Roots Radics
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Roots Radics
The Roots Radics Band was formed in 1978 by bass player Errol "Flabba" Holt, guitarist Eric "Bingy Bunny" Lamont and drummer Lincoln "Style" Scott. They were joined by many musicians, including guitarist Noel "Sowell" Bailey, Dwight Pinkney and Steve Golding, keyboard player Wycliffe "Steelie" Johnson, Pianist Gladstone "Gladdy" Anderson and saxophonist Headley Bennett. As a combined force the Roots Radics became a well-respected studio and stage band, which dominated the sound in the first half of the 1980s. In addition to their own catalogue, they have worked with artists such as Bunny Wailer, Gregory Isaacs, Michael Prophet, Eek-A-Mouse, and Israel Vibration. In 1979, the band recorded the riddims for Barrington Levy's first songs for producer Henry "Junjo" Lawes, credited at the time as the Channel One Stars. As a sought after studio lineup, Roots Radics backed several reggae stars in the studio and on tour. For example, they appear on several Eek-A-Mouse albums: ''Bu ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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Dwight Pinkney
Dwight Pinkney OD (born 1945), also known as Brother Dee, is a Jamaican guitarist best known for his work as a session musician and as a member of Zap Pow and the Roots Radics, who since 1999 has recorded as a solo artist. Biography Dwight Pinkney was born in Manchester Parish, Jamaica, moving to Kingston as a youth.Larkin, Colin (1998), ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p. 224.Moskowitz, David V. (2006), ''Caribbean Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , p. 236. In the mid-1960s he formed The Sharks as guitarist, the band recording for Studio One and backing The Wailers on their 1965 Jamaican hit single "Put It On", also providing backing for recordings by Ken Boothe and The Gaylads. One of Pinkney's most successful songs, written in 1967 while a member of The Sharks, is "How Could I Live", which was originally released as the b-side of Jeff Dixon and Marcia Griffiths' "Words" single, and has since ...
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Sly & Robbie
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery. Career 1970s: Beginnings in reggae Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican record labels Studio One and Treasure Isle), and reggae production in particular. Speaking on his influences, Sly explains “My mentor was the drummer for The Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummers ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Cancer
Cancer is a group of diseases involving abnormal cell growth with the potential to invade or spread to other parts of the body. These contrast with benign tumors, which do not spread. Possible signs and symptoms include a lump, abnormal bleeding, prolonged cough, unexplained weight loss, and a change in bowel movements. While these symptoms may indicate cancer, they can also have other causes. Over 100 types of cancers affect humans. Tobacco use is the cause of about 22% of cancer deaths. Another 10% are due to obesity, poor diet, lack of physical activity or excessive drinking of alcohol. Other factors include certain infections, exposure to ionizing radiation, and environmental pollutants. In the developing world, 15% of cancers are due to infections such as ''Helicobacter pylori'', hepatitis B, hepatitis C, human papillomavirus infection, Epstein–Barr virus and human immunodeficiency virus (HIV). These factors act, at least partly, by changing the genes of ...
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Steely And Clevie
Steely & Clevie was a Jamaican dancehall reggae production duo that was composed of members Wycliffe Johnson and Cleveland Browne. The duo worked with artists such as the Specials, Gregory Peck ("Poco Man Jam," 1990), Bounty Killer, Elephant Man, and No Doubt. Steely debuted as a keyboardist with Sugar Minott's Youth Promotion collective in the 1970s, playing the keyboards on Minott's 1978 album, ''Ghetto-ology''. Clevie pioneered the use of drum machines in reggae. Steely and Clevie first played together at Lee "Scratch" Perry's Black Ark Studios during the late 1970s. In 1986, the duo was the house band at King Jammy's Studio, which became the center point of late-1980s reggae, by which time Steely & Clevie were established production leaders with an immense slew of 12-inch and dub singles. The duo formed the Steely & Clevie label in 1987, a year in which reggae riddims and dub-influenced hip-hop production by Ced Gee and KRS-One in the Bronx became prominent. In 1993, Steely ...
