Roland MC-505
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Roland MC-505
The Roland MC-505 is a groovebox conceived in 1998 as a combination of a MIDI controller, a music sequencer, a drum machine, and a desktop synthesizer with many synthesis features: arpeggiator, oscillators, and voltage-controlled filter, control of attack, decay, sustain and release, different envelopes and 2 Lfo. It was released as the successor to the Roland MC-303 and is a compact version of the Roland JX-305 Groovesynth without the full set of 61 keys. It is also the predecessor to the Roland D2, Roland MC-307, Roland MC-909 and the Roland MC-808. Features The key features of the MC-505 are: * 64 voice polyphonic digital subtractive synthesis engine (derived from the Roland JV-1080) with 251 different oscillator, acoustic and drum sample waveforms * 512 built-in preset sounds, 256 user sounds & 26 rhythm sets (includes the Roland CR-78, TR-808, TR-606, TR-909, TR-707 and R-8) * 8-track MIDI sequencer + Mute Ctrl Track * Recording length of up to 32 bars per patte ...
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Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro ...
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Roland MC-808
The Roland MC-808 was a groovebox, announced at the Winter NAMM in 2006. It is the successor to the late Roland MC-303, Roland MC-307, Roland MC-505 and Roland MC-909. Background Though cheaper than the Roland MC-909, it has a number of features the Roland MC-909 lacked including double the polyphony (128-voice) and motorized faders. It lacks SRX card expandability, and turntable emulation, which the Roland MC-909 has. It supports more flash memory (1GB CompactFlash,) and more RAM (up to 512MB,) than did the Roland MC-909. It has a 2-line segment built-in LCD that is less flexible - similar to the late Roland MC-505, and much smaller than the Roland MC-909 large LCD screen. It also has a large LED display, similar to the late Roland MC-303. The Roland MC-808 requires a USB connection to a computer for full patch editing, unlike the Roland MC-909. (However, the OS v1.03 update available on the Roland website allows for some patch editing without a computer, most notably samp ...
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Electronic Component
An electronic component is any basic discrete device or physical entity in an electronic system used to affect electrons or their associated fields. Electronic components are mostly industrial products, available in a singular form and are not to be confused with electrical elements, which are conceptual abstractions representing idealized electronic components and elements. Electronic components have a number of electrical terminals or leads. These leads connect to other electrical components, often over wire, to create an electronic circuit with a particular function (for example an amplifier, radio receiver, or oscillator). Basic electronic components may be packaged discretely, as arrays or networks of like components, or integrated inside of packages such as semiconductor integrated circuits, hybrid integrated circuits, or thick film devices. The following list of electronic components focuses on the discrete version of these components, treating such packages as com ...
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Printed Circuit Board
A printed circuit board (PCB; also printed wiring board or PWB) is a medium used in electrical and electronic engineering to connect electronic components to one another in a controlled manner. It takes the form of a laminated sandwich structure of conductive and insulating layers: each of the conductive layers is designed with an artwork pattern of traces, planes and other features (similar to wires on a flat surface) etched from one or more sheet layers of copper laminated onto and/or between sheet layers of a non-conductive substrate. Electrical components may be fixed to conductive pads on the outer layers in the shape designed to accept the component's terminals, generally by means of soldering, to both electrically connect and mechanically fasten them to it. Another manufacturing process adds vias: plated-through holes that allow interconnections between layers. Printed circuit boards are used in nearly all electronic products. Alternatives to PCBs include wire ...
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LCD Screen
A liquid-crystal display (LCD) is a flat-panel display or other electronically modulated optical device that uses the light-modulating properties of liquid crystals combined with polarizers. Liquid crystals do not emit light directly but instead use a backlight or reflector to produce images in color or monochrome. LCDs are available to display arbitrary images (as in a general-purpose computer display) or fixed images with low information content, which can be displayed or hidden. For instance: preset words, digits, and seven-segment displays, as in a digital clock, are all good examples of devices with these displays. They use the same basic technology, except that arbitrary images are made from a matrix of small pixels, while other displays have larger elements. LCDs can either be normally on (positive) or off (negative), depending on the polarizer arrangement. For example, a character positive LCD with a backlight will have black lettering on a background that is the col ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mu ...
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Smartmedia
SmartMedia is an obsolete flash memory card standard owned by Toshiba, with capacities ranging from 2 MB to 128 MB. The format mostly saw application in the early 2000s in digital cameras and audio production. SmartMedia memory cards are no longer manufactured. History The SmartMedia format was launched in the summer of 1995 to compete with the MiniCard, CompactFlash, and PC Card formats. Although memory cards are nowadays associated with digital cameras, digital audio players, PDAs, and similar devices, SmartMedia was pitched as a successor to the computer floppy disk. Indeed, the format was originally named Solid State Floppy Disk Card (SSFDC), and the physical design resembles a miniature 3.5" floppy disk. The SSFDC forum, a consortium aiming to promote SSFDC as an industry standard, was founded in April 1996, consisting of 37 initial members. A SmartMedia card consists of a single NAND flash chip embedded in a thin plastic card, although some higher-capacity car ...
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D-Beam
The D-Beam was originally manufactured by Interactive Light, as a stand-alone unit, around 1996. It was then soon purchased by Roland Corporation, becoming trademarked and rebranded as D-Beam Controller for their own music equipment. Background After being acquired by Roland, the D-Beam Controller was introduced on a larger scale through the Roland MC-505 in 1998, was further incorporated into a large number of Roland's grooveboxes, workstations, keyboards, and digital samplers over the years. The D-Beam is an interface that can control and manipulate sounds by hand movements interacting with an infrared beam of light. The controller is usually mounted in the equipment's panel facing upwards, and senses the performer's hand (or other body part) at a height of up to 15" (~40 cm) or so above the device. Although controlled in a similar manner to a theremin, the operating principles are fundamentally different; the theremin uses Capacitive sensing In electrical engineering, cap ...
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Roland R-8
The R-8 Human Rhythm Composer is an electronic drum machine introduced in 1989 by Roland Corporation, using PCM voices. The R-8 features velocity- and pressure-sensitive trigger pads, and the ability to create loops of beats. The device has eight individual outputs, 12-voice polyphony, and four-part multitimbral MIDI. The R-8 has one RAM memory card slot for saving user-created patterns and songs, and one slot for PCM ROM cards to augment the internal sound banks. The R-8M is a rackmount version of the R-8, lacking the trigger pads and the sequencer capability, but with three front-facing ROM card slots. These sound libraries may be accessed simultaneously. This device was available from 1989 through 1994. The rack version has fewer individual outputs: 6 instead of 8. In 1992, Roland released a second version of the R-8 drum machine, the R-8 MKII. This version offers greatly expanded memory. The ROM went from 67 to 199 samples. It brought onboard content from the PCM card ...
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Roland TR-707
The Roland TR-707 Rhythm Composer is a drum machine released by the Roland Corporation in 1985. Features The TR-707 has fifteen digitally sampled sounds. The instrument is capable of 10-voice polyphony. The alternate bass drum, snare, and hi-hat sounds cannot be triggered simultaneously. The instruments are labeled as Bass Drum, Snare Drum, Low Tom, Mid Tom, Hi Tom, Rimshot, Cowbell, Hand Clap, Tambourine, Hi-Hat (Closed or Open), Cymbal (Crash or Ride), as well as an additional function labeled accent, which serves to rhythmically modify the volume of the other instruments. The instruments on the TR-707 are samples of recordings of actual acoustic instruments, and not synthesized individually like the instruments on the TR-808. The TR-707 provides four levels of shuffle that operate globally on the rhythm, as well as flam that can be applied to any step. The device offers 64 programmable patterns, which are editable via step-write or tap-write, that can be sequenced togeth ...
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TR-909
The Roland TR-909 Rhythm Composer is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808. It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to synchronize with other devices. Though it was a commercial failure, the 909 became influential in the development of electronic dance music genres such as techno, house and acid. Design The 909 was designed by Tadao Kikumoto, who also designed the Roland TB-303 synthesizer. Chief Roland engineer Makoto Muroi credited the design of the analog and pulse-code modulation voice circuits to "Mr Ou" and its software to "Mr Hoshiai". Whereas its predecessor, the TR-808, is known for its "boomy" bass, the 909 sounds aggressive and "punchy". It was the first Roland drum machine to use samples (prerecorded sounds), for its crash, ride and hi-hat sounds; other sounds are generated with analog synthesis. As the clap and snare are generated via ...
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TR-606
The Roland TR-606 Drumatix is a drum machine built by the Roland Corporation from 1981 to 1984. It was originally designed to be used with the Roland TB-303, a monophonic analog bass synthesizer, to provide a simple drum and bass accompaniment to guitarists without backing bands. History The TB-303 and TR-606 launched in 1981 as a matched pair to provide solo artists the chance to practice without other individuals, solely using the TR-606 and TB-303 as drums and bass lines to practice to, but the programming and artificial sounds made the boxes uncomfortable to use and they soon lost their luster. The group was doomed to an early demise as popular music soon shifted to sampled drum sounds and real bass lines for hit songs, as sample capabilities were the newest development of the late 1980s. At one time, the TR-606 could be found in pawn shops for as little as US$50; since the resurgence in popularity of analog drum sounds for electronic music, however, the TR-606 will commonly ...
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