Romance For Bassoon And Orchestra (Elgar)
   HOME
*





Romance For Bassoon And Orchestra (Elgar)
The Romance, in D minor, Op 62, is a short work for bassoon and orchestra by Edward Elgar. It exists also in a transcription for cello and orchestra made by the composer. Both the bassoon and cello versions date from 1909–10. It is also published with the orchestral part reduced to a piano accompaniment. The Romance was composed for the principal bassoonist of the London Symphony Orchestra, Edwin F James, who gave the first performance in February 1911 at Hereford, with the composer conducting. The cello transcription remained unplayed until 1985. The work was composed between two of Elgar's most large-scale works, the Violin Concerto and the Second Symphony, and is a contrastingly short and gentle piece, lasting under eight minutes in performance. The Elgar expert Michael Kennedy remarks of it that it portrays the bassoon as poet and singer rather than comedian. Instrumentation The work is scored for an orchestra consisting of, besides the solo bassoon, 2 flutes, 2 oboes, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Mark Elder
Sir Mark Philip Elder (born 2 June 1947) is a British conductor. He is currently music director of the Hallé Orchestra in Manchester, England. Life and career Elder was born in Hexham, Northumberland, the son of a dentist. He played the bassoon when in primary school, and at Bryanston School, Dorset, where he was one of the foremost musicians (bassoon and keyboards) of his generation. He attended Corpus Christi College, Cambridge as a choral scholar, where he studied music. He later became a protégé of Sir Edward Downes and gained experience conducting Verdi operas (as well as Prokofiev's ''War and Peace'' and Wagner's ''Meistersinger'') in Australia, at the Sydney Opera House. Family Elder and his wife, Mandy, have a daughter, Katie. The ENO and association with several orchestras From 1979 to 1993, Elder was the music director of English National Opera (ENO). He was known as part of the "Power House" team that also included general director Peter Jonas and artisti ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


1910 Compositions
Year 191 ( CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 '' Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the H ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Compositions By Edward Elgar
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Concertos By Edward Elgar
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian B ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE