Romanesque Sculpture
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Romanesque Sculpture
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style ...
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Leon (San Isidoro, Panteón)
Leon, Léon (French) or León (Spanish) may refer to: Places Europe * León, Spain, capital city of the Province of León * Province of León, Spain * Kingdom of León, an independent state in the Iberian Peninsula from 910 to 1230 and again from 1296 to 1301 * León (historical region), composed of the Spanish provinces León, Salamanca, and Zamora * Viscounty of Léon, a feudal state in France during the 11th to 13th centuries * Saint-Pol-de-Léon, a commune in Brittany, France * Léon, Landes, a commune in Aquitaine, France * Isla de León, a Spanish island * Leon (Souda Bay), an islet in Souda Bay, Chania, on the island of Crete North America * León, Guanajuato, Mexico, a large city * Leon, California, United States, a ghost town * Leon, Iowa, United States * Leon, Kansas, United States * Leon, New York, United States * Leon, Oklahoma, United States * Leon, Virginia, United States * Leon, West Virginia, United States * Leon, Wisconsin (other), United States, ...
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Psalters
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art. The English term (Old English , ) derives from Church Latin. The source term is la, psalterium, which is simply the name of the Book of Psalms (in secular Latin, it is the term for a stringed instrument, from grc, ψαλτήριον ''psalterion''). The Book of Psalms contains the bulk of the Divine Office of the Roman Catholic Church. The other books associated with it were the Lectionary, the Antiphonary, and Responsoriale, and the Hymnary. In Late Modern English, ''psalter'' has mostly ceased to refer to the Boo ...
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Goldsmith
A goldsmith is a Metalworking, metalworker who specializes in working with gold and other precious metals. Nowadays they mainly specialize in jewelry-making but historically, goldsmiths have also made cutlery, silverware, platter (dishware), platters, goblets, decorative and serviceable utensils, and ceremonial or religious items. Goldsmiths must be skilled in forming metal through file (tool), filing, brazing, soldering, sawing, forging, Casting (metalworking), casting, and polishing. The trade has very often included jewelry-making skills, as well as the very similar skills of the silversmith. Traditionally, these skills had been passed along through apprenticeships; more recently jewelry arts schools, specializing in teaching goldsmithing and a multitude of skills falling under the jewelry arts umbrella, are available. Many universities and junior colleges also offer goldsmithing, silversmithing, and metal arts fabrication as a part of their fine arts curriculum. Gold Com ...
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Nicholas Of Verdun
Nicholas of Verdun (c. 1130 – c. 1205) was a renowned metalworker, goldsmith and enamellist active around the years 1180–1205. He was born in the city of Verdun, Upper Lorraine. The region extending from the valley of the Rhine and Meuse rivers to Cologne was the major northern center of copperplate enameled metalwork in the 12th century and Nicholas was probably trained in one of the many Mosan workshops. Although he must have maintained a large atelier of his own with numerous assistants, possibly based in Verdun, commissions in Cologne, northern France and outside Vienna required him to travel frequently. Around the year 1200, a new awareness in northern Europe of Byzantine art, coinciding with a revival of interest in classical art, led to the emergence of a highly classicizing style of figural representation in stone sculpture, metalwork and manuscript illumination. Nicholas of Verdun was a leading practitioner of this short-lived proto-Renaissance as seen in the enamel ...
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Carthusian
The Carthusians, also known as the Order of Carthusians ( la, Ordo Cartusiensis), are a Latin enclosed religious order of the Catholic Church. The order was founded by Bruno of Cologne in 1084 and includes both monks and nuns. The order has its own rule, called the ''Statutes'', and their life combines both eremitical and cenobitic monasticism. The motto of the Carthusians is , Latin for "The Cross is steady while the world turns." The Carthusians retain a unique form of liturgy known as the Carthusian Rite. The name ''Carthusian'' is derived from the Chartreuse Mountains in the French Prealps: Bruno built his first hermitage in a valley of these mountains. These names were adapted to the English ''charterhouse'', meaning a Carthusian monastery.; french: Chartreuse; german: Kartause; it, Certosa; pl, Kartuzja; es, Cartuja Today, there are 23 charterhouses, 18 for monks and 5 for nuns. The alcoholic cordial Chartreuse has been produced by the monks of Grande Chartreuse sinc ...
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Cluniac
The Cluniac Reforms (also called the Benedictine Reform) were a series of changes within medieval monasticism of the Western Church focused on restoring the traditional monastic life, encouraging art, and caring for the poor. The movement began within the Benedictine order at Cluny Abbey, founded in 910 by William I, Duke of Aquitaine (875–918). The reforms were largely carried out by Saint Odo (c. 878 – 942) and spread throughout France (Burgundy, Provence, Auvergne, Poitou), into England (the English Benedictine Reform), and through much of Italy and Spain. Background In the early 10th century, Western monasticism, which had flourished several centuries earlier with St Benedict of Nursia, was experiencing a severe decline due to unstable political and social conditions resulting from the nearly continuous Viking raids, widespread poverty and, especially, the dependence of abbeys on the local nobles who controlled all that belonged to the territories under their jurisdiction. ...
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Cistercian
The Cistercians, () officially the Order of Cistercians ( la, (Sacer) Ordo Cisterciensis, abbreviated as OCist or SOCist), are a Catholic religious order of monks and nuns that branched off from the Benedictines and follow the Rule of Saint Benedict, as well as the contributions of the highly-influential Saint Bernard of Clairvaux, known as the Latin Rule. They are also known as Bernardines, after Saint Bernard himself, or as White Monks, in reference to the colour of the "cuculla" or cowl (choir robe) worn by the Cistercians over their habits, as opposed to the black cowl worn by Benedictines. The term ''Cistercian'' derives from ''Cistercium,'' the Latin name for the locale of Cîteaux, near Dijon in eastern France. It was here that a group of Benedictine monks from the monastery of Molesme founded Cîteaux Abbey in 1098, with the goal of following more closely the Rule of Saint Benedict. The best known of them were Robert of Molesme, Alberic of Cîteaux and the English ...
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Ottonian Art
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a styl ...
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Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptuo ...
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Historiated Initial
A historiated initial is an initial, an enlarged letter at the beginning of a paragraph or other section of text, that contains a picture. Strictly speaking, a historiated initial depicts an identifiable figure or a specific scene, while an inhabited initial contains figures (human or animal) that are decorative only, without forming a subject. Both sorts became very common and elaborate in luxury illuminated manuscripts. These illustrated initials were first seen in the Insular art of the early 8th century. The earliest known example is in the Saint Petersburg Bede, an Insular manuscript of 731–46, and the Vespasian Psalter has another. The size and decoration of the initial further gives clues to both its importance and location. Letters that began a new section of a text or a particularly noteworthy section might receive more flourishes and space. They would also provide a visual point of reference, "marking the division of the text into books, chapters, paragraphs and som ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ...
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