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Rolf Liebermann
Rolf Liebermann (14 September 1910 – 2 January 1999), was a Swiss composer and music administrator. He served as the Artistic Director of the Hamburg State Opera from 1959 to 1973 and again from 1985 to 1988. He was also Artistic Director of the Paris Opera from 1973 to 1980. Life Liebermann was born in Zürich, and studied composition and conducting with Hermann Scherchen in Budapest and Vienna in the 1930s, and later with Wladimir Vogel in Basel. His compositional output involved several different musical genres, including chansons, classical, and light music. His classical music often combines myriad styles and techniques, including those drawn from baroque, classical, and twelve-tone music. Liebermann was the director of the Hamburg Staatsoper from 1959 to 1973, and again from 1985 to 1988. During his tenure in Hamburg, he commissioned 24 new operas, including ''The Devils'' by Krzysztof Penderecki, '' Der Prinz von Homburg'' by Hans Werner Henze, and '' Help, Help, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zürich
Zürich () is the list of cities in Switzerland, largest city in Switzerland and the capital of the canton of Zürich. It is located in north-central Switzerland, at the northwestern tip of Lake Zürich. As of January 2020, the municipality has 434,335 inhabitants, the Urban agglomeration, urban area 1.315 million (2009), and the Zürich metropolitan area 1.83 million (2011). Zürich is a hub for railways, roads, and air traffic. Both Zurich Airport and Zürich Hauptbahnhof, Zürich's main railway station are the largest and busiest in the country. Permanently settled for over 2,000 years, Zürich was founded by the Roman Empire, Romans, who called it '. However, early settlements have been found dating back more than 6,400 years (although this only indicates human presence in the area and not the presence of a town that early). During the Middle Ages, Zürich gained the independent and privileged status of imperial immediacy and, in 1519, became a primary centre of the Protestant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Carlo Menotti
Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent. Like Wagner, Menotti wrote the libretti of all his operas. He wrote the classic Christmas opera '' Amahl and the Night Visitors'' (1951), along with over two dozen other operas intended to appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Equiluz
Kurt Equiluz (13 June 1929 – 20 June 2022) was an Austrian classical tenor in opera and concert. He was a member of the Vienna State Opera as a tenor buffo from 1957 until 1983, remembered for roles such as Pedrillo in Mozart's ''Die Entführung aus dem Serail''. He appeared regularly at the Salzburg Festival, including world premieres such as Rolf Liebermann's ''Penelope'' in 1954. He recorded works by Johann Sebastian Bach with conductors such as Michel Corboz, Helmuth Rilling and Charles de Wolff, and prominently as the Evangelist in the first recording of Bach's ''St John Passion'' on period instruments with the Concentus Musicus Wien in 1965, conducted by Nikolaus Harnoncourt. Career Equiluz was born in Vienna on 13 June 1929. He was a member of the Wiener Sängerknaben, performing as an alto soloist. From 1944 to 1950, he studied music theory, harp and singing at the Austrian State Academy for Music and Art in Vienna, singing with Adolf Vogel. He was a member of the W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Böhme
Kurt Böhme (5 May 1908 – 20 December 1989) was a German bass. He was born in Dresden, Germany, where he studied with Adolf Kluge at the Dresden Conservatory. He made his debut in 1930 in Bautzen in Der Freischütz, singing both Kaspar (a signature role he was to perform roughly 350 times) and, following a 3-minute costume change, the Hermit. From 1930–1950, he was a member of the Dresden State Opera, 1949 he became a member of the Munich State Opera and in 1955 a member of the Vienna State Opera. In the 1950s and 1960s he became known worldwide because of his acting talents, performing the buffo role of Baron Ochs (more than 500 performances) as well as the 'heavies': Kaspar (1954 with Wilhelm Furtwängler), Fafner (1958–1964 with Georg Solti), and "Matteo" in Fra Diavolo (Dresden November 1944). He was best known for his interpretations of Wagnerian roles, and Mozart's big bass roles (Osmin, Sarastro, and the Commendatore), and Baron Ochs von Lerchenau in Strauss' Der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Lorenz (tenor)
Max Lorenz (born Max Sülzenfuß; 10 May 1901 – 11 January 1975) was a German heldentenor famous for Wagnerian roles. Career Lorenz was born in Düsseldorf, and studied with Ernst Grenzebach in Berlin in the 1920s. He later was a pupil of Estelle Liebling in New York City. He made his debut at the Semperoper in Dresden in 1927, becoming a principal tenor. From 1929 to 1944 he was a member of the ensemble at the Berlin State Opera, appearing also at the New York Metropolitan Opera (1931–1934), the Bayreuth Festspielhaus (1933–1939, 1952, 1954) and the Royal Opera House Covent Garden (1934 and 1937). He sang, too, at the Vienna State Opera (1929–1933, 1936–1944, 1954). Audiences at the Salzburg Festival also heard him, and he created roles in such post-World War II works as Gottfried von Einem’s '' Der Prozess'' (Josef K, 1953), Rolf Liebermann’s ''Penelope'' (1954) and Rudolf Wagner-Régeny’s ''Das Bergwerk zu Falun'' (1961). Lorenz's operatic and recital career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Schock
