Roland MC-307
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Roland MC-307
The Roland MC-307 is a combination of MIDI music sequencer, synthesizer, drum machine and control surface produced by the Roland Corporation. This combination is commonly referred to by Roland as a 'Groovebox'. It is a scaled-down version of the Roland MC-505. It has the same tone generator, but a much smaller control surface. It does, however, have several features that make it an ideal clock source for musicians wanting to do beatmatching. These include a large, very granular tempo slider similar to the sliders found on a modern phonograph and 'push' and 'hold' buttons that permit temporarily slowing down or speeding up the beat clock. It can also transmit MIDI Machine Control and MIDI beat clock, and slave to external beat clock sources such as other Roland grooveboxes. It can be used as a sequencer to drive external synthesizer units. It is the successor to the Roland MC-303 and Roland MC-505, and the predecessor to the Roland MC-909 and the Roland MC-808. Features ...
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Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ...
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Roland MC-505
The Roland MC-505 is a groovebox conceived in 1998 as a combination of a MIDI controller, a music sequencer, a drum machine, and a desktop synthesizer with many synthesis features: arpeggiator, oscillators, and voltage-controlled filter, control of attack, decay, sustain and release, different envelopes and 2 Lfo. It was released as the successor to the Roland MC-303 and is a compact version of the Roland JX-305 Groovesynth without the full set of 61 keys. It is also the predecessor to the Roland D2, Roland MC-307, Roland MC-909 and the Roland MC-808. Features The key features of the MC-505 are: * 64 voice polyphonic digital subtractive synthesis engine (derived from the Roland JV-1080) with 251 different oscillator, acoustic and drum sample waveforms * 512 built-in preset sounds, 256 user sounds & 26 rhythm sets (includes the Roland CR-78, TR-808, TR-606, TR-909, TR-707 and R-8) * 8-track MIDI sequencer + Mute Ctrl Track * Recording length of up to 32 bars per pattern * 71 ...
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Future Music
''Future Music'' (stylised as ''FutureMusic'') is a monthly magazine published by Future plc in the UK. It was founded in 1992 and is aimed primarily at record producers working in the electronic music field. ''Future Music'' includes hardware and software reviews, tutorials, royalty-free samples and loops, and music by electronic artists. The magazine also has reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees have included Aphex Twin, Grimes and Gary Numan, who appeared on the cover of the first issue. ''Future Music'' content has been reprinted by outlets including ''The Fader'', ''Amiga Format'' and Loopmasters. The journalist and broadcaster Dave Haslam characterised ''Future Music'' as "a specialist mag for techno boffins". Matt Feeney in ''The Lance'' recommended the publication as one of the best within electronic music, saying, "''Future Music'' magazine is... intended not so much for the fans of electronic ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Roland MC-808
The Roland MC-808 was a groovebox, announced at the Winter NAMM in 2006. It is the successor to the late Roland MC-303, Roland MC-307, Roland MC-505 and Roland MC-909. Background Though cheaper than the Roland MC-909, it has a number of features the Roland MC-909 lacked including double the polyphony (128-voice) and motorized faders. It lacks SRX card expandability, and turntable emulation, which the Roland MC-909 has. It supports more flash memory (1GB CompactFlash,) and more RAM (up to 512MB,) than did the Roland MC-909. It has a 2-line segment built-in LCD that is less flexible - similar to the late Roland MC-505, and much smaller than the Roland MC-909 large LCD screen. It also has a large LED display, similar to the late Roland MC-303. The Roland MC-808 requires a USB connection to a computer for full patch editing, unlike the Roland MC-909. (However, the OS v1.03 update available on the Roland website allows for some patch editing without a computer, most notably samp ...
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Roland MC-909
The discontinued Roland MC-909 Sampling Groovebox combines the features of a synthesizer, sequencer, and sampler, with extensive hands-on control of both the sound engine and the sequencing flow. It was intended primarily for live performance of pre-programmed patterns consisting of up to 16 tracks of MIDI data. It was released by Roland Corporation on October 8, 2002. This product was announced at the AES Fall Convention in 2002. It is the direct successor to the Roland MC-505 and is the predecessor to the Roland MC-808. Which eventually ended the "Groovebox by year 2010" line of products by Roland which began in the year 1996 with the Original Roland MC-303 groovebox. The Roland Groovebox began again resurgence in the year 2019 with a two new modern & redesign Roland MC-707 GROOVEBOX/Roland MC-101 GROOVEBOX. The Roland MC-909 was developed from the blueprint of Roland's own "Roland Fantom-S Workstation & Roland Fantom-X Workstation" and uses the same structure and operati ...
