Roland SP-606
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Roland SP-606
The Roland SP-606 is a music sampler manufactured by Roland Corporation. It is part of the SP family, which includes Roland’s popular SP-303 and SP-404 installments. Released in the year of 2004, the sampler was soon succeeded in 2005 by the SP-404. Features Unlike the predecessors, the SP-606 was designed in collaboration with Cakewalk. As a result, the sampler was bundled with the then-new P606 software from Cakewalk for enhanced integration and functionality with a PC. The SP-606 has over 40 various effects, which include Isolator, Filter + Drive, Slicer, Reverb, Tape Echo. It also has the D Beam feature, which allows the user to control 3 different effects physically, including synth, trigger, and filter. The maximum number of samples that can be internally stored is 128. Samples are recorded in 'SP606 original format', with the memory used equating roughly to 16MB. Audio samples are imported and exported in WAV/AIF file format, by way of CompactFlash. Additionally, Compa ...
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Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ...
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Synth
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ...
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Music Workstations
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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Sound Modules
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI (Musical Instrument Digital Interface), which is a standardized interface designed for this purpose. Sound modules are often rack-mountable, but are also produced in table-top form factor, particularly when the intended user is a DJ or record producer. The height of a sound module is often described in rack units. Small sound modules are mostly 1U in height, the larger models a multiplication e.g. 2U or 3U. Despi ...
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Music Sequencers
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. So ...
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D-Beam
The D-Beam was originally manufactured by Interactive Light, as a stand-alone unit, around 1996. It was then soon purchased by Roland Corporation, becoming trademarked and rebranded as D-Beam Controller for their own music equipment. Background After being acquired by Roland, the D-Beam Controller was introduced on a larger scale through the Roland MC-505 in 1998, was further incorporated into a large number of Roland's grooveboxes, workstations, keyboards, and digital samplers over the years. The D-Beam is an interface that can control and manipulate sounds by hand movements interacting with an infrared beam of light. The controller is usually mounted in the equipment's panel facing upwards, and senses the performer's hand (or other body part) at a height of up to 15" (~40 cm) or so above the device. Although controlled in a similar manner to a theremin, the operating principles are fundamentally different; the theremin uses Capacitive sensing In electrical engineering, capac ...
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Samplers (musical Instrument)
Sampler may refer to: * Sampler (signal), a digital signal processing device that converts a continuous signal to a discrete signal * Sampler (needlework), a handstitched piece of embroidery used to demonstrate skill in needlework * Sampler (surname) * A quilt where each block is constructed using a different pattern * Sampler, or hydrocarbon well logging, or mud logger * In sampling (medicine), the instrument used Music * Sampler (musical instrument), a device used to create digital recordings called samples * ''Sampler'' (Cardiacs album), 1995 * ''Sampler'' (Cat Empire EP) * ''Sampler'' (Plumb EP) * Sampler album, a type of compilation album ** '' In Store Jam'', a promotional compilation by Jamiroquai See also * Sample (other) Sample or samples may refer to: Base meaning * Sample (statistics), a subset of a population – complete data set * Sample (signal), a digital discrete sample of a continuous analog signal * Sample (material), a specimen or small q ...
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Workstations
A workstation is a special computer designed for technical or scientific applications. Intended primarily to be used by a single user, they are commonly connected to a local area network and run multi-user operating systems. The term ''workstation'' has been used loosely to refer to everything from a mainframe computer terminal to a PC connected to a network, but the most common form refers to the class of hardware offered by several current and defunct companies such as Sun Microsystems, Silicon Graphics, Apollo Computer, DEC, HP, NeXT, and IBM which powered the 3D computer graphics revolution of the late 1990s. Workstations offer higher performance than mainstream personal computers, especially in CPU, graphics, memory, and multitasking. Workstations are optimized for the visualization and manipulation of different types of complex data such as 3D mechanical design, engineering simulations like computational fluid dynamics, animation, medical imaging, image rendering, and ...
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Roland
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even fur ...
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Roland Synthesizers
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even further ...
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Madlib
Otis Jackson Jr. (born October 24, 1973), known professionally as Madlib, is an American DJ, music producer, multi-instrumentalist, and rapper. He is widely known for his collaborations with MF DOOM (as Madvillain), J Dilla (as Jaylib), and Freddie Gibbs (as MadGibbs). Madlib has described himself as a "DJ first, producer second, and MC last." Aziri (2002). His stage name is an acronym for "Mind Altering Demented Lessons In Beats". Early life Otis Jackson Jr. was born on October 24, 1973, in Oxnard, California, to musician parents Otis Jackson, Sr. and Dora Sinesca Jackson. He sampled his first song at 11 years old, sourced from his father's collection. His younger brother is the producer and rapper Michael "Oh No" Jackson. His uncle is the jazz trumpeter Jon Faddis. He was raised in Oxnard, where he began his music career. Music career 1993–1998: Early career In the early 1990s, Madlib formed a loose-knit collective composed of rappers who worked with him in his Oxna ...
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