Rose Consort Of Viols
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Rose Consort Of Viols
The Rose Consort of Viols is an English ensemble of viol players who perform mainly early consort music, including works by Orlando Gibbons, John Dowland, and Henry Purcell. They have performed around the world at many events, have appeared a number of times for the BBC, and have made a number of recordings, several of which have been made in collaboration with Red Byrd, a vocal group from Hyperion Records. The name was taken from a famous family of viol makers. Discography *''Elizabethan Christmas Anthems'' (with Red Byrd) (Saydisc, 1990) *''Born is the Babe: Renaissance Music for Christmas'' (Woodmansterne, 1990) *''Dowland: Lachrimae'' (Saydisc, 1992) *''Ah, Dear Heart'' (Woodmansterne, 1993) *'' Jenkins: All in a Garden Green'' (Naxos, 1993) *''William Byrd: Consort and Keyboard Music, Songs and Anthems'' (with Red Byrd) (Naxos, 1994) *''Thomas Tomkins: Consort Music for Viol and Voices; Keyboard Music'' (Naxos, 1995) *''William Lawes: Consort Music for Viols, Lutes and The ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ...
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William Byrd
William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He is often coupled with John Dunstaple and Henry Purcell as England's most important early music composers. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Life Early life Birth and background Richard Byrd of Ingatestone, Essex was the grandfather of Thomas Byrd, who probably moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen. William Byrd was probably born in London, the third s ...
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English Viol Players
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Englis ...
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Instrumental Early Music Groups
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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English Classical Music Groups
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ...
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Dow Partbooks
The Dow Partbooks (Christ Church, Mus. MSS 984–988) are a collection of five partbooks compiled by Robert Dow in Oxford around 1581–88. The collection includes mostly choral but also some instrumental pieces. At the end is an instrumental ''La gamba'' and a canon, both a 3 and apparently copied from Vincenzo Ruffo's book printed in Milan in 1564. The partbooks are an important source for Tudor music, and the sole known source for some of the pieces. Robert Dow was a trained calligrapher and the books are unusually easy to read among manuscripts of the Tudor period. All works were copied by him, with the exception of numbers 53–4, which were copied by John Baldwin (a singing-man at St George's Chapel), and nos. 99–100, which were copied by an unidentified person. The numberings following no. 54 were added by several other people at a later time (19th century), in sequences that do not coincide perfectly. The collection was acquired by Henry Aldrich and donated to Christ ...
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John Ward (composer)
John Ward (1590–1638) was an English composer. He trained as a singer in Canterbury and moved to London where he produced religious and secular works. Ward's compositions, some of which were published in his lifetime, consist of madrigals, works for viol consort and Anglican church music (services, and anthems). His madrigals are remarkable for their fine texts, broad melodic lines and originality. Biography Ward was born in Canterbury and baptised 15 February 1590 at St Mary Bredman. He was a chorister at Canterbury Cathedral and likely King's scholar at Canterbury Grammar School 1604–7. He appears to have stayed in Canterbury until at least 1607 and then went to London where he served Sir Henry Fanshawe (1569–1616) as a musician. It is not known how the two men came into contact, although it has been noted that Lady Fanshawe was from Kent. Sir Henry was an amateur musician, whose duties as remembrancer of the exchequer required him to spend some of his time in Londo ...
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Alfonso Ferrabosco (I)
Alfonso Ferrabosco (baptized 18 January 154312 August 1588) was an Italian composer. While mostly famous as the solitary Italian madrigalist working in England, and the one mainly responsible for the growth of the madrigal there, he also composed much sacred music. He also may have been a spy for Elizabeth I while he was in Italy. His son, Alfonso Ferrabosco the younger was also a composer. Biography He was the eldest son of Domenico Ferrabosco, and a member of an aristocratic Bolognese family which had many musicians among its members. Alfonso was born in Bologna.John V. Cockshoot and Christopher D.S. Field. "Ferrabosco." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/09507pg2 (accessed October 21, 2009). Little is known about his early life, but he is known to have spent part of it in Rome and part in Lorraine in the service of Charles of Guise. In 1562, probably with his uncle, he came to England for the first ti ...
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William Lawes
William Lawes (April 160224 September 1645) was an English composer and musician. Life and career Lawes was born in Salisbury, Wiltshire and was baptised on 1 May 1602. He was the son of Thomas Lawes, a vicar choral at Salisbury Cathedral, and brother to Henry Lawes, a very successful composer in his own right. It is possible the young William was a member of the cathedral choir there. His patron, Edward Seymour, Earl of Hertford, apprenticed him to the composer John Coprario, which probably brought Lawes into contact with Charles, Prince of Wales at an early age. Both William and his elder brother Henry received court appointments after Charles succeeded to the British throne as Charles I. William was appointed as "musician in ordinary for lutes and voices" in 1635 but had been writing music for the court prior to this. Lawes spent all his adult life in Charles's employ. He composed secular music and songs for court masques (and doubtless played in them), as well as sacr ...
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Thomas Tomkins
Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school. Life Tomkins was born in St David's in Pembrokeshire in 1572. His father, also Thomas, who had moved there in 1565 from the family home of Lostwithiel in Cornwall, was a vicar choral of St David's Cathedral and organist there. Three of Thomas junior's half-brothers, John, Giles and Robert, also became eminent musicians, but none quite attained the fame of Thomas. By 1594, but possibly as early as 1586, Thomas and his family had moved to Gloucester, where his father was employed as a minor canon at the cathedral. Thomas almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: ''To my ancient, and much reverenced Master, William Byrd'', and ...
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Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ...
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Consort Music
A consort of instruments was a phrase used in England during the 16th and 17th centuries to indicate an instrumental ensemble. These could be of the same or a variety of instruments. Consort music enjoyed considerable popularity at court and in households of the wealthy in the Elizabethan era, and many pieces were written for consorts by the major composers of the period. In the Baroque era consort music was absorbed into chamber music. Definitions and forms The earliest documented example of the English word 'consort' in a musical sense is in George Gascoigne’s ''The Princelye Pleasures'' (1576). Only from the mid-17th century has there been a clear distinction made between a ''‘whole’, or ‘closed’ consort'', that is, all instruments of the same family (for example, a set of viols played together) and a ''‘mixed’, or ‘broken’ consort'', consisting of instruments from various families (for example viols and lute). Major forms of music composed for consorts inclu ...
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