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Roland MC-303
The Roland MC-303 is the first of a series of musical instruments known as a Groovebox. It combines a simple sound module with a sequencer to record and store notation, along with controls aimed at encouraging the musician to improvise the music while it is playing. Despite the number in its name and the attention it received at its launch, the MC-303 has more in common with other MC prefixed synthesizers (such as the Roland MC-202), which contain built-in sequencers, than it does with the famous Roland TB-303. As the first Groovebox, the MC-303 was the first in a line of inexpensive products specifically targeted towards house DJs and amateur home musicians rather than professional producers. It was superseded by the Roland MC-505. It is the predecessor to the Roland JX-305, Roland D2, Roland MC-307, Roland EG-101, Roland MC-09, Roland MC-909, Roland MC-808, and most recently the Roland MC-707 in 2019, along with its more portable sibling, the Roland MC-101. Features The key f ...
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MIDI Beat Clock
{{No footnotes, date=January 2020 MIDI beat clock, or simply MIDI clock, is a clock signal that is broadcast via MIDI to ensure that several MIDI-enabled devices such as a synthesizer or music sequencer stay in synchronization. Clock events are sent at a rate of 24 pulses per quarter note. Those pulses are used to maintain a synchronized tempo for synthesizers that have BPM-dependent voices and also for arpeggiator synchronization. MIDI beat clock differs from MIDI timecode in that MIDI beat clock is tempo-dependent. Location information can be specified using MIDI Song Position Pointer (SPP, see below), although many simple MIDI devices ignore this message. Messages MIDI beat clock defines the following real-time messages: * clock (decimal 248, hex 0xF8) * start (decimal 250, hex 0xFA) * continue (decimal 251, hex 0xFB) * stop (decimal 252, hex 0xFC) MIDI also specifies a System Common message called Song Position Pointer (SPP). SPP can be used in conjunction with the above rea ...
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MIDI Machine Control
MIDI Machine Control, or MMC, a subset of the MIDI specification, provides specific commands for controlling recording equipment such as multi-track recorders. MMC messages can be sent along a standard MIDI cable for remote control of such functions as Play, Fast Forward, Rewind, Stop, Pause, and Record. These are " System Exclusive" (SysEx) messages, specifically Real Time Universal SysEx messages. MIDI Universal Real Time SysEx Message Format MIDI includes System Exclusive messages that are extensions of the MIDI format implemented by MIDI manufacturers. Some of the extensions, the "Universal" ones, are a set of the same functions that different manufacturers can implement differently in detail. Some of them are Non Real Time, with no reliable delivery timing. Others are Real Time, including MMC, so they are more reliably delivered when expected. SysEx messages start with (hexadecimal) F0 and end with F7. Universal Real Time SysEx messages start with F0, followed by 7F, then incl ...
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Phonograph
A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogue recording and reproduction of sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones. The phonograph was invented in 1877 by Thomas Edison. Alexander Graham Bell's Volta Laboratory made s ...
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Beatmatching
Beatmatching or pitch cue is a disc jockey technique of pitch shifting or timestretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played simultaneously. Beatmatching is a component of beatmixing which employs beatmatching combined with equalization, attention to phrasing and track selection in an attempt to make a single mix that flows together and has a good structure. The technique was developed to keep the people from leaving the dancefloor at the end of the song. These days it is considered basic among disc jockeys (DJs) in electronic dance music genres, and it is standard practice in clubs to keep the constant beat through the night, even if DJs change in the middle. Beatmatching is no longer considered a novelty, and new digital software has made the technique much ...
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Groovebox
A groovebox is a self-contained electronic or digital musical instrument for the production of live, loop-based electronic music with a high degree of user control facilitating improvisation. The term "Groovebox" was originally used by Roland Corporation to refer to its MC-303, released in 1996. The term has since entered general use, and the concept dates back to the Movement Computer Systems Drum Computer in 1981. A groovebox consists of three integrated elements. * One or more sound sources, such as a drum machine, a synthesizer, or a sampler * A music sequencer * A control surface that is a combination of knobs (potentiometers or rotary encoders), sliders, buttons, and display elements (LEDs and/or an LCD screen) The integration of these elements into a single system allows the musician to rapidly construct and control a pattern-based sequence, often with multiple instrumental or percussion voices playing simultaneously. These sequences may also be quickly chained to ...
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