Rodeo Caldonia
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Rodeo Caldonia
Rodeo Caldonia also known as Rodeo Caldonia High Fidelty Performance Theater was a black feminist arts collective based in Fort Greene, Brooklyn during the 1980s. The collective, which operated from about 1985-1988, included nearly 20 African American women who wanted to create feminist work that focused on their identities as Black women. The collective was founded by Lisa Jones and Alva Rogers. Influences The members of the Rodeo Caldonia were inspired by other performance collectives, such as the International Sweethearts of Rhythm, the 1940s integrated, all-women big band, Sweet Honey in the Rock, all-woman, African-American ''a cappella'' ensemble, and the New York-based Black women’s dance group, Urban Bush Women. Performances In 1985, Rodeo Caldonia High-Fidelity Performance Theater staged their first performance. While an active organization, the collective produced two plays ''Carmella & King Kong'' and ''Combination Skin'' and one poetry revue, “Welcome to th ...
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Black Feminism
Black feminism is a philosophy that centers on the idea that "Black women are inherently valuable, that lack women'sliberation is a necessity not as an adjunct to somebody else's but because our need as human persons for autonomy." Race, gender, and class discrimination are all aspects of the same system of hierarchy, which bell hooks calls the "imperialist white supremacist, capitalist patriarchy." Due to their inter-dependency, they combine to create something more than experiencing racism and sexism independently. The experience of being a Black woman, then, cannot be grasped in terms of being Black or of being a woman but must be illuminated via intersectionality, a term coined by legal scholar Kimberlé Crenshaw in 1989. Intersectionality indicates that each identity—being Black and being female—should be considered both independently and for their interaction effect, in which intersecting identities deepen, reinforce one another, and potentially lead to aggravated f ...
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