Rodion Konstantinovich Shchedrin
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Rodion Konstantinovich Shchedrin
Rodion Konstantinovich Shchedrin ( rus, Родион Константинович Щедрин, , rədʲɪˈon kənstɐnʲˈtʲinəvʲɪtɕ ɕːɪˈdrʲin; born 16 December 1932) is a Soviet and Russian composer and pianist, winner of USSR State Prize (1972), the Lenin Prize (1984), and the State Prize of the Russian Federation (1992), and is a former member of the Inter-regional Deputies Group (1989–1991). He is also a citizen of Lithuania and Spain. Biography Shchedrin was born in Moscow into a musical family—his father was a composer and teacher of music theory. He studied at the Moscow Choral School and Moscow Conservatory (graduating in 1955) under Yuri Shaporin (composition) and Yakov Flier (piano). He was married to ballerina Maya Plisetskaya from 1958 until her death in 2015. Shchedrin's early music is tonal and colourfully orchestrated and often includes snatches of folk music, while some later pieces use aleatoric and serial techniques. In the West the music o ...
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Maya Plisetskaya
Maya Mikhailovna Plisetskaya (russian: link=no, Майя Михайловна Плисецкая; 20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship.Maya Plisetskaya profile
viola.bz; accessed 2 May 2015.
She danced during the Soviet era at the under the directorships of , then of Yury Grigorovich; later she moved into direct ...
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Carmen Suite (ballet)
''Carmen Suite'' is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin for his wife, prima ballerina assoluta Maya Plisetskaya. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from Bizet's opera ''Carmen'' and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."Sanderson, allmusic.com. Structure The ballet is in ...
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John F
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Jo ...
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Chastushka
Chastushka ( rus, частушка, , tɕɪsˈtuʂkə) is a traditional type of short Russian or Ukrainian humorous folk song with high beat frequency, that consists of one four-lined couplet, full of humor, satire or irony. The term "chastushki" was first used by Gleb Uspensky in his book about Russian folk rhymes published 1889. Usually many chastushki are sung one after another. Chastushki make use of a simple rhyming scheme to convey humorous or ironic content. The singing and recitation of such rhymes were an important part of peasant popular culture both before and after the Bolshevik Revolution of 1917. Form A chastushka (plural: chastushki) is a simple rhyming poem which would be characterized derisively in English as doggerel. The name originates from the Russian word "часто" ("chasto") – "frequently", or from "частить" ("chastit"), meaning "to do something with high frequency" and probably refers to high beat frequency of chastushki. The basic form is a si ...
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Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera ''Lady Macbeth of Mtsensk (opera), Lady Macbeth of Mtsensk'' was initially a success, but eventually was Muddle Instead of Music, condemned by the Soviet government, putting his career at risk. In 1948 his work was #Second denunciation, denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was On the Cult of Personality and Its Consequences, rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Symphony No. 13 (Shostakovich), Thirteenth Symphony (1962). Shostakovich was a m ...
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24 Preludes And Fugues
{{Unreferenced, date=June 2019, bot=noref (GreenC bot) The prelude and fugue is a musical form generally consisting of two movements in the same key for solo keyboard. In classical music, the combination of prelude and fugue is one with a long history. Many composers have written works of this kind. The use of this format is generally inspired by Johann Sebastian Bach's two books of preludes and fugues — ''The Well-Tempered Clavier'' — completed in 1722 and 1742 respectively. Bach, however, was not the first to compose such a set: Johann Caspar Ferdinand Fischer wrote a 20-key cycle in his 1702 work ''Ariadne musica''. A number of composers wrote sets of pieces covering all 24 major and/or minor keys. Many of these have been sets of 24 preludes and fugues, or 24 preludes. The first movement may be alternatively titled, resulting in a fantasy and fugue, or a toccata and fugue, among others. Works The following works employ, sometimes loosely, the prelude-and-fugue form ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ...
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Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ...
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Nikolai Gogol
Nikolai Vasilyevich Gogol; uk, link=no, Мико́ла Васи́льович Го́голь, translit=Mykola Vasyliovych Hohol; (russian: Яновский; uk, Яновський, translit=Yanovskyi) ( – ) was a Russian novelist, short story writer and playwright of Ukrainian origin. Gogol was one of the first to use the technique of the grotesque, in works such as " The Nose", " Viy", "The Overcoat", and "Nevsky Prospekt". These stories, and others such as " Diary of a Madman", have also been noted for their proto-surrealist qualities. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as ''Evenings on a Farm Near Dikanka'', were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (''The Government Inspector'', '' Dead Souls''). The novel ''Taras Bulba'' (1835), the play ''Marriage ...
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