Rudolf Johann Schock (4 September 1915 – 13 November 1986) was a German tenor. Rudolf Schock was born in Duisburg, in the Prussian Rhine Province. He sang a wide repertoire from operetta to ''Lohengrin'', recording among others opera and lieder, doing television, radio and film work.Noël Goodwin, "Schock, Rudolf (Johann)", ''Grove Music Online'', version 15 May 2009. Retrieved 21 December 2009. Slim and handsome, he made many films. His voice fell almost into the heldentenor fach but was smaller and more ardent than many voices in that category. Colored distinctly with a rich baritonal quality, Schock is described by '' Grove'' as a "lyric tenor" with a warm flexible voice, and a "strong top voice" which suited him to "heroic roles". However the same source feels that his acting left something to be desired. When he was 18 and still continuing his musical studies that took him to Cologne, Hanover and Berlin, Schock joined the opera chorus at Theater Duisburg in the city of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Klein (tenor)
Peter Klein (January 25, 1907 – October 3, 1992) was a German lyric and light-operatic tenor. He was born in Zündorf (near Cologne), and died in Vienna. He achieved the prestigious rank of Kammersänger. Beginning in 1942, he sang at the Vienna State Opera, and performed in several Salzburg Festivals. He made his debut at New York's Metropolitan Opera on 21 November 1949 as Valzacchi in ''Der Rosenkavalier'' and sang there for three seasons in roles including Don Basilio in ''Le nozze di Figaro'', Mime in ''Siegfried'', and Jaquino in ''Fidelio''.Metropolitan Opera In 1956, he was hired as professor at the Konservatorium der Stadt Wien. He left recordings including Monostatos, Pedrillo, Mime, and the Dance-Master. References Sources *''Encyclopedia of Austria'' (Österreich-Lexikons)"Klein, Peter"*Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera Hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Berry (bass-baritone)
Walter Berry (8 April 1929 – 27 October 2000) was an Austrian lyric bass-baritone who enjoyed a prominent career in opera. He has been cited as one of several exemplary operatic bass-baritones of his era. Professional career Walter Berry was born in Vienna. He studied voice at the Vienna Music Academy and made his stage debut with the Vienna State Opera in 1947. He became a permanent member of the company in 1950, remaining with that ensemble for his entire career, although he undertook frequent guest appearances elsewhere in Europe and in the UK. In 1952, Berry made his first appearance at the Salzburg Festival, where he subsequently performed on a regular basis. While in Salzburg, he collaborated with Herbert von Karajan conducting the Vienna Philharmonic Orchestra in a production of Wolfgang Amadeus Mozart's opera ''Don Giovanni'' with Leontyne Price and Elisabeth Schwarzkopf. While appearing in Vienna and Salzburg he interpreted an extensive operatic repertoire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anneliese Rothenberger
Anneliese Rothenberger (19 June 191924 May 2010) was a German operatic soprano who had an active international performance career which spanned from 1942 to 1983. She specialized in the lyric coloratura soprano repertoire, and was particularly admired for her interpretations of the works of Wolfgang Amadeus Mozart and Richard Strauss. Life and career Rothenberger was born in Mannheim, Germany. She studied with Erika Müller, and took up her first engagement in Koblenz in 1942. In 1946, Günther Rennert offered her a job at the Hamburg Opera House, where she sang in Rennert's now famous production of Alban Berg's ''Lulu'' twenty years later, a role she would also perform at the Munich Opera Festival, under the direction of Christoph von Dohnányi. 1954 saw her make her debut at the Salzburg Festival, and she appeared in Rolf Liebermann's ''Schule der Frauen'', three years later. From 1954, she became a guest singer at the Vienna State Opera. New York City audiences had their fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Szell
George Szell (; June 7, 1897 – July 30, 1970), originally György Széll, György Endre Szél, or Georg Szell, was a Hungarian-born American conductor and composer. He is widely considered one of the twentieth century's greatest conductors. He is remembered today for his long and successful tenure as music director of the Cleveland Orchestra of Cleveland, Ohio, and for the recordings of the standard classical repertoire he made in Cleveland and with other orchestras. Szell came to Cleveland in 1946 to take over a respected if undersized orchestra, which was struggling to recover from the disruptions of World War II. By the time of his death he was credited, to quote the critic Donal Henahan, with having built it into "what many critics regarded as the world's keenest symphonic instrument." Through his recordings, Szell has remained a presence in the classical music world long after his death, and his name remains synonymous with that of the Cleveland Orchestra. Whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Giraudoux
Hippolyte Jean Giraudoux (; 29 October 1882 – 31 January 1944) was a French novelist, essayist, diplomat and playwright. He is considered among the most important French dramatists of the period between World War I and World War II. His work is noted for its stylistic elegance and poetic fantasy. Giraudoux's dominant theme is the relationship between man and woman—or in some cases, between man and some unattainable ideal. Biography Giraudoux was born in Bellac, Haute-Vienne, where his father, Léger Giraudoux, worked for the Ministry of Transport. Giraudoux studied at the Lycée Lakanal in Sceaux and upon graduation traveled extensively in Europe. After his return to France in 1910, he accepted a position with the Ministry of Foreign Affairs. With the outbreak of World War I, he served with distinction and in 1915 became the first writer ever to be awarded the wartime Legion of Honour. He married in 1918 and in the subsequent inter-war period produced the majority of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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