of the requested arbitration, known as the Cordillera of the Andes Boundary Case. The sentence following the preamble of the award begins as follows: In this quotation, underlining has been added to the words that exemplify the use of the majestic plural. Western usage The royal ''we'' is commonly employed by a person of high office, such as a monarch or other type of sovereign. It is also used in certain formal contexts by bishops and university rectors. William Longchamp is credited with its introduction to ...
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The Tragedy Of Hamlet, Prince Of Denmark/Act 3
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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What A Piece Of Work Is A Man
"What a piece of work is a man!" is a phrase within a monologue by Prince Hamlet in William Shakespeare's play ''Hamlet''. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition. The speech The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose: Differences between texts The speech was fully omitted from Nicholas Ling's 1603 First Quarto, which reads simply: This version has been argued to have been a bad quarto, a tourbook copy, or an initial draft. By the 1604 Second Quarto, the speech is essentially present but punctuated differently: Then, by the 1623 First Folio, it appeared as: J. Dover Wilson, in his notes in the ''New Shakespeare'' edition, observed that the Folio text "involves two grave difficulties", namely that according to ...
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Horatio (character)
Horatio is a character in William Shakespeare's tragedy ''Hamlet''. He was present on the field when King Hamlet (Hamlet's father) defeated Fortinbras (the king of Norway), and he has travelled to court from the University of Wittenberg (where he was familiar with Prince Hamlet) for the funeral of King Hamlet. Hamlet is glad to see him, and Horatio remains at court without official appointment, simply as "Hamlet's friend". He is on relatively familiar terms with other characters. For example, when Gertrude (the queen) is reluctant to admit the "distract" Ophelia, she changes her mind following Horatio's advice. Hamlet has departed for England by this point, and is not supposed to return. Horatio is not directly involved in any intrigue at the court, but he makes a good foil and sounding board for Hamlet. Being from Wittenberg, a university that defined the institutional switch from theology to humanism, Horatio epitomizes the early modern fusion of Stoic and Protestant rationalit ...
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