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Singers And Players
Singers & Players were a reggae collective made up of vocalists and musicians associated with Adrian Sherwood's On-U Sound Records. They recorded five albums between 1981 and 1988. Including artists such as Bim Sherman, Prince Far I and Mikey Dread they were regarded as a dub music supergroup. There was never any fixed line up to the group, and many different artists featured on each track and each album. Discography Albums *''War of Words'' (1981) *''Revenge of the Underdog'' (1982) *''Staggering Heights'' (1983) *''Leaps and Bounds'' (1984) *''Vacuum Pumping'' (1988) *''Golden Greats Volume 1'' (1989) *''Golden Greats Volume 2'' (1995) Details War of Words ''War of Words'' was the first album by Singers & Players. It was released in the U.S. on 99 Records in November 1981 and then in the U.K. on On-U Sound Records in August 1982. It was produced by Adrian Sherwood and engineered by Dennis Bovell, John Walker, Nobby Turner, Richard Manwaring and Steve Smith. =Trac ...
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Adrian Sherwood
Adrian Maxwell Sherwood (born 20 January 1958, London, England) is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his best-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody. Career Sherwood was co-founder of Carib Gems and Pressure Sounds, and founder of Hitrun R ...
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Prince Far I
Prince Far I (23 March 1945 – 15 September 1983) was a Jamaican reggae deejay and producer, and a Rastafarian. He was known for his gruff voice and critical assessment of the Jamaican government. His track "Heavy Manners" used lyrics about government measures initiated at the time against violent crime. Biography He was born Michael James Williams in Spanish Town, Jamaica. Williams' first job in the music industry was as a deejay on the Sir Mike the Musical Dragon sound system, also working as a security guard at Joe Gibbs' studio, and later as a bouncer at Studio One, but after recording "The Great Booga Wooga" for Bunny Lee in 1969 (under the name King Cry Cry, a reference to his habit of breaking into tears when angered),Barrow, Steve & Dalton, Peter: ''Reggae: The Rough Guide'', 1997, Rough Guides, Thompson, Dave: ''Reggae & Caribbean Music'', 2002, Backbeat Books, he got the chance in 1970 to record for Coxsone Dodd when King Stitt failed to turn up for a session.La ...
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Night Nurse (album)
''Night Nurse'' is a 1982 studio album by Gregory Isaacs. ''Night Nurse'' is reggae artist Gregory Isaacs' most well-known album. It contains his biggest hit, " Night Nurse" as well as several other notable tracks. Backing came from the Roots Radics, with additional synthesizer added by Wally Badarou. The album was released on vinyl and cassette, then later in 1990 on compact disc. It reached No. 32 on the UK Albums Chart. A reissue released in 2002 includes four additional bonus tracks. Track listing All tracks composed by Gregory Isaacs and Sylvester Weise. # " Night Nurse" – 4:04 # "Stranger in Town" – 3:32 # "Objection Overruled" – 3:56 # "Hot Stepper" – 4:29 # "Cool Down the Pace" – 5:16 # "Material Man" – 3:34 # "Not the Way" – 3:49 # "Sad to Know (You're Leaving)" – 4:12 Bonus tracks on CD 2002 reissue # "Cool Down the Dub" # "Night Nurse Dub 2" # "Cool Down the Pace" - (10" mix) # "Unhappy Departure Dub" #" No Good Girl" - (10" mix) Personnel ...
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Henry "Junjo" Lawes
Henry "Junjo" Lawes (1960 in Kingston, Jamaica – 13 June 1999 in London, England) was a highly influential Jamaican record producer and a sound engineer. Biography Born in the Waterhouse district of Kingston, Jamaica, Lawes began working as a producer in the late 1970s. He worked with many reggae, dancehall and dub artists such as Linval Thompson, Scientist, Toyan, Barrington Levy, Don Carlos, Frankie Paul and most importantly with Yellowman, all for his record label Volcano, which spawned a highly popular sound system of the same name.Campbell, Howard (2012)Unsung: The law according to Junjo, ''Jamaica Observer'', 2 November 2012, retrieved 10 November 2012 He used the Roots Radics as his regular studio band. Lawes served a prison term in the United States after being convicted of drug-related charges in the mid-1980s. He later worked with Beenie Man and Ninjaman. On 14 June 1999, he was shot dead in a drive-by shooting in Harlesden, northwest London.
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Riddim
Riddim is the Jamaican Patois pronunciation of the English word "rhythm". In the context of reggae and dancehall, it refers to the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. The resulting song structure is distinctive in many ways. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper regist ...
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